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    Feed me all night long

    UH scares up a marvelously monstrous musical classic starring a scene-stealing killer plant

    Holly Beretto
    May 24, 2022 | 1:20 pm
    Audrey II (center) is Little Shop of Horrors' show-stealing, murderous plant.
    Audrey II (center) is Little Shop of Horrors' show-stealing, murderous plant.
    Photo courtesy of University of Houston

    In a first-ever, full-scale collaboration between the University of Houston's students and faculty from its Moores School of Music and the School of Theatre & Dance, the university presents the beloved musical Little Shop of Horrors. The show features UH students on stage, in the orchestra pit, and backstage.

    The delightfully macabre and positively peppy tale of a giant, murderous plant runs May 27-May 29 at UH's Moores Opera House. Tickets are available now.

    "Our priority is training students," Andrew Davis, dean of the Kathrine G. McGovern College of the Arts, which includes the Moores School of Music and the School of Theatre & Dance, tells CultureMap. "We have beautiful facilities, including the Moores Opera House, where the show will be staged. Everyone involved with the production — the actors, the singers, the designers, the musicians in the pit — are all UH students. This is an incredible effort for everyone involved. And it's a great opportunity for our students."

    Little Shop, based on the 1960 cult film The Little Shop of Horrors, is the story of a hapless florist named Seymour, madly in love with shop girl Audrey and thoroughly mistreated by his boss.

    One day, he engineers a plant that he names Audrey II. The sweet gesture turns gruesome: the plant feeds on flesh and blood...and the more it gets, the more it wants.

    With a book and music by Alan Menken and lyrics by Howard Ashman — the dynamic duo behind a string of Disney mega-musical hits including The Little Mermaid and Beauty and the Beast — the musical opened Off-Off Broadway in 1982. In the 40 years since, it's had runs Off-Broadway, on Broadway, on national tours, and all around the world.

    Here in Houston, the theater kids from St. Thomas High School mounted a production last month, including students from Incarnate Word Academy and Duchesne Academy of the Sacred Heart in the cast. In 1986, it was adapted for the big screen with a cast featuring Steve Martin, Rick Moranis, and Bill Murray.

    Among its catchy tunes are the instantly recognizable "Somewhere That's Green," "Suddenly Seymour," "Skid Row" and the doo-wop-infused title track "Little Shop of Horrors." In other words: the show's a crowd pleaser.

    "We're excited to do it," says Davis. "We looked at many shows and decided that in size and scope, this was absolutely right for us. We didn't want something obscure and we did want something that offered the right roles for our students, and had a broad appeal."

    But there's more in this for the Coogs than just putting on a show audiences will love. Little Shop marks the university's first stage musical in more than 30 years, according to Davis.

    While the university has staged productions in the past, in recent decades, the school's focus as been on both classical music and classical drama training; think opera and Shakespeare. Somehow, Davis notes, Broadway musical training fell by the wayside.

    Little Shop opens up not only a renewed sense of collaboration between Moores School of Music and the School of Theatre & Dance.

    "Students come to us from here in Houston, from around the state, from around the country. We want to ensure they have a strong foundation across all of the performing arts," David adds. "And when you look at the arts in Houston, there are opportunities for actors and musicians and designers. We want our students to graduate from our program and be able to stay in Houston, knowing they can make a living doing what they love. All of us in Houston have a role to play in setting up and maintaining our arts ecosystem."

    Davis' commitment to his school and its students is evident in his enthusiasm for the project. And while those involved in this production of Little Shop are delighted for the opportunities it presents to its students, they're also looking forward to what it means for audiences, and they're banking on the idea that theatergoers will see UH as a producer of incredible work.

    "I think our audience is going to be surprised to see this type of show in the Moores Opera House," says director Nicole Kenley-Miller, of the Moores Opera House. "The space is typically used for concerts and operas, but we are going to test the boundaries of what the space can do in terms of scenery, lighting and sound design."

    Essential to any design for Little Shop is Audrey II, that flesh-eating plant imploring Seymour to "feed me all night long." The plant, and several other puppets, feature prominently in the production. For UH's outing, Afsaneh Aayani, who earned her MFA in scenic design from UH, takes the lead, with the Alley Theatre's Tony Award-nominated Kevin Rigdon serving as advisor. Aayani has already an acclaimed young designer, with a 2020 USITT Scenic Design Award under her belt.

    "The plant will provide a big surprise at the end!” Kenley-Miller exclaims.

    Audiences can also look forward to seeing up-and-coming talent on the UH stage. The Cougars already have a long track record of producing great actors, native Houstonians Brent Spiner of Star Trek fame and Jim Parsons of Broadway and The Big Bang Theory among them. It's also an opportunity to see how collaboration happens across the university.

    Fair to say, then, that audiences will be eating this up.

    ---

    Little Shop of Horrors runs Friday, May 27 at 7:30 pm; Saturday, May 28 at 2 and 7:30 pm; and Sunday, May 29 at 2 pm. Tickets for the general public are $30 and $25 for UH alumni, students, faculty, and staff (and seniors). Buy tickets online.

    Audrey II (center) is Little Shop of Horrors' show-stealing, murderous plant.

    Little Shop of Horrors UH musical
    Photo courtesy of University of Houston
    Audrey II (center) is Little Shop of Horrors' show-stealing, murderous plant.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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