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    see these shows

    Musicals and comedies headline Houston's 12 best shows for April

    Tarra Gaines
    Apr 2, 2025 | 11:15 am
    National tour of Mamma Mia!

    Broadway at the Hobby Center presents Mamma Mia!

    Photo by Joan Marcus

    Drama, comedy and mystery bloom across stages throughout Houston, but we’ve also got a song in our heart for the many musicals and operas opening this month. Mamma Mia, is there a lot of theater this month from a new twist on our favorite detective to a world premiere, true biography of an unsung WWII hero. So as you ease on down the road to your favorite live theater venue, don’t miss these stellar shows.

    Baskerville: A Sherlock Holmes Mystery at Alley Theatre (April 4-May 4)
    Longtime Alley favorite and a staple of Houston theater, Todd Waite, takes his final bow as a member of the Alley resident acting company with his sixth time in the role of Sherlock Holmes. Waite always bring wit, intelligence, and a bit of mischief to his take on literature’s most famous detective. His interpretation should pair terrifically with playwright Ken Ludwig, who tends to bring surprising twists to any classic he adapts for the stage. For audiences who already know whodunit in this most beastly of Holmes cases, don’t worry that your fun will be spoiled. The biggest mystery of all will be discovering how five actors can play over 40 characters in this thrilling comic puzzle of a play.

    Dixie’s Tupperware Party hosted at Stages (April 8-20)
    The queen of Tupperware sales is back in Houston and goes back to her (tastefully dyed) roots, with this original show that made her an off-Broadway and fringe festival star. Hosted by the fast-talking, gum-chewing, southern spitfire Dixie Longate, the interactive show showcases the history and wonders of Tupperware as Dixie tells stories of her wild adventures as a pitch-woman. Over the years, Dixie has visited Houston with other themed theatrical rides, but her Stages stop might be Dixie’s last roundup for plastic kitchenware sales. The show’s creator and Dixie’s alter ego, Kris Andersson, has announced this will be the final Tupperware Party tour.

    Mamma Mia! presented by Broadway at the Hobby Center (April 8-13)
    Here we go again, as a new touring production of the feel-good musical sets sail to that Greek island paradise where the sun always shines and everyone is a dancing queen. On the eve of her wedding, a daughter’s quest to discover the father she’s never known brings three men from her mother’s past back to the island they last visited decades ago. For the ultimate fun theatrical experience “Take a Chance” on this jukebox musical set to the music of ABBA hits, like “S.O.S” and “Money.” This “Super Trouper” of a show is always an audience fav.

    How to Die: The Life of Dietrich Bonhoeffer at A.D. Players (April 9-May 4)
    The faith-based company presents this world premiere historical biography chronicling the life of the pastor and theologian who tried and failed to assassinate Adolf Hitler. While the play depicts the dramatic events of Bonhoeffer’s life and his place in history, it also will portray his inner struggles as he must work through the changing theology of a fractured German church, his obligations to his loved ones, and his core question of the sinful nature of killing a human being in order to stop evil. Part of A.D. Players’ Metzler New Works Series, this complex production is definitely a labor of love for the company as it was written by local playwright Andy Pederson, the company’s director of education and theater for young audiences, with company artistic producer, Kevin Dean, directing and a cast of some of Houston’s favorite actors.

    Three Sisters from Classical Theatre Company (April 10-26)
    The Houston theater company that specializes in fresh interpretations of works at least a century old will perform one of the world's greatest dramas. Anton Chekhov's play depicts the lives, loves, and suffering of the Prozorov siblings as they long for an idealized past far from their present circumstance in the midst of social and political upheaval that will change Russia forever. Directed by CTC artistic director John Johnston, this will be the first full-length Chekhov play they’ve produced in a decade. Three Sisters was originally set in the part of the Russian Empire that is modern day Ukraine, with the unhappy Prozorov family being native born Russian Muscovites. Look for Johnston to draw some thought-provoking themes and contemporary connections between the literary past and our own interesting times.

