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    see these shows

    Musicals and comedies headline Houston's 12 best shows for April

    Tarra Gaines
    Apr 2, 2025 | 11:15 am
    National tour of Mamma Mia!

    Broadway at the Hobby Center presents Mamma Mia!

    Photo by Joan Marcus

    Drama, comedy and mystery bloom across stages throughout Houston, but we’ve also got a song in our heart for the many musicals and operas opening this month. Mamma Mia, is there a lot of theater this month from a new twist on our favorite detective to a world premiere, true biography of an unsung WWII hero. So as you ease on down the road to your favorite live theater venue, don’t miss these stellar shows.

    Baskerville: A Sherlock Holmes Mystery at Alley Theatre (April 4-May 4)
    Longtime Alley favorite and a staple of Houston theater, Todd Waite, takes his final bow as a member of the Alley resident acting company with his sixth time in the role of Sherlock Holmes. Waite always bring wit, intelligence, and a bit of mischief to his take on literature’s most famous detective. His interpretation should pair terrifically with playwright Ken Ludwig, who tends to bring surprising twists to any classic he adapts for the stage. For audiences who already know whodunit in this most beastly of Holmes cases, don’t worry that your fun will be spoiled. The biggest mystery of all will be discovering how five actors can play over 40 characters in this thrilling comic puzzle of a play.

    Dixie’s Tupperware Party hosted at Stages (April 8-20)
    The queen of Tupperware sales is back in Houston and goes back to her (tastefully dyed) roots, with this original show that made her an off-Broadway and fringe festival star. Hosted by the fast-talking, gum-chewing, southern spitfire Dixie Longate, the interactive show showcases the history and wonders of Tupperware as Dixie tells stories of her wild adventures as a pitch-woman. Over the years, Dixie has visited Houston with other themed theatrical rides, but her Stages stop might be Dixie’s last roundup for plastic kitchenware sales. The show’s creator and Dixie’s alter ego, Kris Andersson, has announced this will be the final Tupperware Party tour.

    Mamma Mia! presented by Broadway at the Hobby Center (April 8-13)
    Here we go again, as a new touring production of the feel-good musical sets sail to that Greek island paradise where the sun always shines and everyone is a dancing queen. On the eve of her wedding, a daughter’s quest to discover the father she’s never known brings three men from her mother’s past back to the island they last visited decades ago. For the ultimate fun theatrical experience “Take a Chance” on this jukebox musical set to the music of ABBA hits, like “S.O.S” and “Money.” This “Super Trouper” of a show is always an audience fav.

    How to Die: The Life of Dietrich Bonhoeffer at A.D. Players (April 9-May 4)
    The faith-based company presents this world premiere historical biography chronicling the life of the pastor and theologian who tried and failed to assassinate Adolf Hitler. While the play depicts the dramatic events of Bonhoeffer’s life and his place in history, it also will portray his inner struggles as he must work through the changing theology of a fractured German church, his obligations to his loved ones, and his core question of the sinful nature of killing a human being in order to stop evil. Part of A.D. Players’ Metzler New Works Series, this complex production is definitely a labor of love for the company as it was written by local playwright Andy Pederson, the company’s director of education and theater for young audiences, with company artistic producer, Kevin Dean, directing and a cast of some of Houston’s favorite actors.

    Three Sisters from Classical Theatre Company (April 10-26)
    The Houston theater company that specializes in fresh interpretations of works at least a century old will perform one of the world's greatest dramas. Anton Chekhov's play depicts the lives, loves, and suffering of the Prozorov siblings as they long for an idealized past far from their present circumstance in the midst of social and political upheaval that will change Russia forever. Directed by CTC artistic director John Johnston, this will be the first full-length Chekhov play they’ve produced in a decade. Three Sisters was originally set in the part of the Russian Empire that is modern day Ukraine, with the unhappy Prozorov family being native born Russian Muscovites. Look for Johnston to draw some thought-provoking themes and contemporary connections between the literary past and our own interesting times.

    Spill at Rice Moody Center for the Arts (April 11-12)
    On the 15th anniversary of the Deep Water Horizon explosion, Moody presents the Houston premiere of this documentary play that's written by award-winning The Laramie Project playwright Leigh Fondakowski and features a cast of phenomenal local actors. One of the largest environmental disasters in contemporary times, the Deep Water accident left 11 workers dead, many injured, and triggered the largest oil spill in U.S. history. Using real life stories taken from hundreds of hours of interviews, Spill memorializes how Deepwater Horizon changed lives, the region, and the oil industry, and invites audiences to consider the precarious balance of danger and beauty found on the Gulf Coast.

