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    a fall theater pre-preview

    Alanis Morissette, The King of Pop, and more must-see shows tease Houston's hottest early theater openings

    Tarra Gaines
    Aug 14, 2023 | 3:20 pm

    August has become a very special time of year for theater and performing arts lovers. Yes, it’s a bit of a dark month on stages throughout the city, but it also brings Houston Theater Week with its BOGO (buy one, get one free) and other pricing specials on many performing arts companies’ season.

    To celebrate, we thought a fall theater preview in order with a special roundup of those companies who have made formal announcements of their 2023-2024 seasons. We’re also noting those holiday shows already in the works.

    Mark calendars (especially September 22) for the opening shows and dates for each company and let’s grab those tickets for a fall filled with drama, music, comedy and several world premieres.

    Theatre Under the Stars opens with Jagged Little Pill (August 29)

    Once again, TUTS has one of the busiest falls in Houston with four shows before the year’s end.

    TUTS opens the season presenting this touring production of Jagged Little Pill, the Broadway sensation that married a contemporary family story with the music of Grammy winning Alanis Morissette, including many of the songs from one of a best-selling album.

    With bloody-good timing for Halloween, TUTS then celebrates Sondheim with Sweeney Todd: The Demon Barber of Fleet Street. Pivoting for the holidays, they’ll world premiere a musical by artistic director Dan Knechtges, The Ugly X-Mas Sweater on the Hobby Center Zikha Stage. (We hear rumors of so-ugly-it’s-beautiful costuming and even audience participation for that one.)

    Families will then have a (royal) ball with their production of Rodgers and Hammerstein’s Cinderella. Look for a huge cast, including budding stars from their schools, for this fairytale happy ending.

    On the Verge Theatre opens with Far East (August 31)

    Houston Ballet A Midsummer Night's Dream

    Photo by Amitava Sarkar (2014)/ courtesy of Houston Ballet

    Houston Ballet former soloist Aaron Robison as Bottom with artists of Houston Ballet in John Neumeier's "A Midsummer Night's Dream."

    One of Houston’s newest companies hasn’t officially announced their full season, but we do know they open this A.R. Gurney classic set in Japan. Following an American man's journey through a foreign land, Far East grapples with the complexities of cultural differences and human connections.

    During their inaugural season, On the Verge founders Bruce Lumpkin and Ron Jones set each show on a different stage or non-traditional location through its first season, but their second season begins by partnering with Alta Arts. The Bellaire-area interdisciplinary art center looks to be the company’s home for its next productions.

    Houston Ballet opens with A Midsummer Night’s Dream (September 8)

    Always theatrical, HB unleashes Shakespeare’s fairy vs. human hijinks danced to the music of Felix Mendelssohn, Gyorgy Ligeti, and traditional organ music.

    Originally created by the great choreographer John Neumeier in 1977 for Hamburg Ballet, this Midsummer Night’s Dream has been performed by companies around the globe, but HB became the first North American company to perform the distinguished work in 2014.

    Later in the month, the fall mixed rep program, Tutu, brings three distinct dances to the Wortham stage: HB artistic director Stanton Welch’s playful Tu Tu; George Balanchine patriotic Stars and Stripes, a HB premiere; and a world premiere ballet by internationally renowned Colombian-Belgian choreographer, Annabelle Lopez Ochoa.

    As always, the company wraps up–and puts a bow–on the year with Stanton Welch’s sugarplum dreamy Nutcracker Ballet.

    Stages opens the fall season with POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive (September 1)

    Technically, Stages began its 23-24 season with their summer hit Always… Patsy Cline, which is scheduled to get “Crazy” for many more months. But fall starts with POTUS. This Broadway smash political farce about the women who keep the world running — when a scandal-ridden president sends his administration into chaos.

    With three stages, the company has plenty of room to also bring a little mystery to spooky season, with Switzerland (October 12). The psychological thriller turns the real and Texas-born author of the “Tom Ripley” books, Patricia Highsmith, into a character in this twisty tale.

    For the holidays, Stages offers their latest new Texas panto, Panto Alicia in Wonderland, created by Houston’s own Theatx theater company and featuring song parodies of Ricky Martin, Selena, Bad Bunny, and more.

