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    Take me out to the mallgame

    Outphoned: Think going outside the Loop makes iPhone 4 pickup any easier? Thinkagain

    Fayza A. Elmostehi
    Jun 24, 2010 | 5:38 pm
    • Were you at the Galleria waiting to get your iPhone 4 this morning? Then youhave seen this scene before.
    • Was it worth it for this?

    "Are you ready for tomorrow morning?"

    When this text arrived from my best friend on Wednesday evening, I knew exactly to what she was referring.

    Today is iPhone Launch Day. Ever since becoming iPhone owners a wee year ago, both she and I have been unabashed fangirls to an unprecedented degree. So, of course, when AT&T offered us the opportunity to score the iPhone 4 with the strings of two more years attached (in a contract), it was a no-brainer.

    But was I really ready for my very first iPhone Launch Day? Guess I was going to find out. Play ball!

    There's no home field advantage.

    I groggily hit snooze (on my iPhone, no less) at 6:00 a.m., and before I knew it, it was 6:18 a.m. The doors opened to the Willowbrook Mall at 7:00 a.m., so if I cared at all, I'd have to hurry.

    With a sizable commute still in front of me, I opted to skip the majority of my morning routine and head straight out the door. A precautionary text from my best friend — who was already in line for her respective Apple store in New Jersey — warned me to back up my iPhone before making the upgrade. I reluctantly returned to grab my laptop before leaving the loop.

    Why the Willowbrook Mall? Well, I figured the 'burbs wouldn't be so congested. I could waltz on up at around 7:00ish a.m. and I'd be money, correct? It's not like I was one of those fools stuck in the Galleria.

    So wrong, it's scandalous. At 6:47 a.m., a friend already in line at Willowbrook texted to say, "This line is ridiculous."

    And there went all my theories, right out the window.

    Go hard or go home.

    With my tail between my legs at 7:15 a.m., I joined the queue. The wrong one. Immediately upon entering the mall, I was greeted with the caboose of the walk-up sucker train that showed up in hopes of getting an iPhone 4 today.

    Haughty with realization, I followed the signs for the folks with reservations. I walked. And I walked. And I walked. Past tons of middle-aged technophiles that must've arrived at some point in their twenties. The end of the reservations line was so far away, I'm pretty sure it was in a different ZIP code.

    But there were only, perhaps, 200 people in that line — my line. How long could it possibly take?

    By 9:30 a.m. — a mere two hours and about 20 paces into my penance — I'd already eaten a complimentary Einstein's bagel with lox, turned down two rounds of free Starbucks Frappucinos, and jockeyed with a Kindle-engrossed grandma for positioning in the double-parked row.

    My feet were beginning to scream, since I, of course, had worn four-inch wedges to this very appropriate occasion. And my shoulders were beginning to ache, as I decided a laptop and a purse were necessary gear. I glared longingly at the spattering of camping chairs and willed my legs to continue functioning.

    At around 11:30 a.m., lunch was being prepared by Chick-fil-A. It was then, after exhausting all my possibilities for cyber entertainment, that I realized I hadn't consumed a mere morsel all day. And by the time lunch would be served, I would be too far advanced in the wait to partake. So there's that.

    Watch out for that pop fly.

    By noon, a group of guido gliders had permanently attached themselves to a pair of corporate suits in front of me. Between broadcasting live on Stickam and frantically texting everyone around the globe suffering the same consumer fate as yours truly, my iPhone acquisition position had unwittingly been ousted by at least 10 minutes.

    Eh, courtesy. Who needs it anyway?

    The verifiable threat, however, was the increasingly irritable crowd.

    What started off as friendly banter between congenial Houstonians was slowly turning into impatience. Curious inquiries turned into cursed interrogations. I focused my bleary eyes on that glowing apple orb looming above the crowd, silently wishing the Apple employees would cease selecting individuals from the walk-in line already.

    You'd think having a reservation would make a difference, any difference at all. But you, just like I, would be mistaken.

    You're outta there!

    Five hours later, I found myself inside the store, escorted by a very chipper Apple sales associate from Pasadena (ahem, California). He embodied all the enthusiasm I was too tired to manufacture. In fact, when he allowed me to do the honors of unveiling "my baby (his words, not mine)" myself, I promptly sent my new gadget careening to the cement floor. I didn't flinch.

    Yes, Apple boy, I think I'll be buying a case for my iPhone, thank you very much.

    As I left, iPhone 4 gingerly in hand, feeling strangely traitorous to my discarded iPhone 3GS, I reflected upon my flurry of a morning. It was well past lunchtime, and I felt like I'd just emerged from an all-night bender with none of the triumph you get from illicit drugs or salacious flirtations.

    Four hours of sleep. Fifty miles round-trip. Five hours in line. Hundreds of strangers. Rounding the bases with one iPhone 4.

    Score? Nah. Home run.

    unspecified
    news/city-life

    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

    preservationpreservation houstongarden oaks
    news/city-life

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