    Spill at Rice Moody Center for the Arts (April 11-12)
    On the 15th anniversary of the Deep Water Horizon explosion, Moody presents the Houston premiere of this documentary play that's written by award-winning The Laramie Project playwright Leigh Fondakowski and features a cast of phenomenal local actors. One of the largest environmental disasters in contemporary times, the Deep Water accident left 11 workers dead, many injured, and triggered the largest oil spill in U.S. history. Using real life stories taken from hundreds of hours of interviews, Spill memorializes how Deepwater Horizon changed lives, the region, and the oil industry, and invites audiences to consider the precarious balance of danger and beauty found on the Gulf Coast.

    Waitress from Theatre Under the Stars (April 15-April 27)
    This feel-good musical about the love and heartache of a plucky waitress is only a decade old, so you might expect this to be another touring production. Well, grab your pie forks because this is a semi-homemade show baked to perfection from a delicious collaboration between Theatre Under the Stars and The 5th Avenue Theatre in Seattle. Based on the hit film by Adrienne Shelly, the show follows Jenna, a master baker and waitress in an abusive relationship with her husband. After Jenna unexpectedly becomes pregnant, she begins an affair with her doctor. Looking for ways out of her troubles, she sees a pie baking contest and its grand prize as her chance.

    Breaking the Waves from Houston Grand Opera (April 19-May 1)
    One of the most provocative and acclaimed operas of the 21st century finally crashes onto the Wortham stage, with this dramatic co-production from HGO, Opera Ventures, Scottish Opera, Théâtre National de l'Opéra Comique, and Adelaide Festival. Based on the acclaimed Lars von Trier film, composer Missy Mazzoli and librettist Royce Vavrek’s opera transport audiences to a strict religious community in 1970s Scotland. HGO Butler Studio alumna soprano Lauren Snouffer takes the starring role of Bess, a devout young woman who dares to marry an outsider, the offshore oil rigger Jan, played by fellow Butler Studio alumnus Ryan McKinny. With their marriage, Bess embarks on a journey of sexual exploration that is tragically interrupted when Jan is paralyzed in an accident, setting off a series of shocking events. Prepare for the passion and explicit themes, as this is one of the rare productions that HGO labels as intended for adult audiences only.

    Tannhäuser from Houston Grand Opera (April 25-May 11)
    Richard Wagner’s romantic masterpieces gets a new production as HGO once again collaborates with longtime friend and internationally-acclaimed director, Francesca Zambello. Houston audiences will be the first in the world to experience Zambello’s beautiful new vision of the opera before it moves to the Washington National Opera, where she is artistic director. Tannhäuser explores the tension between lust and love within the title character’s psyche after he abandons his spiritual love, Elisabeth, for the carnal delights of the goddess Venus. Renowned tenor Russell Thomas takes the title role, with Grammy winning stars Tamara Wilson as Elizabeth and Sasha Cooke as Venus.

    Das Barbecü at Stages (April 25-June 1)
    If you still can’t get enough opera this month, try this performance with a decidedly Texas twisty twang, as Stages makes a hootenanny of Wagner's Ring Cycle. In this musical comedy, the convoluted saga of Norse gods, goddess, heroes, and heroines all fighting over jewelry chronicled across Wagner’s four monumental operas gets whittled down to a hilarious evening where five actors play three generations of feuding Texas families. Expect a musical mashup of Broadway standards and twangy country, with show-stopping numbers like "Hog-Tie Your Man,” “Barbecue for Two” and “Makin’ Guacamole.”

    Forbidden Broadway: Merrily We Stole a Song presented by the Hobby Center (April 24-27)
    As the Hobby Center makes a larger push to bring touring shows and performers to Houston beyond their Broadway series, look for unique treats like this one. This off-Broadway sensation has lovingly parodied its Broadway elders for 35 years, becoming a New York theater staple in its own right. From Frozen to Phantom to Wicked, the show has always been a satirical roast of big Broadway hits and features outrageous costumes, silly spoofs of the songs you know by heart, and hilarious impressions by a cast of musical know-it-alls. They’re always refreshing the lineup, so looks for spoofs of the classics in the mix with the latest Broadway smashes.