    A.D. Players opens with Forever Plaid (September 6).

    Death takes a hilarious holiday in the first two productions of A.D. Players new season.

    An audience-favorite dressed in family-friendly nostalgia, Forever Plaid actually has one of the most quirky books of any jukebox musical out there.

    Set in both the 1950s and a melodious hereafter, the show follows the life and death of a boy-group wannabes on the way to their first big gig. The Plaids die in a collision with a bus filled with Catholic schoolgirls on their way to see The Beatles. At the moment their careers and lives end, the story of Forever Plaid begins as they get a chance to return from the great beyond to perform one time.

    In November, the company brings back A Texas Carol, their outrageous, homegrown holiday show that they world-premiered last year. Written by executive artistic director Jayme McGhan, this Carol tells the story of a Texas family headed to Mee-Maw Jane’s East Texas ranch for what might be her last Christmas.

    The only problem: when the first grandchild arrives, Mee-Maw has already passed. Now, how to keep that fact (and her body) from the rest of the family and save Christmas?

    Main Street Theater opens with What the Constitution Means to Me (September 16)

    In this Tony-nominated play – which, we think, should have won – playwright Heidi Schreck contemplates what the U.S Constitution has meant to her as an individual woman, and to what it means to the world in the 21st century.

    The one-woman show becomes a two-women improvisational debate as Heidi and a teen question whether the Constitution needs a major overhaul. Schreck played herself on Broadway, but for this Houston debut, MST’s own Shannon Emerick plays “Heidi.”

    For the holidays, MST goes back to the world of Jane Austen, with Georgiana and Kitty: Christmas at Pemberley, the third and latest show of Lauren Gunderson and Margot Melcon’s Pride and Prejudice sequels. These Christmas at Pemberley plays have been a holiday hit for MST, so we’re can’t wait for the Regency romance with a 21st-century sense and sensibility that brings Mr. Darcy’s younger sister, Georgiana, and the youngest Bennet sister into the mix.

    4th Wall Theatre opens with The Pavilion (September 22)

    Craig Wright’s The Pavilion, a bittersweet love story with a cosmic perspective has been a staple for theaters across the country — as well as a juicy part for actors.

    Houston fave Luis Galindo — who has graced almost every local stage — and 4th Wall’s managing director play the reunited former high school sweethearts.

    In December, 4th Wall also turns to Jane Austen for the holidays with Kate Hamill’s adaptation of Sense and Sensibility. We’re looking forward to another spin around the dance floor with this one, as 4th Wall’s Pride and Prejudice rendition several Decembers ago was a theatrical highlight of the year.

    Alley Theatre opens fall with American Mariachi (September 22)

    The Alley began their 23-24 season with their Summer Chills world premiere adaptation of Agatha Christie’s The Murder of Roger Ackroyd, but the power of mariachi music trumpets in their fall.

    Set in the 1970s, American Mariachi, a show about family, tradition, memory, and independence tells the story of two cousins who love music and want to create their own all-women mariachi group.

    The Alley Neuhaus Stage season begins with Little Comedies (October 6) a world premiere adaptation and arrangement of Chekhov comedies. The show will be performed by the Alley’s Resident Acting Company and directed by the Tony-Award winning playwright and legendary director Richard Nelson.

    Celebrating the holidays, The Alley stages its enchanting new Christmas Carol, adapted by artistic director Rob Melrose that they world-premiered last year.

    Catastrophic Theatre opens with Waiting for Godot (September 22)

    We’ve been doing our own waiting for Catastrophic — Houston's home for avant-garde and absurdist theater — to bring back Waiting for Godot, Beckett’s masterpiece of absurdism.

    In the show, two penniless tramps stand waiting together on a country road for the enigmatic Mr. Godot to arrive to somehow improve their diminishing circumstances.

    Director and Catastrophic co-founder, Jason Nodler, reunites with Greg Dean (Vladmir), Charlie Scott (Estragon), Kyle Sturdivant (Pozzo), and Troy Schulze (Lucky), reprising their roles from Catastrophic’s acclaimed 2013 production.

    We can also always count on Catastrophic doing some counter-programming during the holiday season, and this year will be no different when they world premiere a stage adaptation of Henry James’s classic gothic ghost story, The Turn of the Screw.

