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    Chime at Main Street Square

    Pop-up sculpture lets you compose a special tune to share with downtown Houston

    Tarra Gaines
    Dec 5, 2016 | 11:12 am

    Ready to make beautiful music together, Houston? Then, let’s meet at Main Street Square to play a tune on the art, as the new pop up interactive sculptural installation Chime lets us all become musicians and compose our own special melody to share with all of downtown.

    Just recently popping up amid the Main Street Square Art Blocks, Chime looks a bit like someone built a cute wooden shack in front of the former Sakowitz department store building along the METRORail line between Lamar and Dallas Streets. That someone is Civic Harmony, a design team comprised of artist Dan Gottwald and urban designer Scott Watkins. Gottwald was in Houston for the Chime unveiling and talked about all the music we’ll be making this holiday season as Houstonians discover another reason to explore the streets of downtown.

    As a sound artist, with degrees in sculpture and electronic music Gottwald’s objective is “to provide sculptural music” to cities and communities.

    “I don’t like barriers of virtuosity or perfection or practice even,” he explained. “To release something like this into the world that you don’t need any specific musical training to make a really nice piece of music is kind of my goal. What I’ve done with Civic Harmony is to expand on that.”

    Chime began as an experimental art piece created for the Market Steet Prototyping Festival in San Francisco, but has evolved since then so that the Houston Chime is the largest version yet. Gottwald’s initially had an idea of a big wall of “things you could hit, a big percussion instrument” but he was “really, really hesitant to leave hammers out for everybody or moving parts exposed to the general public.” Thinking outside the box for a time, he came up with a giant box-like solution.

    “It just kind of dawned on me we could put everything on the inside of whatever it was we were doing and use a pendulum,” Gottwald described.

    Two sides of Chime consist of vertical panels, a bit like the peddles of a piano, but they’re meant to be gently pushed with hands. Within the giant wooden instrument, the panels cause the pendulums to swing and hit the interior chimes. Just by giving the panel a slight shove a passerby becomes a musician, but don’t be surprised if your solo soon becomes a duet.

    “You set the whole thing into motion,” said Gottwald, but also noted that both sides work “in conjunction with the other side. You push over here and it starts moving everything over there, in a one-to-one relationship. The size of this thing prevents you from seeing what’s going on on the other side and whether anybody is over there. You can generate some pretty surprising interactions.”

    When I asked Gottwald if there was one instrument Chime reminds him of or that inspired him, he explained that some people think of a piano when they play it, others a glockenspiel, but for him it most resembles simple wind chimes, with humans as “the the wind that enacts the motion of everything.”

    Chime will remain in Main Street Square until the first week of January, but we won’t necessarily hear the fading of its notes anytime soon. The Downtown District acquired this Chime version, and they plan to bring it back out to the streets of downtown on special and perhaps even everyday occasions. It takes a bit of dismantling and carting, but Chime is definitely transportable.

    “We were looking for some more pop up installations to complement the four, year-long [Art Block] installations that we had in Main Street Square, and Chime had been on our radar for almost a year,” explained Angie Bertinot Houston Downtown Management District director of marketing & communications. “I love the idea of moving it around downtown,” she said and hinted that while nothing is definite, the Super Bowl might be another great time for visitors and local residents alike to discover an artful Houston and chime right in their own creative musical compositions.

    Creating music amid the bustle of downtown Houston.

    Chime Art Blocks-playing Chime
    Photo by Joel Luks
    Creating music amid the bustle of downtown Houston.
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    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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