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    best may art

    10 vivid and eye-catching May art events no Houstonian should miss

    Tarra Gaines
    May 10, 2022 | 11:31 am

    In one of the most eclectic visual art months in recent memories, look for art of the birds, bees, and bikes this May.

    Several art organizations open multiple summer exhibitions and a new outdoor art festival with an Orange pedigree rides into town. Plus, get ready for a weekend art crawl, as art galleries across town spring fling their doors open for a special 3 day open house.

    “Transcending Audubon”at Houston Museum of Natural Science (now through October 10)
    This special exhibition features 29 framed works by acclaimed wildlife watercolor artist, and Birds and Trees of North America author, Rex Brasher, who committed to painting all of the birds of North America in their natural habitat. The framed works featured in the HMNS exhibition were selected from the their collection of the complete 12-volume set from 1929 to 1932.

    Houston Art Gallery Association Spring Art Gallery Celebration (May 13-15)
    Art galleries across the city will throw their doors open for a special spring weekend celebration of art. This different kind of art party offers a beautiful chance to spend an evening art crawl with friends, and maybe discover your next favorite gallery or local, national, or international artists.

    Admission is free and open to the public. Refreshments will be served. HAGA member galleries include Anya Tish Gallery, Bill Arning Exhibitions, Bisong Art Gallery, Catherine Couturier Gallery, Deborah Colton Gallery, Dimmitt Contemporary Art, ELLIO Fine Art, Foltz Fine Art, Foto Relevance, G Spot Contemporary Art Space, Gallery Sonja Roesch, Heidi Vaughan Fine Art, Jack Meier Gallery, Laura Rathe Fine Art, McClain Gallery, Nancy Littlejohn Fine Art, Redbud Gallery, Sicardi | Ayers | Bacino, The Grogan Gallery, and Thornwood Gallery.

    “The Architecture of Bees” at Architecture Center Houston (May 18-August 26)
    We’re buzzing for this honey of an exhibition bringing together designers, architects, naturalists, and beekeepers to illustrate the importance and influence of bees in human design and construction.

    Highlights of the show include an immersive human-scale Bee Space; art and architectural examinations of the hexagon; commissioned artwork from architect and designer, Marcus Martinez, of honeybees descending on Downtown Houston.

    The exhibition will also show how bees anatomy and engineering hold inspiration for possible future human architecture solutions. The show will offer a peek into the artists’ studio in the form of a living bee hive.

    Art Bike Festival at MacGregor Park (May 21)
    Bikes get into the art vehicle phenomenon in this new festival from Houston Parks Board and the Orange Show Center for Visionary Art. Building on the success of the iconic Art Car Parade, the Art Bike Festival will bring together Houstonians of all ages to celebrate Houston’s great parks and trails through art and creativity. The day-long celebration kicks off at 9 am in MacGregor Park, with the bike parade pedaling in at 10 am.

    Individuals can then join the parade of art bikes some created by students from more than 100 HISD schools. An organized bike route along Brays Bayou Greenway from MacGregor Park to the Orange Show Center for Visionary Art campus will invite community members, families, and friends to cycle together to an afternoon of awards, activities, and art.


    “Amoako Boafo: Soul of Black Folks” at Contemporary Arts Museum (May 27–October 2)
    Working primarily in figuration, the Ghanaian artist, known for his vibrant use of color and thick improvisational gestures, has become one of the most influential artists of his generation.

    The title of this new CAMH was inspired by W.E.B. Du Bois’s the Souls of Black Folk, with the show featuring Boafo’s paintings that represent the nuance and complexities of Black life globally. The CAMH notes that Boafo creates images that actively center Black subjectivity, Black joy, the Black gaze, and radical care as a foundational framework for his artistic practice.

    The exhibition features over thirty works created between 2016–2022, including a site- specific wall painting made specifically for CAMH.

    “Boafo’s portraits are vital and urgent celebrations of Black joy, with unique tactile painting methods that go beyond representation to add life to each of his subjects,” says Hesse McGraw, CAMH executive director.

    “Sad Girls” at Art League Houston (May 27-July 23)
    The title of the exhibition of multi disciplinary, first-generation Honduran-
American artist Jasmine Zelaya reference to Chola culture, the distinctive style characterized by dark, undulating hair, winged eyeliner, and dark lipstick.