    Conceived and co-directed by Catastrophic core artist Afsaneh Aayani and New York City-based creative director and multimedia designer Adam J. Thompson this Turn will feature environmental staging, toy theatre, puppetry, live cinema, and a haunting soundscape.

    Ensemble Theatre opens with Chicken & Biscuits (September 22)

    Ensemble serves up this feel-good, family comedy with a delicious recipe for joyful theater.

    Chicken & Biscuits sees the Jenkins family coming together to mourn the death — but also celebrate the life — of the family patriarch. Unfortunately, squabbling sisters might ruin the funeral, and any hopes for a peaceful reunion unravel when everyone’s got either a secret or a truth to tell. The two sisters are faced with a truth that could either heal or break them.

    On November 17, Ensemble brings back their holiday hit A Motown Christmas, the perfect blend of traditional Christmas carols paired with the soulful sounds from such Motown celebrities as Marvin Gaye, Stevie Wonder, The Supremes, and The Jackson 5.

    Rec Room opens their fall season with Heroes of the Fourth Turning (October 5)

    For a company known for their edgy and unconventional productions, it’s perhaps appropriate that Rec Rooms rebels against traditional theater seasons.

    Heroes of the Fourth Turning, a haunting Will Arbery play, actually begins the second half of Rec Room's 2023 season. On the edge of the wilderness, four friends gather at a backyard party to honor their mentor and the newly inaugurated president of a conservative Catholic university. It has been years since they last met, and as the celebration runs deep into the night, their reunion spirals into spiritual chaos and a vicious fight to be understood.

    In December, look for a new and we’re betting intimately imaginative production of Peter Pan adapted and directed by Rec Room artistic director Matt Hune.

    Houston Grand Opera opens with Intelligence (October 20)

    HGO once again makes international opera news by commissioning this world premiere opera created by acclaimed composer Jake Heggie, librettist Gene Scheer, and director/choreographer Jawole Willa Jo Zollar, founder of the Urban Bush Women.

    Intelligence, an extraordinary new work, was inspired by the true story of Civil War spies Elizabeth Van Lew, who hailed from a prominent Confederate family, and Mary Jane Bowser, who was born into slavery in the family’s household. Together they form a secret pro-Union spy ring.

    After debuting Intelligence, HGO presents Verdi’s final masterpiece, Falstaff, which recounts the misdeeds of drunken, absurdly vain, formerly thin knight Sir John Falstaff, plucked straight from Shakespeare’s plays. Acclaimed baritone and no stranger to the Wortham stage, Reginald Smith Jr., plays Falstaff.

    Dirt Dogs Theatre opens with The Birds (October 20)

    An intense season begins fittingly for October with a staged version of the Daphne du Maurier’s 1952 short story, and the basis for Alfred Hitchcock’s classic film.

    In this Conor McPherson adaptation of The Birds, strangers Nat and Diane find themselves trying to survive together in an isolated cabin relentless and deadly slew of birds begins attacking humanity. Soon after, the young and attractive Julia arrives looking for shelter, bringing with her suspicion and distrust.

    When the duo becomes a trio, paranoia takes hold revealing an inside threat that rivals that of the murderous birds on the outside.

    Broadway at the Hobby Center opens with MJ: The Musical (November 14)

    The king of pop moonwalks into the Hobby Center and leads a slate of musical bio shows for the 23-24 season.

    With a book by Pulitzer Prize winning playwright Lynn Nottage, MJ: The Musical promises to go deeper into the life and music of Michael Jackson. The song list includes global hits like “Beat It,” “Billie Jean” and “Man in the Mirror,” but also some surprises like Rodgers and Hammerstein’s “Climb Ev'ry Mountain.” To borrow from a Michael line, Broadway at Hobby season is def “gonna be startin’ something” with this one.

    We’ll then have to wait to the new year before the simply the best, queen of rock arrives in the form of Tina-The Tina Turner Musical. Another Pulitzer Prize winning playwright, this time, Katori Hall, wrote the book on Turner’s extraordinary, no-holds-barred story.

