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    Museum's Next Blockbuster

    New York is "boring" while Houston art scene thrives, architect tells crowd at MFAH groundbreaking

    Clifford Pugh
    Oct 15, 2015 | 5:38 pm

    Just as one Houston landmark — the international concourse at Hobby Airport — opened on Thursday, another grand project with blockbuster potential got underway with a groundbreaking for the new Glassell School of Art as part of a massive makeover of the 14-acre Museum of Fine Arts, Houston campus.

    And the nationally renown architect for the project — Steven Holl — found it all very exciting.

    "I got here at 4:45 (the day before) and they let me into the museum to see this fabulous Mark Rothko show, which I have to say is amazing and absolutely spiritually moving," Holl said. "It reminds me that Houston is so important in America because New York is a little boring."

    The Glassell School, slated to open in 2017, will feature an 80,000-square-foot L-shape building with a sloped walkway and amphitheater leading to the BBVA Roof Garden, providing an expansive view of the newly-named Fayez S. Sarofim Campus, with Hermann Park beyond.

    The new school will double the size of the old building, which was demolished to make way for the expansion, with fully digital studios and classrooms, exhibition space, an auditorium and street-level cafe.

    "The way this building is made, you have an incline plane and you have the theater that leads to the roof terrace, which really is about the whole campus," Holl said.

    Big gamble

    Holl and architect Chris McVoy took a gamble when bidding for the overall project that also includes a new museum building named for Nancy and Rich Kinder. It will begin construction in two years. The entire project, which includes three significant new buildings, extensive underground parking, public plazas, reflecting pools and landscaped gardens, is expected to be completed by late 2019.

    The museum asked for a garage to be included in the overall plan, but Holl presented a proposal to put parking underground to allow for space for the Glassell sculpture terrace and expansive views of the campus.

    "It was frightening for us to be disobedient and not do the parking garage, but Nancy (Kinder) got it right away. And I felt that somehow we would prevail and win the competition," Holl said.

    "So today, after four years, this is a very exciting moment for an architect. This is a project I think that is probably the most important one we will do, possibly because Mies van der Rohe is watching. He's right over there," Holl added, referring to the iconic MFAH building designed by Ludwig Mies van der Rohe in 1958, now called Cullinan Hall, across the way on Bissonnet.

    Big donors

    Sarofim gave $70 million to the overall museum project and the Kinders donated $50 million.

    Other donors singled out by MFAH chairman Rich Kinder at the groundbreaking for giving $10 million or more are Cornelia and Meredith Long, Clare Glassell, Ann and Charles Duncan, The Brown Foundation, the Sarah Campbell Blaffer Foundation, The Cullen Foundation, the Wortham Foundation, and Lynn and Oscar Wyatt.

    As the largest corporate donor, BBVA Compass gave $8 million to the project. "We recognize the life-changing power of art and strive to make it accessible to everyone in our community, from the young to the young at heart," said BBVA Compass chairman and CEO Manolo Sánchez, an MFAH trustee.

    "And we help to support the city as being a more attractive place to live, which we already know, but it's one of the best-kept secrets in other parts of the world and the nation. They don't realize the phenomenal cultural infrastructure we are building and we already have here in Houston.

    "The expansion of the campus is providing an opportunity for the Latin American collection to be exhibited. The museum has the strongest Latin American collection in the world. That's also a great opportunity to connect with Latinos and the Hispanic community in town, when they see their heritage being part of this serious art space."

    At the groundbreaking, MFAH director Gary Tinterow also announced that New York landscape architect Deborah Nevins has been retained to "create an urban pedestrian experience like no other in Houston" on the museum campus.

    Holl recalled he was recently asked by a reporter what his architecture will give to the Houston community. "I remembered a Winston Churchill sentence — 'first we shape our buildings and then they shape us.' I really believe that architecture changes the way we live. It is going to be a great project."

    Gary Tinterow and Lynn Wyatt at the groundbreaking for the new Museum of Fine Arts, Houston Glassell School of Art.

    Gary Tinterow and Lynn Wyatt at groundbreaking for the Fayez S. Sarofim Campus and the new Glassell School of Art
    Photo by dabfoto creative
    Gary Tinterow and Lynn Wyatt at the groundbreaking for the new Museum of Fine Arts, Houston Glassell School of Art.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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