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    10 Can't-Miss Fall Arts Events

    10 can't-miss fall arts events: American masters, Art Fair battles, royal sagas and Degas

    Tarra Gaines
    Sep 6, 2016 | 10:28 am

    Fall is a strange time for visual and performing arts in Houston. As many organizations, and theater companies debut their new season, they only have about two-and-a-half months before the clamor for the holiday shows begin. That’s little time to pack in a cornucopia of new art and performances.

    But 2016 brings a particularly artfully full fall with several shows and exhibitions exclusive to Houston. With so much to see, we’ve chosen 10 can’t-miss events and performances–some blockbusters — some decades in the making — to bring color, music, drama and dazzle into those shorter days and lengthening nights.

    A Sam Shepard Duet: True West from 4th Wall Theatre (September 8-30) and Buried Child from Catastrophic Theatre (September 9-October 1)
    While the playwright’s dark, yet often comic, dramas never go out of style, and every year seems to bring another Shepard revival off-Broadway, it’s not often that any city gets two productions running at the same time, especially from two local fav companies known for edgy acting. 4th Wall Theatre (formerly Stark Naked) gets us started with the 1983 classic, True West, on September 8. Then Catastrophic opens their production of the 1979 Pulitzer Prize for Drama, Buried Child the next evening.

    See them both and decide who wore Shepard best or just revel in the opportunity to see a twofer of an American master.

    Director’s Choice: American Ingenuity from the Houston Ballet (September 8-18)
    Shepard won’t be the only American artist getting some local love that weekend, as the Houston Ballet begins its 47th season with a mixed repertory program celebrating American dance. The program includes George Balanchine, who, though born in Russia, is “one of the fathers of American ballet,” says Houston Ballet’s artistic director Stanton Welch. Along with Balanchine’s “Theme and Variations,” Director’s Choice offers company premieres of William Forsythe’s “Artifact Suite” and Jerome Robbins’ “Other Dances.”

    In the Heights presented by Theatre Under the Stars (September 13-25)
    After a spring and summer of big changes at TUTS, it’s time to see what new artistic advisor Sheldon Epps’ arrival has wrought for the new revised 2016-2017 season. For this new production of Hamilton creator Lin-Manuel Miranda’s first musical, TUTS held auditions in Houston, New York and Los Angeles and netted several actors from the original Broadway and touring productions. Let’s see if the new TUTS and Miranda make beautiful music together.

    Picasso The Line at the Menil Collection (September 16, 2016 – Jan 8, 2017)
    This exhibition focuses on an aspect of Pablo Picasso’s art seldom contemplated by even the most ardent Picasso aficionado, his line drawings that he made throughout his artistic life. The Line contains nearly a 100 works on paper from public and private collections in the United States and Europe and includes a multitude of mediums: pen, pencil, charcoal and collage. Several of the works have never been exhibited in the U.S. Organized by the Menil Collection, The Line will only be seen in Houston.

    Jonathan Safran Foer Reading presented by Inprint Margarett Root Brown Reading Series (September 19)
    The best-selling author of Everything Is Illuminated and Extremely Loud and Incredibly Close has been absent from the reading stage with a new book for over a decade. His novel, Here I Am, will debut only about a week before his trip to Houston. Enjoy this freshest of fiction and a treat for Houston literary lovers as Foer opens Inprint’s 36th season.

    Dueling Art Fairs (September 29th - October 2nd)
    Is Houston ready for two art fairs on the same weekend? We’ll find out as the sometimes rival art collecting extravaganzas, the Texas Contemporary Art Fair and the Houston Art Fair (formerly Houston Fine Art Fair) hold their events the same weekend. HAF (formerly Houston Fine Art Fair), now under the direction of Urban Expositions, moves to Silver Street Event Space, while TCAF once again beautifies George R. Brown for the weekend. Their opening/preview parties also happen at the same time on Thursday, September 29, so choose which fair VIP you wish to be — or go between both.

    Degas: A New Vision at the Museum of Fine Arts, Houston October 16 2016-January 8, 2017
    There hasn’t been a Degas retrospective like this since the late 1980s and there won’t be another museum in the U.S. hosting this one. The MFAH will be the exclusive U.S. venue for Degas: A New Vision, which will bring together 200 Degas works from public and private collections around the world that span his creative life from the mid-1850s to the first years of the 20th century. Yes, come for the ballet paintings we all know and love, but come back throughout the fall to learn, appreciate and admire the artist’s breadth of works from painting, drawing, photography, printmaking, and sculpture.

    Emperors’ Treasures: Chinese Art from the National Palace Museum, Taipei at the MFAH (October 23-January 22)
    Don’t go to far after savoring the Degas exhibition because just a week later the MFAH is rolling out another blockbuster featuring paintings, calligraphy, bronzes, and decorative arts from the National Palace Museum in Taipei. The exhibition will focus on the artistic period of eight imperial rulers of China from the Song to the Qing dynasties. Many of these priceless works have rarely been seen outside of Taipei.

    Wolf Hall at Main Street Theater O(ctober 19-December 18)
    Four years ago, Main Street Theater was the first regional theater to produce Tom Stoppard’s monumental The Coast of Utopia trilogy of plays after they made their U.S debut at Lincoln Center. This October, Main Street once again attempts epic theater with the Tony Award best play nominee Wolf Hall. Based on the Booker Prize winning book by Hilary Mantel, Wolf Hall is actually two plays, (Part One: Wolf Hall and Part Two: Bring Up the Bodies), which chronicle the rise of Thomas Cromwell in the court of Henry VIII, as Henry marries and discards various wives in his attempts to produce a male heir.

    With a cast of 23, the two parts running in repertory and a few weekend dates when both plays will be performed on the same day, we’re looking forward to seeing director Rebecca Greene Udden’s vision for this historical, expansive drama in the renovated Rice Village theater.

    Jones Hall 50th Anniversary Gala Concert (October 22)
    While the venerable Houston concert institution did have $24 million worth of work done in the early 2000s, Jones Hall certainly doesn’t look like it’s celebrating its big 50. This "Mad Mid-Century Celebration" hosted by Friends of Jones Hall, in collaboration with Society for the Performing Arts and the Houston Symphony, features internationally renowned violinist, and frequent Jones headliner, Itzhak Perlman in concert with the Houston Symphony, conducted by Music Director Andrés Orozco-Estrada. The program includes works by Tchaikovsky, Beethoven, Kreisler and J. Williams and includes a Champagne toast to one fabulous 50 year-old.

    The Museum of Fine Arts, Houston will be the only U.S venue for Degas: A New Vision.

    Edgar Degas, The Dance Class, c. 1873, oil on canvas, National Gallery of Art, Washington DC, Corcoran Collection (William A. Clark Collection).
    National Gallery of Art, Washington DC, Corcoran Collection (William A. Clark Collection).
    The Museum of Fine Arts, Houston will be the only U.S venue for Degas: A New Vision.
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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