    Zelaya references Chola imagery in her paintings and sculptures of these Sad Girls, but also applies graphic floral patterns over the faces.

    Art League describes that these flowered patterns mask the tensions that lie beneath the surface of portraits’ appearance, but also offer a kind of personal protection from the world. These floral elements also serve as symbols of not only a familial narrative, but the contrast of the natural and artificial world.

    “Never Free to Rest” at Art League Houston (May 27-July 23)
    This multidisciplinary exhibition of work by award-winning Detroit artist Rashaun Rucker features a body of work that compares the life and origins of a commonly found bird in cities around the world known as the Rock Pigeon, to the stereotypes and myths of the constructed identities of Black men in the United States of America.

    Of the art, Rucker says the work “...intends to communicate how the environment we have been placed in as Black people, created by generational systemic oppressions, becomes a reluctant contentment rather than a fleeting station—the ‘why’ of ‘Black men often don’t fly’ (achieve)—even though we can fly beyond these constructed circumstances.”

    “Pressure Cookie” at Art League Houston (May 27-July 23)
    This installation of abstract large paintings and small sculptures by Houston artist Melinda Laszczynski were created from dyed and cast paper pulp encrusted with paint, glitter, found objects, and other materials.

    The artist layers color and texture to create dense, tactile landscapes, some of which are multiples cast from a single painting. Embedded within these forms are fragments of cassette tape, documents, and notes that the artist’s grandmother shredded as she began to struggle with dementia.

    Through a process of soaking, blending, pouring, drying, folding, and layering, these materials are altered much like memory-rearranged, forgotten, recalled, and rearranged again.

    “A Dressing the Future: The Ecofiction of Nicole Dextras” at Houston Center for Contemporary Craft (May 28-September 10)
    Craft meets film in this new exhibition of environmental artist Nicole Dextras’s set and costume designs from her dystopian film trilogy, A Dressing the Future (2016—present), including Waiting for Spring: Persephone and the Pomegranate, Chronos: Time of Sand, and the third film currently in development.

    The show will feature the art that goes into the making of film art, including video excerpts; a selection of plant-based costumes; and ephemera that includes props, models, and other set components.

    HCCC notes that Dextras was inspired by the environmental art movement that emerged in the 1960s in her artistic practice, “which incorporates her meticulous use of materials, encourages sustainable decision-making on an individual level, as well as within the fashion and film industries.”

    “Made to Last: The Legacy of the Jubilee Quilt Circle” at Houston Center for Contemporary Craft (May 28-September 10)
    Held in conjunction with the 35th anniversary of The Community Artists’ Collective (The Collective), the exhibition showcases a selection of quilts made by current participants and founding members and honors the quilting traditions and narratives of the African American community.

    As The Collective has always made quilting and sewing an important part of their programming, they officially named The Jubilee Quilt Circle in 2007 as a regular program. The exhibition offers insights into the importance of the program while celebrating the transformative process of quilting and the powerful connections this art form creates across generations.

    Craft meets film in “A Dressing the Future: The Ecofiction of Nicole Dextras” at Houston Center for Contemporary Craft .

    Tour of A Dressing the Future
    Photo courtesy of Nicole Dextras
    Craft meets film in “A Dressing the Future: The Ecofiction of Nicole Dextras” at Houston Center for Contemporary Craft .
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    Best September Art

    12 must-see September art openings at Houston museums and galleries

    Tarra Gaines
    Sep 8, 2026 | 12:45 pm
    Patricia Domínguez, Matrix Vegetal, 2021-22. Video 4K, 21:12 min. Commissioned by Screen City Biennial, with the support of Cecilia Brunson Projects and Galería Patricia Ready.
    Photo courtesy of Moody Center for the Arts
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    The big fall art season arrives this month with mammoth magical creatures, geometric explorations, and extraordinary painted and cinematic landscapes from the heights and depths of the Earth. A “Big Bang” creates anime worlds at the Asia Society, while the Museum of Fine Arts, Houston wears street fashion jewelry, sometimes literally. Then at the end of September, Houston gets ready for an art fair to remember.

    “Radiant Geometries” at Rice Moody Center (now through December 19)
    Art, history, and science intersect and converge in this exhibition of work by contemporary Indigenous and Latin American artists. Working in a diverse set of mediums and media, including paintings, sculptures, textiles, video, and site-specific commissions, these artists draw threads between ancient knowledge and our current understanding of the world. It features renowned national and international artists, including Nanibah Chacon, Melissa Cody, Jordan Ann Craig, Patricia Domínguez, Sara Flores, Natalia Montoya Lecaros, Patrick Martinez, Cisco Merel, Caroline Monnet, and Eamon Ore-Giron, among others.

