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    Imagination station

    Wildly popular immersive arts venture Meow Wolf to open new 'portal' in Houston

    Chantal Rice
    May 11, 2022 | 5:10 pm
    Meow Wolf Grapevine rendering
    Texans will soon be able to immerse themselves in the imaginative world of Meow Wolf.
    Rendering courtesy of Meow Wolf

    The mesmerizing Santa Fe-based interactive adventure known for enchanting art lovers and amusement zealots with its mind-bending immersive experiences is tripping into Texas with a new permanent exhibition in Houston: Meow Wolf will open a new "portal" here.

    Specifically, Meow Wolf aims to unveil a Houston portal in the historic Fifth Ward cultural district and include Houston-based real estate firm The Deal Co as development partners. The Houston portal is planned for a 2024 opening.

    This comes after a Wednesday, May 11 announcement of a Meow Wolf portal in Dallas-Fort Worth, which marks the innovative business’ first permanent installation in the Lone Star State. The new DFW-area portal (so called for Meow Wolf’s expertise in transporting visitors to fantastic realms of imagination) will be located in the Grapevine Mills shopping mall and encompass 40,000 square feet in the space formerly occupied by a big-box store.

    The Grapevine Meow Wolf is scheduled to open in 2023.

    Meow Wolf got its start in 2008 as a DIY collective of Santa Fe artists, growing into a full-fledged immersive-art affair with the opening of the permanent Santa Fe location in 2016. In 2021, the company branched out with two additional permanent portals in Denver and Las Vegas. Each location hosts a unique art exhibition, ranging from Santa Fe’s mysterious “House of Eternal Return” to Las Vegas’ surreal supermarket-themed “Omega Mart” and Denver’s transformative “Convergence Station.”

    While additional info on themes, names, artists, and specific opening dates for the new Texas portals — the company’s fourth and fifth permanent exhibitions — will be released in the coming months, and the company declined to reveal the build-out costs for the new locations, Meow Wolf has confirmed that more than 50 percent of the artists contributing to the rooms, dioramas, and murals at the new Lone Star State portals hail from Texas. Meow Wolf says it will actively begin recruiting more artists and staff for the new Texas portals this summer.

    The new locations, which the company teased as part of its appropriately mysterious Texas Portals marketing campaign, are part of a larger expansion plan for the arts consortium, says Didi Bethurum, vice president of marketing for Meow Wolf, which will add more permanent installations and roll out other artful projects in the coming years.

    While Bethurum notes that several factors play into the decision-making process when choosing a new Meow Wolf location, she highlights the size and art-loving communities in the Dallas-Fort Worth and Houston areas as key criteria.

    “Dallas is the ninth-largest city by population in the United States and Houston is the fourth-largest. Bringing Meow Wolf experiences to large cities allows for us to share art with the greatest amount of people,” she says, also calling attention to the Texas Cultural Trust’s 2021 State of the Arts Report, which claims Texas’ arts and culture industry has blossomed by more than 30 percent in the past decade. “We seek to be part of the amazing growth of this sector.”

    And considering Meow Wolf has a “legacy of utilizing unique spaces” that allow for artistic creativity to flow — an old bowling alley in Santa Fe, a new experience district in Las Vegas, and football-stadium-adjacent triangular highway void in Denver — Grapevine’s nostalgic mall vibes and Houston’s diverse and historic location make for ideal haunts for Meow Wolf.

    Likely also contributing to the Grapevine location decision is the fact that one of Meow Wolf’s founders, Matt King, grew up in the area and was even present at the grand opening of Grapevine Mills in the late 1990s.

    “I am thrilled to welcome Meow Wolf to Grapevine,” says Mayor William D. Tate. “Our city is a premier destination for entertainment, and the interactive installation these artists will build at Grapevine Mills pairs perfectly with the high-quality restaurants, wineries, and family-friendly activities we have worked to place all over our fine city for decades.”

    This marks the first time Meow Wolf will open two exhibitions in the same state at roughly the same time, certainly a major undertaking for any arts organization. But given that some 3 million raving fans have already visited Meow Wolf locations and that the company has been eyeing these Texas markets for more than two years, the new portals are destined to become a howling success, enthralling locals with “revolutionary artistic expression” unlike anything Grapevine or Houston have previously experienced.

    “The Meow Wolf story universe is expanding, and Texas holds the keys to our next chapters,” says Jose Tolosa, CEO of Meow Wolf. “Opening a permanent exhibition in the largest and one of the most diverse states in the country has been on Meow Wolf’s radar for years, and we are excited to be formally underway. The opportunities this state has presented have already become the touchstones of a vibrant, arts-centric portal of imaginative creativity.”

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    news/arts

    untitled art 2026

    Prestigious contemporary art fair returns to Houston for 2026

    Holly Beretto
    Apr 9, 2026 | 12:30 pm
    Untitled Art entry way
    Courtesy of World Red Eye
    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

    A prestigious contemporary art fair is coming back to the Bayou City. Untitled Art, Houston returns this October for its second edition. To mark the occasion and kick off plans, the show commissioned two artist projects that will be unveiled this weekend at the 39th annual Art Car Parade on Saturday, April 11 in downtown Houston.

    The art show will be held at the George R. Brown Convention Center October 2 to 4. An invitation-only VIP and Press Preview will take place on Thursday, October 1.

    Houston was the organization’s first expansion from its home base in Miami. When the show arrived in the city last fall, it showcased the works of contemporary artists from Houston, other parts of Texas, and around the world.

    Houstonians showed lots of enthusiasm for last year’s inaugural fair. The organization reported that several galleries reported six-figure sales and sold-out booths, and leaders from the Museum of Fine Arts, Houston, The Menil Collection, and Contemporary Arts Museum Houston were in attendance all weekend.

    This year, the show promises to be even more dynamic, with programming that includes live podcast recordings, panel discussions, culinary activations, and artist-led projects with an emphasis on embedding the fair within Houston’s civic and cultural fabric. Show attendees can expect an international roster of galleries alongside collectors, curators, and artists increasingly attuned to Houston’s evolving position as both a cultural gateway to Latin America and a substantial force in the international art scene.

    “Houston has proven to be a vital artery for the contemporary art market, blending a deep institutional history with a bold, global future,” Jeffrey Lawson, founder of Untitled Art, said in a statement. “We are thrilled to return and deepen our commitment to the city’s creative community.”

    Beyond the exhibits at the show, Untitled Art has made a commitment to helping ensure art and art collecting is accessible to the larger community. Last year, programming events took place all over the the city, with private collection visits, studio tours with artists, and guided engagements at institutions such as the Museum of Fine Arts, Houston, The Menil Collection, Contemporary Arts Museum Houston, and Asia Society Texas Center, in collaboration with more than two dozen cultural partners.

    This year’s Art Car entry marks the first of its kind for the organization. Untitled Art commissioned collaborations with ascendant emerging Los Angeles-based artists Aryo Toh Djojo and Mario Ayala. Ayala's exhibition Seven Vans is currently on view at the Contemporary Arts Museum Houston.

    “Houston continues to assert itself as a cultural capital of the South, and the inaugural edition confirmed that there is a serious and attentive audience invested in contemporary art from local, national, and international dealers alike," said Michael Slenske, director of Untitled Art, Houston.

    Information about ticket sales will be available closer to the opening.

    Untitled Art entry way
    Courtesy of World Red Eye

    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

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