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    On stage

    Houston's Stages spotlights Broadway hits and world premiers in new season

    Holly Beretto
    Mar 29, 2023 | 1:30 pm
    Picutre of Stages' interior lobby with a wall mural reading We sit together in the dark to know how to love each other in the light.

    Stages' 46th season features world premieres, fan favorites, and the exploration of human nature.

    Photo by Amitava Sarkar

    Exploring human connection through storytelling has always been a hallmark of Stages ethos as a Houston arts organization. Its 2023 - 2024 arts season highlights that mission, with a slate of plays that include Broadway hits, world premieres, and fan favorites.

    The organization's 46th season begins with an encore of Always...Patsy Cline by Ted Swindley, which premiered at Stages 35 years ago. It's been delighting audiences ever since, telling the story of the groundbreaking country music superstar's life and incorporating 27 of her songs including "Crazy" and "I Fall to Pieces." Previews begin July 21 and the show runs through October 29.

    When POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive played on Broadway in 2022, Variety called it a "delicious feminist farce." It's the story of how seven women on the president's staff step up to save his reputation — and the world — when his PR nightmare becomes a global crisis. Stages brings the comedy to the Bayou City with previews beginning September 1. The play will run through October 8.

    Up nest comes the psychological thriller Switzerland by Joanna Murray-Smith. Stages favorite Sally Edmunson plays Texas-born murder mystery writer Patricia Highsmith, living out her days in solitude in her home in the remote Swiss Alps. Then, a young emissary turns up, encouraging the writer to continue her Tom Ripley series, and it begins to be clear that things are about to get sinister. Previews begin October 6 and Switzerland runs through November 12.

    For the holidays, Stages teams up with TEATRX for the world premiere of Panto Alicia in Wonderland, giving the Lewis Carroll classic a decidedly Houston spin. Alice (not Alicia) is about to make her quinceañera, and finds herself rejecting her culture. When she falls down the rabbit hole, however, she enters a world that celebrates all that makes her Alicia. Expect Ricky Martin and Selena parodies in this rollicking edition of Stages' panto tradition. Previews begin December 1 and the show runs through December 31.

    2024 opens with Sister’s Irish Catechism: Saints, Snakes, and Green Milkshakes!, the latest iteration of Stages' popular Sister's Catechism series and another of the season's world premieres. The irrepressible Sister, played by Denise Fennell, gets back in the habit for a show that turns the theater into a classroom and the audience into her students. Laughs and improvisation are on the lesson plan. Sister's Irish Catechism begins previews on January 26, 2024 and plays through March 17. Of course.

    Othello: The Remix features a book and music by the Q Brothers and was a New York Times critic's pick. This reimagining of Shakespeare's classic tale of love, jealousy, suspicion, and tragedy is a high-energy adaptation, with an overlay of unforgettable beats. Previews begin May 3, with the show running through June 9, 2024.

    Stages' seventh series of Sin Muros: A Latinx Theater Festival is May 23 through 26, featuring a weekend of readings and workshops celebrating Latinx artists and creators.

    The 2023 - 2024 season closes with A Case for the Existence of God by Samuel D. Hunter, which explores the unlikely friendship formed by two men sharing an office cubicle, as they navigating banking, parenthood, and human connection. Previews begin May 24, 2024 and the show runs through June 30.

    “I think of this season as gentle, with shows that explore connection and ask probing questions about human nature,” said artistic director Kenn McLaughlin in a statement. "The shows move through complex meditations on love, life, family, traditions, notions of power, and history — there are so many ideas packed into very intimate stories. I love the juxtaposition of these concepts, and this is the kind of storytelling that our audiences love as well — intimate and epic all at once.”

    Season subscriptions are currently on sale, beginning at $150. Details can be found at www.stageshouston.com.

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    doubling down

    Shepherd School builds on 50 years with a 2026-27 season of discovery

    Joel Luks
    Jun 10, 2026 | 11:00 am
    Rice University Shepherd School of Music
    Photo by Michael Stravato
    The Shepherd School's 2026-27 season includes six world premieres.

    The next generation of classical music doesn’t wait in the wings at Rice University’s Shepherd School of Music.

    It walks onto the stage, often with a world premiere in hand, and slaps listeners with music so energetically performed that they might need a glass of wine or a Xanax to come down from the thrill.

    Fresh off its milestone 50th anniversary, the Shepherd School’s 2026–27 season doubles down on discovery. The lineup includes six world premieres, the Texas premiere of Matthew Aucoin and Sarah Ruhl’s opera Eurydice, celebrated guest artists, and a steady reminder that Houston audiences can hear rising talent before the rest of the world catches on.

    For students, Shepherd continues to function as a foundation where rigorous conservatory training meets the resources of a major research university. For audiences, it’s an invitation to witness artists in the midst of becoming, tackling ambitious repertoire in halls whose acoustics reward every nuance.

    The orchestral season, led primarily by Distinguished Resident Director of Orchestras Miguel Harth-Bedoya, embraces both pillars of the canon and brand-new voices. Opening night sets the tone with Ravel’s Alborada del gracioso, Richard Strauss’ Death and Transfiguration, the world premiere of Jake Berran’s Probabolophony, winner of the 2026 Cooper Prize, and Hindemith’s Symphonic Metamorphosis.

    The season also launches what is planned as a multi-year exploration of Gustav Mahler with Symphony No. 1, “Titan,” while spotlighting Shepherd faculty members as soloists, including pianist Jon Kimura Parker and oboist Erin Hannigan. Along the way come additional premieres by alumni composers, concerto appearances from competition winners, and opportunities for conducting students to take the podium.

    Shepherd will present a fully staged production of Richard Strauss’ Ariadne auf Naxos before mounting the Texas premiere — and first university performance — of Eurydice, with composer Aucoin visiting campus to work directly with students and audiences.

    Guest artists add another layer, from Aleko Endowed Artist Julia Bullock collaborating with Shepherd opera students to alumna Kate Soper returning with the acclaimed Wet Ink Ensemble. Chamber concerts, faculty recitals, festivals, and family programming round out a calendar of more than 400 events, many offered for free or at low cost.

    The season also includes the Adventurous Electric Guitar Festival at Wortham Theatre, where concerts, workshops, and presentations explore contemporary electric guitar and electroacoustic performance in collaboration with Rice Electroacoustic Music Labs (REMLABS).

    Notably, the school will also inaugurate its undergraduate orchestral conducting degree, the only program of its kind in the nation.

    This author recently caught Miguel Harth-Bedoya deep in score study before a concert, next to his visiting family, meticulously parsing Ravel’s Alborada del gracioso.

    It was a fitting snapshot of the institution itself: Craftsmanship behind moments that can feel effortless once the lights dim and the music begins. That dedication has defined Shepherd for more than 50 years, and the 2026–27 season suggests the next movement is well underway.

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