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    see these shows

    Chris Shepherd explains why chef fans should see his talks at Stages

    Chris Shepherd
    Mar 4, 2024 | 6:00 am

    Last year, I had a crazy idea to do a chat with chefs, restaurateurs, and journalists from around the country. We created the Table to Stage series so that you could be part of the discussion.

    Chris Shepherd Table to Stage Aaron Bludorn

    Courtesy of Chris Shepherd

    Aaron Bludorn talked about his love for Phish.

    What’s this show like? Well, I think it’s awesome. I wanted to have these conversations because I get the opportunity to talk and be friends with these amazing people, but it’s always in private.

    For the most part, when dining in their restaurants, reading their books, or watching them on TV, people don’t get the same chance to interact with them. Rarely do you get the opportunity to really get to know them. But sitting in the intimate Stages theater with a glass of wine or a cocktail, you can feel like you’re a part of the conversation. You can even ask questions!

    These events also serve as a book tour for these chefs. We dive into their books and why they wrote them. Plus, Kindred Stories has a little bookshop onsite so you can get a book signed after the show.

    This Monday, I have my dear friend chef Sarah Grueneberg from Monteverde in Chicago coming to join me at Stages. Sarah and I go way back to early in my career — and definitely the beginning of hers. I was a young sous chef at Brennan’s, and she was an 18-year-old kid in culinary school. I’m sure she’ll tell the story about how hard she worked to get me to hire her (we’ll save that for the show), but I got the amazing opportunity to watch her become the chef she is today.

    Believe me when I say that she runs one of the most exciting Italian restaurants in the country. They make pasta to order! Not boil it. They start with flour and water to make the dough fresh for every order. And it’s not a small quiet restaurant — it’s a busy restaurant! I can’t wait to hear how this is going to go down.

    What happens with these conversations? We laugh, we cry, we laugh until we cry. Even I don’t know what’s going to happen until we sit down and start talking.

    We started the series off with one of my icons and restaurant legend Johnny Carrabba. We talked about the history of his family and what it was like opening and now running one of Houston’s most iconic restaurants for more than 35 years. Being the first show I wasn’t sure where it was going to go but I found out fast—I cried from laughter at least three times.

    Next up was Katie Parla, acclaimed Italian cookbook author and arguably one of the foremost experts of Italian cuisine. She has written some amazing books on regional Italian cuisine, lives in Rome and hosts culinary tours there — look her up next time you’re going to Italy. I didn’t want the night to end.

    In December, we had a Houston barbecue round up with Patrick Feges (Feges BBQ), Greg Gatlin (Gatlin’s BBQ), and Leonard Botello IV (Truth BBQ), and we learned all things smoke. We talked about living in a world of always being judged and having to be consistent every day with every plate for every person. The challenges of perception of what barbecue can be and how it has changed. We even spent some time deep diving into the textures of salt and how that has changed — since things are always changing (even salt!), you have to be on top of every detail to be able to live up to the expectations.

    Chris Williams was next on the list, and we learned about everything that he is doing with his restaurants, his foundation ,and his community. It was a very inspiring conversation. That guy has a lot going on!

    Aaron Bludorn was last week. Back in late 2020, Bludorn opened with such fan fare, then Navy Blue and now Bar Bludorn, but do we really know Aaron? Where he grew up, what his family is like, how he got into cooking, and why he came to Houston. We answered all these questions and others, including how many Phish shows he has been to (about 25, in case you were wondering).

    In the next few months, my guests will include Aaron Franklin (Franklin BBQ), Priya Krishna (New York Times writer and cookbook author), and David Chang (Momofuku, book author, TV personality and pretty much everything else), which is one hell of a lineup.

    Sarah is this Monday March 4, and tickets are still available. I hope you will join us. I also love a good theme, so this show will be an ode to Mr. Rogers. Make sure to wear your cardigans and slippers, grab a martini at the bar, and enjoy the show. Tickets start at $45 and I promise we will learn, laugh, and cry. It’s going to be an emotional roller coaster filled with joy!
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    And the Winner Is

    Houston's Alley Theatre only Texas winner of prestigious new play award

    Lindsey Wilson
    Dec 5, 2025 | 11:31 am
    Audience at Alley Theatre
    Photo courtesy of Alley Theatre
    Bring a friend to the theater for free.

    The Tony Award-winning Alley Theatre has once again earned national recognition, becoming the only Texas theater selected for a 2025 Edgerton Foundation New Play Award, a prestigious honor known for helping launch some of the most influential plays and musicals of the past two decades.

    The award will support the Alley’s May 2026 world premiere of Dear Alien by Liz Duffy Adams, giving the production additional rehearsal time that has proven essential for shaping new work.

    The Edgerton Awards have a powerful legacy behind them. Past recipients include phenomenon-level titles such as Hamilton, Dear Evan Hansen, The Prom, Next to Normal, and Vanya and Sonia and Masha and Spike — shows that went on to win Tony Awards, earn Pulitzer Prizes, and define contemporary American theater.

    “I’m so grateful to the Edgerton Foundation for their support of Liz Duffy Adams’ play Dear Alien," says Alley artistic director Rob Melrose in a release. "Getting an additional week of rehearsal on a new play makes a tremendous difference. In Dear Alien, the titular role (played by resident acting company member Dylan Godwin) is onstage the entire show, and it is going to be quite a challenge. Supporting new plays is incredibly important for the health of the American theater. Four years ago, Alley Theatre premiered Liz’s play Born with Teeth, and it is currently having a run on the West End after gracing the stages of major theaters in the U.S. such as the Guthrie, Asolo Rep, and Oregon Shakespeare Festival."

    Alley Theatre has a significant history with developing new work. In 1996, the Alley won the Regional Theatre Tony Award after debuting the world premiere of the musical Jekyll & Hyde, which went on to tour 40 cities and play for two years on Broadway (it lives on thanks to a DVD and VHS recording starring David Hasselhoff in the title roles).

    In 1998, the Alley staged the American premiere of a rediscovered Tennessee Williams play, Not About Nightingales, which later enjoyed a successful Broadway run.

    The Edgerton Foundation New Plays Program, directed by Brad and Louise Edgerton, was piloted in 2006 with Center Theatre Group in Los Angeles by offering two musicals in development an extended rehearsal period for the entire creative team, including the playwrights. The Edgertons launched the program nationally in 2007 and have supported 569 plays to date at over 50 different theaters across the country. Over the last 19 years, the Edgerton Foundation has awarded $19,670,534 to 569 productions.

    Among the 2025 winners are pop-country star Jennifer Nettles' new musical Giulia: The Poison Queen of Palermo at Perelman Performing Arts Center in New York City; Claudia Shear's The Recipe, about the early life of Julia Child, at La Jolla Playhouse in California; and prolific playwright David Lindsay-Abaire's latest title, The Balusters, at Manhattan Theatre Club. See the complete list here.

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