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    Best February Art

    10 art museum and gallery exhibits to see in Houston this month

    Tarra Gaines
    Feb 12, 2026 | 9:15 am
    María Fernanda Cardoso's Maratus: Spiders of Paradise
    Image courtesy of Sicardi | Ayers | Bacino
    María Fernanda Cardoso, "Spiders of Paradise: Maratus plumosus", 2024. Pigment print on paper, 35 7/16 x 35 7/16 x 1 9/16 inches.

    Art and history merge in many museums and galleries across Houston this month, as contemporary artists and curators look to the past for inspiration and examination. From Black History Month to agricultural history in the Americas to queer history to the mid 20th century glamorization of dining, we’ve got a range of shows for all art and history tastes. If that’s not enough, we get up close to Australian spiders and celebrate Houston as a town of makers.

    "The Black Experience: Past, Present and Future” at Bisong Art Gallery (now through February 28)
    Celebrating Black History Month, Bisong Art Gallery presents this show curated by The Dream Affect Foundation. With a focus on Black artistic practice as both an archive and a catalyst, the exhibition features the work of six contemporary artists, including Lauren Luna, Romeo Robinson, Craig “TheArtist” Carter, Corey Haynes, Lanre Buraimoh, and John Whaley Jr. The gallery notes that these artists’ works reflect the enduring influence of history while asserting bold, forward-thinking visions of Black life, identity, and imagination. Though using a varied of medium and visual languages, what each artist has in common is an engagement with cultural memory, resilience, and creative sovereignty.

    "Just Wood - Mostly” at Archway Gallery (now through March 5)
    Featuring whimsical, creative, and utilitarian works “mostly” in wood, this new show showcases the quirky utilitarian and decorative sculptures by Robert L. Straight, as well as cabinet work by guest artists and furniture maker Tom Wells. From wooden race cars to body parts, Straight’s work offers many unique visions of what woodwork can be. Look for sculptures, new furniture, clocks, and sundry surprises from both artists.

    “Nick Vaughan And Jake Margolin: Around The Corner And Two Blocks Down” at McClain Gallery (now through March 7)
    The acclaimed Houston-based duo continues their multimedia 50 State Project to reveal lost queer histories and stories from across the U.S. This exhibition at McClain Gallery features some of the latest art from their wind drawing series, a selection of charcoal work within the larger project.

    To explore ideas of history lost and rediscovered, the artists translate photographs of prior queer spaces into laser cut stencils and lay down charcoal powder onto the page. Then, they blow the charcoal away using pressurized air. The force of the wind drags the charcoal particulates across the tooth of the paper, etching the final image onto the page.

    “Art, Place, and Power: Project Row Houses in Houston's Third Ward” at the Museum of Fine Arts, Houston (now through November 8)
    One great Houston arts institution celebrates the history of another great Houston art organization with this MFAH installation of works on paper by several of the founders of Project Row Houses, including James Bettison, Bert Long, Jr., Jesse Lott, Rick Lowe, and Floyd Newsum. In 1993, seven artists came together to transform a block of abandoned row houses in Houston’s Third Ward neighborhood, making them into a new kind of cultural space. As the Project Row Houses mission reminds us, the founders sought to preserve the culture and history in one of the city’s oldest Black neighborhoods through the practice of socially-engaged art.

    For over three decades PRH has staged free exhibitions, offered artist residencies and youth programs, promoted the preservation of historic architecture, and become a cultural landmark in Houston. With this installation, the MFAH helps Houstonians gain further appreciation of the founders' art. These works celebrate the powerful impact of community-oriented artists and art.

    “Boris Lurie: Nothing To Do But To Try” at Holocaust Museum Houston (February 13-July 19)
    For this exhibition focused on Boris Lurie, the acclaimed artist, writer, and Holocaust survivor, organizers use his artwork to trace the story of his remarkable life. Viewed together within the show, Lurie’s paintings, drawings and sculptures – many of which he never exhibited during his lifetime – create a portrait of an artist reckoning with devastating trauma, haunting memories, and a lifelong quest for freedom. The HMH notes that these works, presented along with objects from the artist's personal archive, trace his experience from his childhood in Riga through the concentration camps and postwar period in Europe, to his immigration to the United States, followed by his return visit to Riga thirty years after the Holocaust and beyond. Photographs, official documents, and personal writings underpin the visual retelling and processing of Lurie's survival and its crucial function in forming his identity as an artist.

