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    Space Day at Cinema Arts

    Astronauts and a movie star propel the first CineSpace Awards into the stratosphere

    Tarra Gaines
    Nov 14, 2015 | 9:00 am

    When film, space and art meet almost anything can happen. That seemed to be the gravity-defying message of Houston Cinema Arts Festival’s space day on Friday. The day of fictional and documentary films about our journey beyond Earth culminated in a night full of possibility and wonder.

    Astronaut Scott Kelly, high above the world in the International Space Station, offered a recorded welcome to the audience at the MFAH’s Brown Auditorium for CineSpace, the short film competition organized by NASA and Cinema Arts. 194 films were submitted from 22 countries and 32 states. Sixteen finalists were chosen by committee and then the final judgment with Oscar nominated director Richard Linklater.

    The films of those finalists covered as-wide-as-space range of subject matter and stories, but most contained themes of hope and inspiration.

    A girl whose mother died of cholera from unclean water grows up to find water on Mars in Red Pearl. Voyager 1 and 2 travel across the galaxy in Voyagers. And a robot searches through space for a new habitable planet for humans in Mission Avante. These were just a few of the stories real and fictional being told.

    Search for Higher Ground

    After the screening of all 16, the winners were announced and the audience seemed to be in complete agreement with the judging when Astronaut Don Pettit presented the first place prize to Higher Ground by Houston artists Mary Magsamen and Stephen Hillerbrand.

    Though Judge Linklater is of course a native Houstonian, he was never told the place of origin of each entry, so there was no pro-hometown bias in his evaluations.

    Higher Ground tells the story of a seemingly normal family, who after watching space footage on television, decide to build their own rocket ship in the backyard out of bits of their house and stuff from their garage.

    When I talked with Magsamen and Hillerbrand after the ceremony, they revealed their DYI rocket ship created for the film is still standing in their backyard. It took about a month for the whole family to build the ship and shoot the movie.

    “It was a lot of shooting because we shot at night. We would come home, pick up the kids from school, have dinner and then go out in the backyard and start building the spaceship,” Hillerbrand said.

    The ship is over two stories high and stands higher than their north Houston home. It’s been up for about a year, and people can climb inside like a jungle gym, but both Magsamen and Hillerbrand seemed a little sad their kids have become bored with their homemade spaceship and won’t bring their friends over to play in it.

    While the couple have no plans to exhibit the ship, they do have an upcoming exhibition in March at Lawndale Art Center, a space memorabilia gift shop to sell t-shirts, plates and patches.

    Another space treat

    Following the CineSpace awards ceremony came another space treat, a short selection of videos from artist Marco Brambilla and a special screening of Satellite Beach, a short film directed by Luke and Andrew Wilson about a NASA project manager supervising the Shuttle Endeavor’s trip through Los Angeles in 2012.

    Luke Wilson was too flu ridden to make the trip to Houston, but managed to Skype in from his kitchen, perhaps a little high on Robitussin. He and brother Andrew, who attended the screening, discussed the gorilla filmmaking it took to shoot a movie around the Space Shuttle Endeavor’s real-life 12 mile road trip from the Los Angeles International Airport to California Science Center.

    The crew of Satellite Beach followed Endeavor through the streets filming all the way, as Wilson wanders through the real crowds, in character as shuttle manager Warren Flowers. The half hour comedy has something of a twist about half-way through, but it only serves to make Warren’s devotion to the shuttle all the more endearing. Wilson told the audience that he’s like to give Warren other film adventures in the future.

    A scene from Rocket Inside.

    Rocket Inside winner of CineSpace Houston Cinema Arts Festival
    Courtesy of Stephen Hillerbrand and Mary Magsamen
    A scene from Rocket Inside.
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    Remembering the Flood

    Texan wins Pulitzer Prize for heartbreaking story of Guadalupe flood

    Brianna Caleri
    May 5, 2026 | 2:00 pm
    Guadalupe River July 4 flood
    Photo by Brandon Bell/Getty Images
    Aaron Parsley has won a Pulitzer Prize for "Where the River Took Us," published days after the flood.

    Many Houstonians know someone who was impacted by the July 4, 2025 flood that killed more than 100 people. But one story cut through the chaos with an emotionally raw, first-person view of what actually happened. Texas Monthly senior editor Aaron Parsley published his survival story in "Where the River Took Us." On Monday, May 4, he has won the Pulitzer Prize for feature writing.

    The prestigious journalism award has 23 winners each spring. For features, the judges chiefly consider "quality of writing, originality and concision."

    "Where the River Took Us," brought readers moment-by-moment from Parsley's family house on the Guadalupe River, to family members including Parsley rushing down the river itself, to reunification for most of the family and grief for his 20-month-old nephew, Clay, who drowned.

    Parlsey renders each scene with arresting detail, recalling dialog and individual pieces of refuse raging past in the water: branches, furniture, a car with headlights still on. Adding to the immersion were photographs by Jordan Vonderhaar and Parsley's family. Published just days after the flood, the account was one of the first deep looks at what happened for readers who had only seen general news coverage and disorganized posts on social media.

    “In a matter of hours, Aaron uncovered the singular experiences of family members wrenched from one another and thrown into a raging flood," said Texas Monthly editor in chief Ross McCammon in a story announcing the Pulitzer award. "He then braided those stories together to convey what a tragedy of this sort actually feels like. This is a deeply reported story of horror, courage, and love, and it is one of the finest magazine stories ever written.”

    “I am grateful to my family for trusting me and to everyone at Texas Monthly for offering their support, talent, and meticulous care during the process of writing, reporting, and all that goes into putting this story into the world,” said Parsley. “It means everything to me, and I’m deeply proud to be a part of the Texas Monthly team.”

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