    The Wiz presented by Broadway at the Hobby Center (April 29-May 4)
    The Wiz eases down the road to its week-long home at the Hobby Center in another all-new Broadway tour, the first one in 40 years. This groundbreaking take on The Wizard of Oz changed the face of Broadway–from its iconic score packed with soul, gospel, rock, and 70s funk to its stirring tale of Dorothy’s journey to find her place in a modern world. This revival is directed by Schele Williams (The Notebook, revival of Disney’s Aida), choreography by JaQuel Knight (Beyoncé’s “Single Ladies”) with new additional material by Tony and Emmy-nominated writer and TV host Amber Ruffin. The Wiz’s dynamic infusion of ballet, jazz, and modern pop brings a “Believe in Yourself” philosophy we’ll all take home.

    The Wiz musical
    Photo by Jeremy Daniel

    Broadway at the Hobby Center presents The Wiz. (Kyle Ramar Freeman, Nichelle Lewis, Phillip Johnson Richardson, and Avery Wilson)

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    honoring the past

    Houston museum's new project preserves historic Freedmen's Town bricks

    Emily Cotton
    Jun 19, 2026 | 12:00 pm
    Freedmen's Town Rebirth in Action pavilion rendering
    Rendering courtesy of Studio Zewde
    Rebirth in Action is set to open in 2027.

    As Houstonians come together to celebrate Juneteenth, it’s jarring to think that this day of celebration has only been a federally-recognized holiday since 2021. After all, it was in 1865 that U.S Major General Gordon Granger arrived in Galveston on June 19 to enforce the Emancipation Proclamation of 1863. After this event many formerly enslaved Black Americans made their way to Houston, establishing what is now Houston’s very first Heritage District, known as Freedmen’s Town.

    Now, the robust Houston Freedmen’s Town Conservancy, in partnership with the Contemporary Arts Museum Houston, and Mount Horeb Church, are working with the City of Houston on a long overdue project, Rebirth in Action, to honor this historic site. Designed by artist Theaster Gates in partnership with landscape architect Sara Zewde, the monumental pavilion will temporarily house more than 20,000 historic bricks previously removed and preserved from Houston’s Freedmen’s Town. Houston Mayor John Whitmire attended the groundbreaking, which took place last month.

    While many people recognize Galveston as the site of the first Juneteenth celebrations, both of those took place on January 1, to honor the Emancipation Proclamation. However, recent research by Mary Gibbs Jones Professor of Humanities at Rice University W. Caleb McDaniel, has uncovered that the first official Juneteenth celebration was led by two ministers, Sandy Parker and Elias Dibble, right in Freedmen’s Town in 1866. McDaniel’s fascinating article will appear in the next issue of the Journal of Texas History.

    Freedmen’s Town, established in 1865 by over 1,000 newly-free Black Houstonians following Juneteenth, has significantly dwindled in recent years due to systematic reductions in resources, despite its initial 500+ historic structures, including churches, schools, and cultural institutions. Rebirth in Action aims to preserve and promote the neighborhood as a monument of Black community, agency, and heritage.

    “The work of the Contemporary Arts Museum Houston is to utilize our museum as a platform for resources sharing; a platform for unearthing new conversations around gems in our city that are also right down the street,” explains Ryan Dennis, co-director and chief curator for the Contemporary Arts Museum Houston. “Artists have different practices and artists like Theaster [Gates] can really help understand preservation conditions and needs of community, revitalization, and bringing resources together to better serve a neighborhood and realize optimal benefits, particularly antiquities like the bricks in Freedman’s Town that have been taken out of the neighborhood, displaced in other areas of Houston, and not in the home where they were originally created, paid for, and laid down in (by formerly enslaved individuals), which is Freedmen’s Town.”

    The first phase of Rebirth in Action involved artistic activations (including Gates’ exhibition The Gift and The Renege in 2024), artist residencies, community and stakeholder meetings, and the identification, cataloging, and preservation of over 20,000 historic bricks. The pavilion will encourage public viewing of these historic bricks and serve as a hub for engagement with the history, cultural significance, and future of Freedmen’s Town. Additionally, Hines Architecture + Design will rehabilitate three row houses into an adjoining community center.

    “I think the whole project is one that’s quite interesting, useful, and productive. I think it’s important for us to think about how we can use our resources to accomplish the things that build collective wellness — right? Wellness in the space of really preserving our communities that have been disinvested in, elevating the real gems of our city,” says Dennis. “We can do that through collaborations and partnerships; we are much stronger when we can do that with others, versus by ourselves, and I think this project really speaks to that ethos.”