    Waitress from Theatre Under the Stars (April 15-April 27)
    This feel-good musical about the love and heartache of a plucky waitress is only a decade old, so you might expect this to be another touring production. Well, grab your pie forks because this is a semi-homemade show baked to perfection from a delicious collaboration between Theatre Under the Stars and The 5th Avenue Theatre in Seattle. Based on the hit film by Adrienne Shelly, the show follows Jenna, a master baker and waitress in an abusive relationship with her husband. After Jenna unexpectedly becomes pregnant, she begins an affair with her doctor. Looking for ways out of her troubles, she sees a pie baking contest and its grand prize as her chance.

    Breaking the Waves from Houston Grand Opera (April 19-May 1)
    One of the most provocative and acclaimed operas of the 21st century finally crashes onto the Wortham stage, with this dramatic co-production from HGO, Opera Ventures, Scottish Opera, Théâtre National de l'Opéra Comique, and Adelaide Festival. Based on the acclaimed Lars von Trier film, composer Missy Mazzoli and librettist Royce Vavrek’s opera transport audiences to a strict religious community in 1970s Scotland. HGO Butler Studio alumna soprano Lauren Snouffer takes the starring role of Bess, a devout young woman who dares to marry an outsider, the offshore oil rigger Jan, played by fellow Butler Studio alumnus Ryan McKinny. With their marriage, Bess embarks on a journey of sexual exploration that is tragically interrupted when Jan is paralyzed in an accident, setting off a series of shocking events. Prepare for the passion and explicit themes, as this is one of the rare productions that HGO labels as intended for adult audiences only.

    Tannhäuser from Houston Grand Opera (April 25-May 11)
    Richard Wagner’s romantic masterpieces gets a new production as HGO once again collaborates with longtime friend and internationally-acclaimed director, Francesca Zambello. Houston audiences will be the first in the world to experience Zambello’s beautiful new vision of the opera before it moves to the Washington National Opera, where she is artistic director. Tannhäuser explores the tension between lust and love within the title character’s psyche after he abandons his spiritual love, Elisabeth, for the carnal delights of the goddess Venus. Renowned tenor Russell Thomas takes the title role, with Grammy winning stars Tamara Wilson as Elizabeth and Sasha Cooke as Venus.

    Das Barbecü at Stages (April 25-June 1)
    If you still can’t get enough opera this month, try this performance with a decidedly Texas twisty twang, as Stages makes a hootenanny of Wagner's Ring Cycle. In this musical comedy, the convoluted saga of Norse gods, goddess, heroes, and heroines all fighting over jewelry chronicled across Wagner’s four monumental operas gets whittled down to a hilarious evening where five actors play three generations of feuding Texas families. Expect a musical mashup of Broadway standards and twangy country, with show-stopping numbers like "Hog-Tie Your Man,” “Barbecue for Two” and “Makin’ Guacamole.”

    Forbidden Broadway: Merrily We Stole a Song presented by the Hobby Center (April 24-27)
    As the Hobby Center makes a larger push to bring touring shows and performers to Houston beyond their Broadway series, look for unique treats like this one. This off-Broadway sensation has lovingly parodied its Broadway elders for 35 years, becoming a New York theater staple in its own right. From Frozen to Phantom to Wicked, the show has always been a satirical roast of big Broadway hits and features outrageous costumes, silly spoofs of the songs you know by heart, and hilarious impressions by a cast of musical know-it-alls. They’re always refreshing the lineup, so looks for spoofs of the classics in the mix with the latest Broadway smashes.

    The Wiz presented by Broadway at the Hobby Center (April 29-May 4)
    The Wiz eases down the road to its week-long home at the Hobby Center in another all-new Broadway tour, the first one in 40 years. This groundbreaking take on The Wizard of Oz changed the face of Broadway–from its iconic score packed with soul, gospel, rock, and 70s funk to its stirring tale of Dorothy’s journey to find her place in a modern world. This revival is directed by Schele Williams (The Notebook, revival of Disney’s Aida), choreography by JaQuel Knight (Beyoncé’s “Single Ladies”) with new additional material by Tony and Emmy-nominated writer and TV host Amber Ruffin. The Wiz’s dynamic infusion of ballet, jazz, and modern pop brings a “Believe in Yourself” philosophy we’ll all take home.

    The Wiz musical
    Photo by Jeremy Daniel

    Broadway at the Hobby Center presents The Wiz. (Kyle Ramar Freeman, Nichelle Lewis, Phillip Johnson Richardson, and Avery Wilson)

    performing-arts
    news/arts

    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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