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    Best March Art

    FotoFest, Bayou City Fest, and 9 more can't-miss Houston art happenings for March

    Tarra Gaines
    Mar 13, 2024 | 9:00 am

    March puts a spring in our step as we head out for several art walks both inside and outdoors. We’ve got lots of art festivals, spring shows, and here-and-gone special art events on our must-see list. From new outdoor sculptures in the Heights to a new art pop-up installation series at City Place to FotoFest at Sawyer Yards to one of Houston’s favorite art parties downtown, art is blossoming everywhere this month.

    “Anthony Almendárez: Hello, My Name Is ____” from DiverseWorks (now through March 16)

    Taking over the exhibition space at MATCH, this multi-channel video and sound installation draws upon survey questions related to employment and labor policies in the United States. As an artist and composer working with sound, video, photo and live performances, Almendárez’s work explores different modes of storytelling. Like much of his work, “Hello” confronts audiences with the nature of identity and how we construct it. This piece also explores the parallels and contradictions between predominantly accepted notions of work vs. artistic labor.

    “hallowed be thy name” at Art League Houston (now through April 20)

    This new exhibition of textiles, sculpture, and mixed media installation by Chicago-based artist Krista Chalkle takes the images and motifs from Gothic cathedrals and reimagines them as exaltations of queerness. The exhibition features work that emulates stained glass windows and church ritual fabric pieces using them the forms to recount stories of queer agency and liberation. As a whole, the show works to deconstruct the traditional hierarchical structure of the Church in order to emphasize principle tenets of community and fellowship.

    “Visions via Riding High” at Art League Houston (now through April 20)

    Creating paintings that deal with the relationship between cars and memory, the Detroit-born, Houston-based artist Alexis Pye’s work certainly resonate with both cities. Many of the works in the exhibition depict a real neighborhood in the east side of Detroit, but with painterly embellishment that take the images into the fantastic. ALH notes that in Pye’s art, the car becomes a moving exploration of Black culture within and outside of its marginalized constructs. The images challenge perceived ideas of Blackness that are constantly moving forward and becoming looser and abstract.

    “FotoFest Biennial 2024: Critical Geography” at Silver Street Studios (now through April 21)

    We always embark upon a journey when wandering through a new FotoFest exhibition, but this year theme’s takes that figurative idea and makes it literal and logistical as the Fest’s artists take a critical eye to geography in its myriad of forms, with a special focus on environmental issues. The exhibition highlights a range of unorthodox strategies these photographers use to construct new narratives around place and community while imagining alternative organizations of social space.

    Periwinkle by The Color Condition Ribbon Cutting and Celebration
    Photo courtesy of The Color Condition

    City Place presents Periwinkle by The Color Condition.

    “Our intent is that the 2024 Biennial, featuring both existing and newly commissioned works from local and international artists, will allow viewers to engage in important dialogues around the social dimensions of space and our shared planet,” says Steven Evans, Executive Director of FotoFest. “We look forward to once again celebrating Houston’s vibrant art and photo community while embracing these new perspectives around place-making, the image, and geography.”

    The Art Car Museum (closing April 28)

    As CultureMap reported the only-in-Houston, iconic museum dedicated to the art car is set to close next month. Don't miss a chance to take one last spin around the museum. The latest, and now likely last, of the special exhibitions the museum presented over the years is “Creative Era of Ann Harithas,” a showcase of the work of the museum’s co-founder. The exhibition stands as both a retrospective of Harithas's body of work as an artist and a tribute to the era of creativity ignited by Harithas. Featuring pieces from her extensive body of collage works from the 1980s to the 2010s, the exhibition also showcases her own art car creations and those she commissioned and collected.

    “Periwinkle” by The Color Condition at City Place (now through June)

    This month the north Houston mixed-use development City Place will unveil the first of a new series of Instaworthy pop-up art installations, “Periwinkle” by Dallas based installation creators, the Color Condition, a.k.a Sunny Sliger and Marianne Newsom. The creative collaborators use long streamers to reshape and add color to outdoor landscapes and interior spaces. The immersive and expansive installation blends vibrant colors, patterns, and movement to create fantastical realms reminiscent of Candyland, Peter Pan, Alice's Adventures in Wonderland, and Charlie and the Chocolate Factory.