    “Midcentury Menu: Dining in the Atomic Age” at Rienzi (February 18-July 31)
    The MFAH plates up a visually delicious dish of Midcentury Modern at Rienzi, the museum’s house for European decorative arts located in River Oaks. This unusual and fascinating exhibition draws from Rienzi’s historical cookbook collection and loans from the Heritage Society, to explore how convenience, technology, advertising, gender, and labor converged to redefine the meaning of eating in postwar World War II America.

    The exhibition will examine how American’s perspective on food and dining changed at the end of WWII with waves of scientific advancement, complex supply chains, and the rise of popular culture media that put preparing meals, dining, and ads for modern appliances into magazines and on television. Cooks like Julia Child encouraged women to experiment with French cuisine, and the fictitious Betty Crocker championed convenience with step-by-step guidance. Food and home entertaining took center stage in this new age of abundance, and a wide range of cookbooks promoted everything from curious Jell-O salads to international cuisine.

    “In Search of History” at Throughline Collective (February 20-March 21)
    This juried exhibition and part of FotoFest Houston’s “Participating Space” program, examines the evolution of lens-based art. Curated by Museum of Fine Arts photography curator, Lisa Volpe, this show focuses on 21st century photography and especially the new uses of technology and the diversity in stories that technology brings.

    “The works of art submitted to Throughline Collective demonstrate the wide-ranging vision of lens-based art,” Volpe said. “The artwork included in this exhibition provides a fascinating cross-section of artistic production, representing the diverse landscape of contemporary photography and also the vigorous involvement of the artists in contemporary discourse.”

    “Maratus: Spiders of Paradise” at Sicardi Ayers Bacino (February 27-April 11)
    This show of multi-disciplinary artist María Fernanda Cardoso’s work will feature her ongoing photographic project to bring the minuscule Australian Maratus spider into larger focus. Featuring large-scale and small-scale digital photographic portraits of various Maratus species, each photographic image is comprised of over 1000 individual photos. Seen together as one spider image, the photos reveal the spider’s colors and form and especially its unique and brightly colored abdomen that are part of the species’ elaborate mating rituals. Much of Cardoso’s work explores connections and tensions between society and the natural world.

    “Mud + Corn + Stone + Blue” at Lawndale Art Center (February 28-May 2)
    Last month, the Blaffer Museum opened the first section of this exhibition, organized by Blaffer chief curator Laura Augusta, that uses artwork to trace the historical entanglements between the United States and Central America through the angle of U.S. agricultural policy. Now Lawndale expands the selection of works from artists with ties to farming communities in the U.S., Guatemala, Mexico, Honduras, and El Salvador. To complement the Houston presentation of this exhibition, Lawndale has commissioned a mural from Dario Bucheli, activations with Zine Fest Houston, and textiles and candies made by Jorge Galván. Lorena Molina will also install an outdoor corn maze in Lawndale’s 4900 Main Street lot as an immersive piece that explores the experience of immigration and diaspora.

    “Clutch City Craft” at Houston Center for Contemporary Craft (February 28-August 8)
    Clutch City, Space City, Bayou City, now among our other favorite monikers for Houston, HCCC would like to add one more: Maker City. Calling H-Town “one of the nation’s most formidable centers of making” HCCC celebrations that maker spirit by organizing this special exhibition to examine Houston’s craft traditions and material cultures. The show features a wide spectrum of making practices, from the artists behind century-old, mosaic street signs to cowboy boot makers and fiber artists who design space suits and preserve the woven interiors of NASA mission control.

    “Drawing its title from the city’s emblematic nickname — earned during the Houston Rockets’ back-to-back NBA championship wins in 1994 and 1995 — this exhibition uses Clutch City as both a cultural ethos and curatorial framework to examine how skilled craftsmanship underpins Houston’s industrial, social, and aesthetic identities,” HCCC Curator and Exhibition Director Sarah Darro said.

    Mar\u00eda Fernanda Cardoso's Maratus: Spiders of Paradise
    Image courtesy of Sicardi | Ayers | Bacino

    Sicardi | Ayers | Bacino presents "Maratus: Spiders of Paradise"

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