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    blooming in spring

    Houston development blossoms with colorful installation from U.K. artists

    Jef Rouner
    Mar 28, 2025 | 2:30 pm
    Graphic Rewilding (Lee Baker and Catherine Borowski) one one of their Flower Cloud benches in City Place.

    Graphic Rewilding (Lee Baker and Catherine Borowski) on one of their Flower Cloud benches in City Place.

    Photo by Katie Edwards

    The City Place mixed-use development in Spring has become one of the most active outdoor art installation galleries in Houston, and definitely the most dynamic one north of the loop. Thanks to an agreement signed with Weingarten Art Group last year, they've installed several pop-up art projects, such as the virtual waterfall designed by Montreal-based art studio Iregular.

    Now, they've added another international construction, this time via London-based Graphic Rewilding. Flower Clouds is a series of benches that are made to highlight local floral species. Lee Baker (the artist) and Catherine Borowski (the curator and producer), made a special trip to Houston to study native flowers before beginning the commision.

    “That is one of the gratifying things about work: People often tell us they’re seeing nature through new eyes,” Borowski said. “This is art that is rooted in a place, but for some, this can be an entirely new way of looking at the immediate world around them.”

    Graphic Rewilding has done most of their work in their native United Kingdom. All of their pieces have ties to nature, something inspired by Borowski's obsession with a deserted parking garage near her London estate home. She imagined the lifeless concrete covered in a lush garden.

    Baker, who hand draws all the art, incorporates massive flowers into cityscapes. Usually, the flowers dwarf people in comparative size, reducing viewers to the size of ants and de-emphasizing the scale of the building around the installations. It's a stunning way to re-contextualize nature as something strong and equal to industrial progress, a sentiment captured perfectly in Flower Clouds.

    “We both believe in the power of public art. In this case, to bring nature and its emotional connections to unexpected urban spaces,” Baker said. “Even a depiction of flowers has the ability to emotionally reconnect the viewer with and have empathy for the sensory powers of the natural world.”

    Flower Clouds consists of seven benches located at 1250 Lake Plaza Drive (Spring). The sizes vary due to the nature of the flowers, but each is around six feet tall and ten feet wide. Twenty-five Texas species of flowers, vegetables, birds, and insects are depicted, making the pieces educational as well as striking.

    Graphic Rewilding previously staged a version of Flower Clouds at Kensington and Chelsea Art Week in London in 2023. This is the fourth pop-up installation created by the partnership between City Place and Weingarten Art Group. Flower Cloud will be on display through July 27, with a month-long hiatus in May.

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    untitled art 2026

    Prestigious contemporary art fair returns to Houston for 2026

    Holly Beretto
    Apr 9, 2026 | 12:30 pm
    Untitled Art entry way
    Courtesy of World Red Eye
    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

    A prestigious contemporary art fair is coming back to the Bayou City. Untitled Art, Houston returns this October for its second edition. To mark the occasion and kick off plans, the show commissioned two artist projects that will be unveiled this weekend at the 39th annual Art Car Parade on Saturday, April 11 in downtown Houston.

    The art show will be held at the George R. Brown Convention Center October 2 to 4. An invitation-only VIP and Press Preview will take place on Thursday, October 1.

    Houston was the organization’s first expansion from its home base in Miami. When the show arrived in the city last fall, it showcased the works of contemporary artists from Houston, other parts of Texas, and around the world.

    Houstonians showed lots of enthusiasm for last year’s inaugural fair. The organization reported that several galleries reported six-figure sales and sold-out booths, and leaders from the Museum of Fine Arts, Houston, The Menil Collection, and Contemporary Arts Museum Houston were in attendance all weekend.

    This year, the show promises to be even more dynamic, with programming that includes live podcast recordings, panel discussions, culinary activations, and artist-led projects with an emphasis on embedding the fair within Houston’s civic and cultural fabric. Show attendees can expect an international roster of galleries alongside collectors, curators, and artists increasingly attuned to Houston’s evolving position as both a cultural gateway to Latin America and a substantial force in the international art scene.

    “Houston has proven to be a vital artery for the contemporary art market, blending a deep institutional history with a bold, global future,” Jeffrey Lawson, founder of Untitled Art, said in a statement. “We are thrilled to return and deepen our commitment to the city’s creative community.”

    Beyond the exhibits at the show, Untitled Art has made a commitment to helping ensure art and art collecting is accessible to the larger community. Last year, programming events took place all over the the city, with private collection visits, studio tours with artists, and guided engagements at institutions such as the Museum of Fine Arts, Houston, The Menil Collection, Contemporary Arts Museum Houston, and Asia Society Texas Center, in collaboration with more than two dozen cultural partners.

    This year’s Art Car entry marks the first of its kind for the organization. Untitled Art commissioned collaborations with ascendant emerging Los Angeles-based artists Aryo Toh Djojo and Mario Ayala. Ayala's exhibition Seven Vans is currently on view at the Contemporary Arts Museum Houston.

    “Houston continues to assert itself as a cultural capital of the South, and the inaugural edition confirmed that there is a serious and attentive audience invested in contemporary art from local, national, and international dealers alike," said Michael Slenske, director of Untitled Art, Houston.

    Information about ticket sales will be available closer to the opening.

    Untitled Art entry way
    Courtesy of World Red Eye

    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

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