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    Open Stages

    Adventurous Stages Theatre celebrates 40 crazy years with eclectic new season

    Tarra Gaines
    Aug 4, 2017 | 1:30 pm

    Hitting the big 4-0 might signal a year to go on a crazy adventure, or perhaps experiment with new experiences, but as Stages Repertory Theatre enters its fourth decade, the company sets out to do more of what they’ve been doing all along — bringing shows a little crazy, adventurous and new to Houston audiences.

    From its beginnings in a downtown basement to its place as the third largest theater company in Houston, Stages has always defied easy theatrical categorizations. Every season, we expect the odd jukebox musical and light comedy, but we also know we’ll likely see edgy Off-Broadway plays before they’re produced anywhere else in the region.

    When I recently spoke with Stages artistic director Kenn McLaughlin about the company’s milestone, he described their seasons as eclectic and diverse. McLaughlin has been at Stages for 17 years, first as managing and then as artistic director. Yet, looking back at the company’s history, he gives much credit to this variety-in-storytelling aesthetic to founding artistic director Ted Swindley and Rob Bundy who became AD in the mid-'90s.

    “Ted Swindley is blindingly passionate about storytelling. He cares about story and engagement,” McLaughlin explained. “Rob’s real interest was the edgy. His work was incredibly provocative. He focused on the alternative. I think I’ve taken that base, kept that kind of caliber of edge and then expanded back into the popular stuff because that’s just who I am.”

    McLaughlin makes no excuses for the varying of crowd-pleasing shows and the much more unconventional plays that alternate on a season lineup and are sometimes presented simultaneously in Stages’ two theater spaces near Allen Parkway.

    “Why should I assume that everyone who comes to theater has the same bandwidth?” he pondered. “People keep asking how can we fill our theaters. Well, maybe we can reflect the attitudes and tastes of the whole of the city. I’m not suggesting that we should affirm every single taste, but I’m suggesting that’s who we are as a community. If we’re going to come together as a community, then the stories have to reflect the memories, attitudes, concerns, and joys of the community.”

    A Tale of Two Plays

    Illustrating this wide-bandwidth philosophy, McLaughlin gave me two examples of plays he directed in the last few years, the always popular Always…Patsy Cline, which was created by Swindley in 1988 and McLaughlin brought back for this 40th season, and Aaron Posner’s award-winning Stupid Fucking Bird, a Houston critics’ (including this one) favorite in 2015.

    “I love Patsy as much as I love Stupid Fucking Bird,” explained McLaughlin. “I was very fulfilled directing both of those production. In trying to figure out what’s the depth of the humanity in there, Patsy actually has more challenges as a jukebox musical. It compels me to think more about the humanity of the story and to figure out what did it mean to be a woman circa 1961 in a difficult marriage.”

    “I think all stories are important because all of us are filled with a thousand stories. If we start to say: ‘I’m only going to tell this kind because this is the most important kind,’ then we’re diminishing the whole storytelling idea.”

    A Year-Long 40th Birthday Party

    Staying true to Stages’ variety roots, McLaughlin feels this 2017-2018 season honors both traditions and innovations in storytelling. Along with Patsy, he’s bringing back another hugely requested show, The Great American Trailer Park Musical for spring 2018. Meanwhile, Patsy has been joined this summer with Woody Sez: The Life and Music of Woody Guthrie, which debuts a second cast of actor/musicians as the original cast is still in New York, the run extended for a third time.

    “Patsy and Woody sum up the season in some ways. Patsy is this feel-good celebration of female friendship and great music. Woody is the incredibly complex elevation of a great artist and music with bite and weight to it,” describes McLaughlin. “They demonstrate the capacity of the same form to be bent in different ways.”

    For the innovative side of the season, Stages offers three world premieres as well as inaugurating an annual Latina/o Festival, Sin Muros.

    In October, Stages serves up Balls, which McLaughlin calls the “the biggest artistic risk” he’s ever taken. The play’s creators the New York-based, avant-garde One Year Lease Theater Company contacted Stages wanting a Houston co-producer to world premiere this experimental retelling of the 1973 "Battle of the Sexes" tennis match between Billie Jean King and Bobby Riggs in the city were the match took place.

    For the 10th anniversary of Stages’ holiday Panto series, they’ll present again their first, Panto Cinderella and will pair it with the brand new holiday musical A Midnight Clear. The Stages board commissioned McLaughlin to write the show with David Nehls after the success of their I’ll Be Home for Christmas in Denver last year.

    “It’s a little bit of a love letter from the Stage audience from me,” explained McLaughlin of the musical influenced by his mother’s own experience as orphan and her perspective that “We should not assume that everyone feels great this time of year.”

    Ringing in the New Year

    Stages rings in the new year with a new Latina/Latino play festival which includes workshop readings of three works in development from Texas playwrights and the world premiere of Josh Inocéncio’s solo show Purple Eyes. The full production of Philip Boehm’s Alma en venta (Soul on Sale) runs in conjunction with the festival.

    McLaughlin has been working to create a Latina/o play festival for many years.

    “It rose out of this question about are we really diverse enough. Are we making intentional commitment to changing the core of what we are doing?” he said about the festival’s origins. The 40th anniversary season became the perfect launch year.

    In 2018, look for Ann, with Sally Edmundson as the late, great governor. Also in the innovative mix are two regional debuts: the powerful We are Proud to Present a Presentation About the Herero of Namibia and Jesse Eisenberg’s play (yes that one) The Revisionist.

    The season ends with another world premiere, the science fiction drama, Replica, by Mickey Fisher, a playwright probably best known for creating television shows like Extant and Mars.

    As for what lies beyond 40, McLaughlin jokes there are always hopes and plans in the works, if nothing else then for new carpeting in the lobby.

    “I’m curious to see what’s ahead. Theater is transformative and it must always transform. I’m intrigued by how things always transform. Bring it, that’s my response to change.”

    Susan Koozin and Kelley Peters in Stages' 2017 revival of Always. . .Patsy Cline directed by Kenn McLaughlin.

    Stages Theatre-Always...Patsy Cline,Susan Koozin and Kelley Peters
    Photo by Os Galindo
    Susan Koozin and Kelley Peters in Stages' 2017 revival of Always. . .Patsy Cline directed by Kenn McLaughlin.
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    best july art

    MFAH celebrates America 250 and 7 more must-see art openings for July

    Tarra Gaines
    Jul 7, 2026 | 2:00 pm
    ​Orkhan Mammadov’s “Visions” at Art Club
    Photo courtesy of Art Club
    Orkhan Mammadov’s “Visions” at Art Club

    The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

    Art Club’s New Season at POST (ongoing)
    When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

    One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

    Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

    “This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

    “Horizon” at The Plaza at Avenida Houston (now through September 7)
    Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

    Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

    “George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
    The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

    “America 250” at the Museum of Fine Arts, Houston (now through January 3)
    The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

    From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

    "On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

    "Representation of Form" at MATCH (July 9-12)
    Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

    “Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
    Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

    For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

    "World of Color” at Laura Rathe Fine Art (July 16-August 14)
    This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

    "Learning Curve 18” at Houston Center for Photography (July 16-August 16)
    This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

    “As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

    \u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

    Photo courtesy of Art Club

    Orkhan Mammadov’s “Visions” at Art Club

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