    Phase Two has been made possible by Mount Horeb Church’s continued stewardship of both land and existing historic structures in Freedmen’s Town. The project will include an arts pavilion and community green space designed by Sara Zewde, with an installation by renowned artist Theaster Gates, plus three historic structures redesigned and restored by Daimian Hines Architecture + Design for adaptive reuse as a food pantry and community garden, after-school programming, and senior services for Mount Horeb Church, who will guide programming and operations.

    The art installation will display the original Freedmen’s Town bricks that once lined the streets, giving visitors a chance to experience their significance firsthand. Working with the City of Houston and the North Houston Highway Improvement Program that will reconnect Freedmen’s Town to downtown, Phase Three will see these bricks returned to the streets in a pedestrian promenade capacity. Subsequently, the pavilion will showcase rotating artist activations.

    “The Brick Pavilion for Freedmen’s Town is a project that is deeply resonant for me,” shares Gates. “In part, because there are several opportunities to cultivate community and institutional trust, to create an additional neighborhood heart, and to invest in more beauty for this hugely important district of Houston.”

    Landscape architect Sara Zewde's pavilion, gardens, and landscape design will help centralize all facets of Rebirth in Action, creating a community hub: “Studio Zewde's collaboration with Theaster Gates began with a shared belief that the future of Freedmen's Town must be rooted in the wisdom of the community that built it,” she writes in an email. “The pavilion and landscape draw inspiration from the neighborhood's tradition of shared backyards that connected the community across property lines. The project builds on this inheritance by forming a shared landscape at the center of the sacred bricks and their pavilion, the restored row houses, the Freedmen's Town Conservancy Visitor Center, and Mount Horeb Baptist Church.”

    Architect Daimian Hines credits Reverend Dr. Smith of Mount Horeb Church for the continued stewardship of the land and notes that Dr. Smith oftentimes remarks that the holding of the land has been a form of resistance, the act of holding the land keeping outsiders from contributing to the erasure of Freedmen’s Town and its history.

    “The fact that these three houses, and more in the community, that these post-emancipation structures still exist, it wasn’t for a lack of community pressure. It was a combination of efforts by folks like Dr. Smith, who were resisting [gentrification] through ownership,” explains Hines.

    “Some of the ownership of some of these properties are so complex, it was difficult for potential buyers [developers] to actually get ownership of some of these structures—I consider that sheer luck.”

    Hines worked closely with the Houston Archeological and Historic Commission to propose rehabilitating, modifying, and even relocating the row houses a mere 15 feet. The gabled, cottage-style row houses date back to the late 19th century. These post-emancipation row houses were built by formerly-enslaved, new residents of Houston.

    “We wanted to think through: ‘what was the original story, how did the front of the houses and the back of these structures — what role did they play in day-to-day life?’ We were able to make some strategic moves to bring that to the forefront again,” Hines says. “The Rebirth in Action project and the houses are part of a broader preservation goal within the community to not just preserve, but to reuse either for housing, or — in this case — adaptive reuse as a community space.”

    Hines notes that one of the row houses is of double-door configuration. This typology signifies that it was most likely a boarding house in its prime, a time when Black Americans weren’t welcome in downtown hotels. The two front doors let travelers know that they were welcome to rent a safe place to stay. Together, the three row houses will offer approximately 3,200-3,600 square feet of space, plus a large back porch that will face the pavilion.

    As resources were often few and far between in post-emancipation Freedmen’s Town, the cladding on row houses was patchwork in appearance, as purchasing gaps meant that continuing on with the same materials was unlikely. Regardless, these homes were remarkably well constructed, with solid wood, wooden dowels, and shiplap interior walls. These construction methods, along with allowances for airflow, contributed significantly to their preservation.

    “The one thing about these structures is, that as robust as they are, they have taken a beating,” says Hines. “The actual wood, the detailing, a lot of that has been lost, but these structures tell a story. This is a project I knew I wanted to be personally involved in, and my firm. [The structures] will be able to continue telling a story and play an active role in that community, and that’s why I’m excited.”

    Freedmen's Town Rebirth in Action pavilion rendering

    Rendering courtesy of Studio Zewde

    Rebirth in Action is set to open in 2027.

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