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    best august art

    7 vivid and eye-catching August events no Houston art fan should miss

    Tarra Gaines
    Aug 9, 2023 | 2:40 pm

    August is typically a catch-up month for local art lovers. Several blockbuster exhibitions at the Museum of Fine Arts, Menil Collection, Blaffer Museum, and Moody Art Center are set to close within the next few weeks. That makes August the perfect time to head into cool galleries to catch some hot art before it leaves.

    But Houston is an art city where something is always opening. With an art journey to Oaxaca in Mexico, crafty residences, young artists exhibitions, and a "Bam!" of an art market, there’s plenty of new art to see and collect.

    Art League Houston School Exhibitions (now through September 9)

    Take a look at the latest work from established Houston artists, as well as up-and-coming and future artists with the Art League’s annual shows.

    On view in August, the show highlights the students and teachers from the Art League School through the group ALH Student Exhibition and the Instructor Exhibition. Both exhibitions feature the latest work in drawing, mixed-media, ceramic, printmaking and paintings.

    The third show titled “Kill the Image” features works by young artists of their Summer Intensive For Teens (SIFT) program. Along with the individual work presented in the show, the teens collaborated on a program mural.

    This year’s cohort worked under the guidance of muralist Thomas Tran and SIFT studio assistant Elisse Gachupin to design a mural that explored students’ day-to-day preoccupations, anxieties, hopes and fears as teenagers in 2023.

    “The Loud Quiet” at Sawyer Yards’ Sabine Street Studios (now through September 9)

    This new exhibition of landscape paintings showcases the works of Kelly Best Bourgeois, Karen Lindeman, and Nena Marsh. While the three approach the subject of landscape quite differently, all the pieces are capable of transporting us to another place.

    Though static on the canvas, the scenes chosen for this exhibition resonate and vibrate with the energy and vitality of nature. Through choices in color, application, and composition, the artists hone in on the details of the moment, striking a balance between serenity and the smallness one experiences in the face of epic landscape.

    “Magical and Mystical Oaxaca: Celebrating Oaxacan Art and Culture” at the MFAH’s Glassell School of Art (now through October 1)

    Collaborating with Seranno Gallery, the Glassell presents three installation to showcases the vibrant art and culture of Oaxaca, Mexico.

    In “Four Contemporary Voices from Oaxaca: Rolando Rojas, Didier Mayes, Saul Castro, Ixrael Montes” these four Oaxacan artists explore the complexities of identity at the intersections of the real and the imaginary, and tradition and modernity.

    “Journey to Oaxaca: Visual Testimonies of an Immersive Cultural Experience” highlights the experiences and impressions of participants in the Glassell School of Art’s cultural exploration program to Oaxaca.

    Meanwhile, “Women Printmakers of Oaxaca” reflects the unique perspectives and artistic expressions of women in the Oaxacan art scene. The works on view showcase a diverse range of printmaking techniques, including woodcut, etching, and lithography.

    “The Iconic Portrait Strand by Nestor Topchy” at Menil Collection (now through January 21)

    Using “iconic” in the traditional sense, this first museum exhibition of contemporary portraits by the Houston-based artist will include a selection of some one hundred paintings.

    For these portraits, Topchy uses techniques and materials associated with religious icons for more than 800 years. He considers these contemporary portraits as a single and ongoing work of art, a corpus, that for Topchy, not only depicts his circle of friends and colleagues, but also represents and honors his community.

    Topchy’s work has connections to the Menil’s important holdings of religious icons that span fourteen centuries and include significant examples of devotional objects from the Byzantine Empire and Christian Orthodox traditions.

    “I began this project as a way of exploring what was innate to myself as an artist. It was a way of bringing together resonant images from my childhood,” Topchy says of the portraits. “I grew up in the Orthodox Church and was fascinated early on with the symbolic patterns of Ukrainian pysanka egg designs. I also enjoy working within the restraints of the craft of icon painting.”

    Bam! Art Market at Sawyer Yards’ Silver Street Studios (August 12)

    Get that holiday shopping done very early this year as once again, the First Saturday Arts Market artists join exhibitors and artists from The Market at Sawyer Yards for one Big Ass Art Market (Saturday, August 12 from noon-7 pm).

    Visitors will find the best of these outdoor markets indoors and without the heat, but including food trucks, art demos, music, food and libations. The Sawyer Yards Second Saturday Open Studios will also be open 12–5 pm in Silver Street Studios and neighboring art studio buildings.

    “In Residence: 16th Edition” at Houston Center for Contemporary Craft (August 26-June 9, 2024)

    The Loud Quiet Sawyer Yards Nena Marsh

    Image courtesy of Nena Marsh

    See "Reflection Mysteries" by Nena Marsh in "The Loud Quiet" exhibition at Sawyer Yards.

    This annual exhibition celebrates the Center’s Artist Residency Program, which has supported artists working in the field of craft for more than two decades. This year’s show features works in fiber, clay, and wood, as well as raw and recycled materials.

    Look for works by 2022-2023 resident artists Bennie Flores Ansell, Margot Becker, Felicia Francine Dean, Juan Carlos Escobedo, Ian Gerson, Miles Lawton Gracey, Guadalupe Hernandez, Yeonsoo Kim, Shradha Kochhar, Lakea Shepard, and Rebekah Sweda.

    The Artist Residency Program at HCCC provides local, regional, and international artists with a space for creative exploration, exchange, and collaboration with other artists, arts professionals, and the public.

    “Fine Lines: Works on Paper” from the Masterson Collection at Rienzi the MFAH house museum (September 1-October 1)

    We’re getting a bit of a jump on this one as Rienzi is closed for the entirety of August — and this exhibition will only be on view for a limited time when the house reopens in September.

    Part of the collection of Rienzi founders Carroll Sterling Masterson and Harris Masterson III, this exhibition showcases the Mastersons’ eyes for remarkable works on paper from the 17th, 18th, and 19th centuries by English, French, and Italian artists.

    Highlights include works by Pompeo Batoni, Jean-Honoré Fragonard, Thomas Gainsborough, and George Romney. Some of the drawings in “Fine Lines” are preparatory sketches for works in other media, offering an understanding of the creative process. Others were made as independent works of art.

    Subjects range from studies of nature, places, and the human figure to literary scenes and portraiture.

    news/arts

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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
    news/arts
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