    "True North 2024" along Height Blvd. (now through December)

    For the last decade, spring has given Houston art lovers the perfect reason to take a walk along the boulevard — Heights Blvd that is — for a look at what new contemporary sculptures have grown amid the tree-lined esplanade. From whimsical to topical, the works always stop traffic and give us reason to get out and take a slow stroll through the artwork. As always, this artful treat is thanks to an all-volunteer team, along with the Houston Heights Association in cooperation with the City of Houston Parks and Recreation and Public Works Departments and the Houston Mayor’s Office of Cultural Affairs.

    This year’s eight chosen Texas artists are Nela Garzón, Dion Laurent, Wyatt Little, Suzette Mouchaty and Patrick Renner, of Houston, and Clayton Hurt, Ricardo Paniagua and Art Shirer, of Dallas, with the installations going up throughout the month. Houston artist and biology professor (UH-Downtown) Mouchaty, who is also a UH-Downtown biology professor, has already erected "Monument to Sea Slugs,” inspired by marine nudibranchs, and Nela Garzón’s "Pre-Columbian Unlooted Bat or Vampire for the New World" has also been seen hanging in the 800 block area.

    Samora Pinderhughes: "The Healing Project” at Eldorado Ballroom (March 21)

    While we might only have one night to catch this performance artwork, several leading Houston art organization partnered to bring Pinderhughes’s work to Houston, including Cynthia Woods Mitchell Center for the Arts, Project Row Houses, and Hobby Center for Public Affairs at the University of Houston. As a vocalist, pianist, artist, and filmmaker Pinderhughes creates large, multi-disciplinary projects, which invite audiences to examine what is visible and what is hidden in our daily lives, and how to make social change. “The Healing Project” is an examination of the prison industrial complex in the United States, amplifying the testimonials of those affected by incarceration, policing, violence, and detention through original music and film.

    Yet, Pinderhughes also calls the work an empathetic experience for both artist, subjects and audiences, uniting those who have been silenced with storytellers to create deeply affecting art rooted in connectivity and compassion.

    "Ruth Asawa Through Line" at Menil Drawing Institute (March 22-July 1)

    Though perhaps more widely known for her sculpture artwork, the pioneering artist made drawing a lifetime practice that was the foundation of her creations. This retrospective of her works on paper features drawings, collages, watercolors, and sketchbooks alongside stamped prints, paperfolds, and copper-foil works, showing the breadth of Asawa’s innovative practice.

    Organized thematically around Asawa’s creative period, influences, and medium, the exhibition touches on the complexity of Asawa’s work from the inspiration of origami, to her love of patterns and how her sculptures became an extension of her drawings.

    “Ruth Asawa’s drawings are complex and rich, owing much to her striking creativity, her curiosity about the world around her, her cultural background as an American artist of Japanese descent, and her European-based artistic training in the Bauhaus tradition,” states Menil director, Rebecca Rabinow. “The Menil Collection and the Whitney Museum of American Art are honored to present this first retrospective survey of her drawings.”

    Bayou City Art Festival Spring Downtown Art Festival at Sam Houston Park (March 23-24)

    If it’s March, it’s time to head downtown for one of our favorite outdoor art seeing and buying events. This year the Festival has gathered more than 250 artists from around the country, representing 19 different disciplines, to showcase their art. The featured artist for the Spring Festival is Karina Llergo, a mixed media artist from Chicago who strives to capture the dynamic energy of the human body and its soulful essence transforming figures into fluid entities, incorporating dance, air, and water to create an otherworldly likeness. Don’t miss an exhibition of student artwork composed of the top 30 finalists from the Middle School Art Competition.

    Come for the art but stay for the food and entertainment, as the fest also features two entertainment stages, a food truck park, a craft beer and wine garden, additional live entertainment and beverage stations throughout the festival, an Active Imagination Zone, a VIP Hospitality Lounge, and more.

