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    Open Stages

    Adventurous Stages Theatre celebrates 40 crazy years with eclectic new season

    Tarra Gaines
    Aug 4, 2017 | 1:30 pm

    Hitting the big 4-0 might signal a year to go on a crazy adventure, or perhaps experiment with new experiences, but as Stages Repertory Theatre enters its fourth decade, the company sets out to do more of what they’ve been doing all along — bringing shows a little crazy, adventurous and new to Houston audiences.

    From its beginnings in a downtown basement to its place as the third largest theater company in Houston, Stages has always defied easy theatrical categorizations. Every season, we expect the odd jukebox musical and light comedy, but we also know we’ll likely see edgy Off-Broadway plays before they’re produced anywhere else in the region.

    When I recently spoke with Stages artistic director Kenn McLaughlin about the company’s milestone, he described their seasons as eclectic and diverse. McLaughlin has been at Stages for 17 years, first as managing and then as artistic director. Yet, looking back at the company’s history, he gives much credit to this variety-in-storytelling aesthetic to founding artistic director Ted Swindley and Rob Bundy who became AD in the mid-'90s.

    “Ted Swindley is blindingly passionate about storytelling. He cares about story and engagement,” McLaughlin explained. “Rob’s real interest was the edgy. His work was incredibly provocative. He focused on the alternative. I think I’ve taken that base, kept that kind of caliber of edge and then expanded back into the popular stuff because that’s just who I am.”

    McLaughlin makes no excuses for the varying of crowd-pleasing shows and the much more unconventional plays that alternate on a season lineup and are sometimes presented simultaneously in Stages’ two theater spaces near Allen Parkway.

    “Why should I assume that everyone who comes to theater has the same bandwidth?” he pondered. “People keep asking how can we fill our theaters. Well, maybe we can reflect the attitudes and tastes of the whole of the city. I’m not suggesting that we should affirm every single taste, but I’m suggesting that’s who we are as a community. If we’re going to come together as a community, then the stories have to reflect the memories, attitudes, concerns, and joys of the community.”

    A Tale of Two Plays

    Illustrating this wide-bandwidth philosophy, McLaughlin gave me two examples of plays he directed in the last few years, the always popular Always…Patsy Cline, which was created by Swindley in 1988 and McLaughlin brought back for this 40th season, and Aaron Posner’s award-winning Stupid Fucking Bird, a Houston critics’ (including this one) favorite in 2015.

    “I love Patsy as much as I love Stupid Fucking Bird,” explained McLaughlin. “I was very fulfilled directing both of those production. In trying to figure out what’s the depth of the humanity in there, Patsy actually has more challenges as a jukebox musical. It compels me to think more about the humanity of the story and to figure out what did it mean to be a woman circa 1961 in a difficult marriage.”

    “I think all stories are important because all of us are filled with a thousand stories. If we start to say: ‘I’m only going to tell this kind because this is the most important kind,’ then we’re diminishing the whole storytelling idea.”

    A Year-Long 40th Birthday Party

    Staying true to Stages’ variety roots, McLaughlin feels this 2017-2018 season honors both traditions and innovations in storytelling. Along with Patsy, he’s bringing back another hugely requested show, The Great American Trailer Park Musical for spring 2018. Meanwhile, Patsy has been joined this summer with Woody Sez: The Life and Music of Woody Guthrie, which debuts a second cast of actor/musicians as the original cast is still in New York, the run extended for a third time.

    “Patsy and Woody sum up the season in some ways. Patsy is this feel-good celebration of female friendship and great music. Woody is the incredibly complex elevation of a great artist and music with bite and weight to it,” describes McLaughlin. “They demonstrate the capacity of the same form to be bent in different ways.”

    For the innovative side of the season, Stages offers three world premieres as well as inaugurating an annual Latina/o Festival, Sin Muros.

    In October, Stages serves up Balls, which McLaughlin calls the “the biggest artistic risk” he’s ever taken. The play’s creators the New York-based, avant-garde One Year Lease Theater Company contacted Stages wanting a Houston co-producer to world premiere this experimental retelling of the 1973 "Battle of the Sexes" tennis match between Billie Jean King and Bobby Riggs in the city were the match took place.

    For the 10th anniversary of Stages’ holiday Panto series, they’ll present again their first, Panto Cinderella and will pair it with the brand new holiday musical A Midnight Clear. The Stages board commissioned McLaughlin to write the show with David Nehls after the success of their I’ll Be Home for Christmas in Denver last year.

    “It’s a little bit of a love letter from the Stage audience from me,” explained McLaughlin of the musical influenced by his mother’s own experience as orphan and her perspective that “We should not assume that everyone feels great this time of year.”

    Ringing in the New Year

    Stages rings in the new year with a new Latina/Latino play festival which includes workshop readings of three works in development from Texas playwrights and the world premiere of Josh Inocéncio’s solo show Purple Eyes. The full production of Philip Boehm’s Alma en venta (Soul on Sale) runs in conjunction with the festival.

    McLaughlin has been working to create a Latina/o play festival for many years.

    “It rose out of this question about are we really diverse enough. Are we making intentional commitment to changing the core of what we are doing?” he said about the festival’s origins. The 40th anniversary season became the perfect launch year.

    In 2018, look for Ann, with Sally Edmundson as the late, great governor. Also in the innovative mix are two regional debuts: the powerful We are Proud to Present a Presentation About the Herero of Namibia and Jesse Eisenberg’s play (yes that one) The Revisionist.

    The season ends with another world premiere, the science fiction drama, Replica, by Mickey Fisher, a playwright probably best known for creating television shows like Extant and Mars.

    As for what lies beyond 40, McLaughlin jokes there are always hopes and plans in the works, if nothing else then for new carpeting in the lobby.

    “I’m curious to see what’s ahead. Theater is transformative and it must always transform. I’m intrigued by how things always transform. Bring it, that’s my response to change.”

    Susan Koozin and Kelley Peters in Stages' 2017 revival of Always. . .Patsy Cline directed by Kenn McLaughlin.

    Stages Theatre-Always...Patsy Cline,Susan Koozin and Kelley Peters
    Photo by Os Galindo
    Susan Koozin and Kelley Peters in Stages' 2017 revival of Always. . .Patsy Cline directed by Kenn McLaughlin.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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