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    Museum's Next Blockbuster

    New York is "boring" while Houston art scene thrives, architect tells crowd at MFAH groundbreaking

    Clifford Pugh
    Oct 15, 2015 | 5:38 pm

    Just as one Houston landmark — the international concourse at Hobby Airport — opened on Thursday, another grand project with blockbuster potential got underway with a groundbreaking for the new Glassell School of Art as part of a massive makeover of the 14-acre Museum of Fine Arts, Houston campus.

    And the nationally renown architect for the project — Steven Holl — found it all very exciting.

    "I got here at 4:45 (the day before) and they let me into the museum to see this fabulous Mark Rothko show, which I have to say is amazing and absolutely spiritually moving," Holl said. "It reminds me that Houston is so important in America because New York is a little boring."

    The Glassell School, slated to open in 2017, will feature an 80,000-square-foot L-shape building with a sloped walkway and amphitheater leading to the BBVA Roof Garden, providing an expansive view of the newly-named Fayez S. Sarofim Campus, with Hermann Park beyond.

    The new school will double the size of the old building, which was demolished to make way for the expansion, with fully digital studios and classrooms, exhibition space, an auditorium and street-level cafe.

    "The way this building is made, you have an incline plane and you have the theater that leads to the roof terrace, which really is about the whole campus," Holl said.

    Big gamble

    Holl and architect Chris McVoy took a gamble when bidding for the overall project that also includes a new museum building named for Nancy and Rich Kinder. It will begin construction in two years. The entire project, which includes three significant new buildings, extensive underground parking, public plazas, reflecting pools and landscaped gardens, is expected to be completed by late 2019.

    The museum asked for a garage to be included in the overall plan, but Holl presented a proposal to put parking underground to allow for space for the Glassell sculpture terrace and expansive views of the campus.

    "It was frightening for us to be disobedient and not do the parking garage, but Nancy (Kinder) got it right away. And I felt that somehow we would prevail and win the competition," Holl said.

    "So today, after four years, this is a very exciting moment for an architect. This is a project I think that is probably the most important one we will do, possibly because Mies van der Rohe is watching. He's right over there," Holl added, referring to the iconic MFAH building designed by Ludwig Mies van der Rohe in 1958, now called Cullinan Hall, across the way on Bissonnet.

    Big donors

    Sarofim gave $70 million to the overall museum project and the Kinders donated $50 million.

    Other donors singled out by MFAH chairman Rich Kinder at the groundbreaking for giving $10 million or more are Cornelia and Meredith Long, Clare Glassell, Ann and Charles Duncan, The Brown Foundation, the Sarah Campbell Blaffer Foundation, The Cullen Foundation, the Wortham Foundation, and Lynn and Oscar Wyatt.

    As the largest corporate donor, BBVA Compass gave $8 million to the project. "We recognize the life-changing power of art and strive to make it accessible to everyone in our community, from the young to the young at heart," said BBVA Compass chairman and CEO Manolo Sánchez, an MFAH trustee.

    "And we help to support the city as being a more attractive place to live, which we already know, but it's one of the best-kept secrets in other parts of the world and the nation. They don't realize the phenomenal cultural infrastructure we are building and we already have here in Houston.

    "The expansion of the campus is providing an opportunity for the Latin American collection to be exhibited. The museum has the strongest Latin American collection in the world. That's also a great opportunity to connect with Latinos and the Hispanic community in town, when they see their heritage being part of this serious art space."

    At the groundbreaking, MFAH director Gary Tinterow also announced that New York landscape architect Deborah Nevins has been retained to "create an urban pedestrian experience like no other in Houston" on the museum campus.

    Holl recalled he was recently asked by a reporter what his architecture will give to the Houston community. "I remembered a Winston Churchill sentence — 'first we shape our buildings and then they shape us.' I really believe that architecture changes the way we live. It is going to be a great project."

    Gary Tinterow and Lynn Wyatt at the groundbreaking for the new Museum of Fine Arts, Houston Glassell School of Art.

    Gary Tinterow and Lynn Wyatt at groundbreaking for the Fayez S. Sarofim Campus and the new Glassell School of Art
    Photo by dabfoto creative
    Gary Tinterow and Lynn Wyatt at the groundbreaking for the new Museum of Fine Arts, Houston Glassell School of Art.
    museums
    news/arts

    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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