    “Night Light” along the Buffalo Bayou East trails (April 6)

    Yes, we’re putting this media art event on our calendar a little early, but we don’t want to miss this night of art light, as it only comes around once a year. Presented by Buffalo Bayou Partnership and the Aurora Picture Show, the evening will showcase four new, site-specific art installations located throughout Tony Marron Park with video works projected on surfaces along a half-mile stretch of waterfront trails. Look for abstract and experimental video and light artworks from celebrated Houston artists Ronald Llewellyn Jones, Violette Bule, and the duo of Nick Vaughan & Jake Margolin. These distinct pieces will engage with and animate infrastructure and site features, including the water itself. The evening will also feature the premiere of “HomeBayou,” a stop-motion short film about the Buffalo Bayou East area created by artist Ezra Wube in collaboration with East End and Fifth Ward residents.

    news/arts

    honoring the past

    Houston museum's new project preserves historic Freedmen's Town bricks

    Emily Cotton
    Jun 19, 2026 | 12:00 pm
    Freedmen's Town Rebirth in Action pavilion rendering
    Rendering courtesy of Studio Zewde
    Rebirth in Action is set to open in 2027.

    As Houstonians come together to celebrate Juneteenth, it’s jarring to think that this day of celebration has only been a federally-recognized holiday since 2021. After all, it was in 1865 that U.S Major General Gordon Granger arrived in Galveston on June 19 to enforce the Emancipation Proclamation of 1863. After this event many formerly enslaved Black Americans made their way to Houston, establishing what is now Houston’s very first Heritage District, known as Freedmen’s Town.

    Now, the robust Houston Freedmen’s Town Conservancy, in partnership with the Contemporary Arts Museum Houston, and Mount Horeb Church, are working with the City of Houston on a long overdue project, Rebirth in Action, to honor this historic site. Designed by artist Theaster Gates in partnership with landscape architect Sara Zewde, the monumental pavilion will temporarily house more than 20,000 historic bricks previously removed and preserved from Houston’s Freedmen’s Town. Houston Mayor John Whitmire attended the groundbreaking, which took place last month.

    While many people recognize Galveston as the site of the first Juneteenth celebrations, both of those took place on January 1, to honor the Emancipation Proclamation. However, recent research by Mary Gibbs Jones Professor of Humanities at Rice University W. Caleb McDaniel, has uncovered that the first official Juneteenth celebration was led by two ministers, Sandy Parker and Elias Dibble, right in Freedmen’s Town in 1866. McDaniel’s fascinating article will appear in the next issue of the Journal of Texas History.

    Freedmen’s Town, established in 1865 by over 1,000 newly-free Black Houstonians following Juneteenth, has significantly dwindled in recent years due to systematic reductions in resources, despite its initial 500+ historic structures, including churches, schools, and cultural institutions. Rebirth in Action aims to preserve and promote the neighborhood as a monument of Black community, agency, and heritage.

    “The work of the Contemporary Arts Museum Houston is to utilize our museum as a platform for resources sharing; a platform for unearthing new conversations around gems in our city that are also right down the street,” explains Ryan Dennis, co-director and chief curator for the Contemporary Arts Museum Houston. “Artists have different practices and artists like Theaster [Gates] can really help understand preservation conditions and needs of community, revitalization, and bringing resources together to better serve a neighborhood and realize optimal benefits, particularly antiquities like the bricks in Freedman’s Town that have been taken out of the neighborhood, displaced in other areas of Houston, and not in the home where they were originally created, paid for, and laid down in (by formerly enslaved individuals), which is Freedmen’s Town.”

    The first phase of Rebirth in Action involved artistic activations (including Gates’ exhibition The Gift and The Renege in 2024), artist residencies, community and stakeholder meetings, and the identification, cataloging, and preservation of over 20,000 historic bricks. The pavilion will encourage public viewing of these historic bricks and serve as a hub for engagement with the history, cultural significance, and future of Freedmen’s Town. Additionally, Hines Architecture + Design will rehabilitate three row houses into an adjoining community center.

    “I think the whole project is one that’s quite interesting, useful, and productive. I think it’s important for us to think about how we can use our resources to accomplish the things that build collective wellness — right? Wellness in the space of really preserving our communities that have been disinvested in, elevating the real gems of our city,” says Dennis. “We can do that through collaborations and partnerships; we are much stronger when we can do that with others, versus by ourselves, and I think this project really speaks to that ethos.”

    Phase Two has been made possible by Mount Horeb Church’s continued stewardship of both land and existing historic structures in Freedmen’s Town. The project will include an arts pavilion and community green space designed by Sara Zewde, with an installation by renowned artist Theaster Gates, plus three historic structures redesigned and restored by Daimian Hines Architecture + Design for adaptive reuse as a food pantry and community garden, after-school programming, and senior services for Mount Horeb Church, who will guide programming and operations.

    The art installation will display the original Freedmen’s Town bricks that once lined the streets, giving visitors a chance to experience their significance firsthand. Working with the City of Houston and the North Houston Highway Improvement Program that will reconnect Freedmen’s Town to downtown, Phase Three will see these bricks returned to the streets in a pedestrian promenade capacity. Subsequently, the pavilion will showcase rotating artist activations.

    “The Brick Pavilion for Freedmen’s Town is a project that is deeply resonant for me,” shares Gates. “In part, because there are several opportunities to cultivate community and institutional trust, to create an additional neighborhood heart, and to invest in more beauty for this hugely important district of Houston.”

    Landscape architect Sara Zewde's pavilion, gardens, and landscape design will help centralize all facets of Rebirth in Action, creating a community hub: “Studio Zewde's collaboration with Theaster Gates began with a shared belief that the future of Freedmen's Town must be rooted in the wisdom of the community that built it,” she writes in an email. “The pavilion and landscape draw inspiration from the neighborhood's tradition of shared backyards that connected the community across property lines. The project builds on this inheritance by forming a shared landscape at the center of the sacred bricks and their pavilion, the restored row houses, the Freedmen's Town Conservancy Visitor Center, and Mount Horeb Baptist Church.”

    Architect Daimian Hines credits Reverend Dr. Smith of Mount Horeb Church for the continued stewardship of the land and notes that Dr. Smith oftentimes remarks that the holding of the land has been a form of resistance, the act of holding the land keeping outsiders from contributing to the erasure of Freedmen’s Town and its history.

    “The fact that these three houses, and more in the community, that these post-emancipation structures still exist, it wasn’t for a lack of community pressure. It was a combination of efforts by folks like Dr. Smith, who were resisting [gentrification] through ownership,” explains Hines.

    “Some of the ownership of some of these properties are so complex, it was difficult for potential buyers [developers] to actually get ownership of some of these structures—I consider that sheer luck.”

    Hines worked closely with the Houston Archeological and Historic Commission to propose rehabilitating, modifying, and even relocating the row houses a mere 15 feet. The gabled, cottage-style row houses date back to the late 19th century. These post-emancipation row houses were built by formerly-enslaved, new residents of Houston.

    “We wanted to think through: ‘what was the original story, how did the front of the houses and the back of these structures — what role did they play in day-to-day life?’ We were able to make some strategic moves to bring that to the forefront again,” Hines says. “The Rebirth in Action project and the houses are part of a broader preservation goal within the community to not just preserve, but to reuse either for housing, or — in this case — adaptive reuse as a community space.”

    Hines notes that one of the row houses is of double-door configuration. This typology signifies that it was most likely a boarding house in its prime, a time when Black Americans weren’t welcome in downtown hotels. The two front doors let travelers know that they were welcome to rent a safe place to stay. Together, the three row houses will offer approximately 3,200-3,600 square feet of space, plus a large back porch that will face the pavilion.

    As resources were often few and far between in post-emancipation Freedmen’s Town, the cladding on row houses was patchwork in appearance, as purchasing gaps meant that continuing on with the same materials was unlikely. Regardless, these homes were remarkably well constructed, with solid wood, wooden dowels, and shiplap interior walls. These construction methods, along with allowances for airflow, contributed significantly to their preservation.

    “The one thing about these structures is, that as robust as they are, they have taken a beating,” says Hines. “The actual wood, the detailing, a lot of that has been lost, but these structures tell a story. This is a project I knew I wanted to be personally involved in, and my firm. [The structures] will be able to continue telling a story and play an active role in that community, and that’s why I’m excited.”

    Freedmen's Town Rebirth in Action pavilion rendering

    Rendering courtesy of Studio Zewde

    Rebirth in Action is set to open in 2027.

    museumscontemporary art museum houstonfreedmen's townvisual-art
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