    “By reconsidering the histories of mathematics, architecture, and science through Indigenous perspectives, the exhibition invites viewers to consider the enduring connections between cosmology, technology, and the living world,” explains Noor Alé, Moody Center associate curator.

    “Going Underground: The Jewels of Bernhard Schobinger” at the Museum of Fine Arts, Houston (now through January 3, 2027)
    Jewelry gets punk in this first U.S. exhibition to examine the career of Swiss avant-garde artist Bernhard Schobinger. “Underground” will showcase 53 pivotal pieces of Schobinger’s experimental jewelry and selected sculptures from 1968 to the present. During that time period, Schobinger redefined ideas of what jewelry can be by using scavenged and alternative materials to reveal their hidden histories. From diving to the bottom of Lake Zürich for fishing lures and wedding rings to picking up metal and asphalt shards on the streets of New York City, Schobinger used material from the world around him to create the most radical of wearable art.

    “His works operate as complex assemblages in which found and precious materials coexist, challenging traditional hierarchies of value and inviting critical reflection on the cultural and physical histories embedded within each object,” explains MFAH curator Cindi Strauss.

    “Fragility" at Menil Drawing Institute (September 10-January 24, 2027)
    The beauty and versatility of paper is the focus of this exhibition featuring an array of artists who found possibility and inspiration from paper’s dynamic nature. The exhibition will highlight work that illustrate paper’s fragility and resilience.

    Look for pieces from mid-20th century artist Lee Krasner, who sometimes destroyed her own drawings on paper to then reconstruct them into abstract collages, and Czech artist Adriena Šimotová, who during the height of Soviet censorship layered tissue paper into sculptures by pressing and smoothing the material against her body. Also on view will be Ann Hamilton’s collaborative piece “poche,”consisting of soft wool stitched between sheets of handmade paper to reflect on the pocket as both storage and protection for the body, and artist Zarina’s compositions created from puncturing paper with needle to represent loss.

    “Lorenzo Pace: Never Forget Life and Art is to Play” at Houston Museum of African American Culture (September 11-December 10)
    This first institutional solo presentation of the multidisciplinary artist, musician, and storyteller will examine Pace’s mixed-media textile work within the broader tradition of Black quilt-making in America. Working with textiles and found materials, Pace extends the language of quilting through cutting, layering, piecing, and assemblage. The title of the exhibition comes from Pace’s creative practice and his role as an artist and musician. Engaging with textiles and found materials, Pace allows objects and fragments to accumulate, shift, and take on new meaning. The exhibition will also showcase quilts made by Pace’s mother, Mary Alice Pace, in order to offer an intergenerational conversation about Black quilt-making, inheritance, and invention.

    “Fantastic Animals from Mexico: Nahuales and Alebrijes” at Discovery Green (September 15-October 11)
    As part of its celebration of Hispanic Heritage Month, Discovery Green welcomes visitors to this monumental installation of eight towering, 20-foot sculptures. Whether a giant coyote, armadillo, catbird, or happy alien, different contemporary Mexican artists created each sculpture that represents powerful animal guardian spirits rooted in Mesoamerican folk literature. The artists drew initial inspiration from the work of Mexico City artist Pedro Linares, who is credited with popularizing the fantastical creatures known as alebrijes. Look for special events and programming in conjunction with the installations this month.

    “Texas Contemporary” at Opera Gallery (September 17-October 8)
    Last spring, the international network of galleries specializing in Modern and Contemporary art, Opera Galley, made a big Texas splash by opening its second U.S space in Houston. Now, perhaps in celebration of putting down Lone Star roots, Opera Galley has organized a new exhibition focused on Texas as one of the most compelling sites of artistic production in the country.

    The show will offer works from eight of the most exciting contemporary artists with Texas connections, including: Rick Lowe, Mark Flood, Preston Douglas Boyer, Bradley Kerl, Virginia L. Montgomery, Lovie Olivia, Eric DePan, and Reynier Leyva Novo. Several of the artists also have significant Houston links. Lowe, of course, is one the founders of and igniting force behind Project Row Houses. Reynier Leyva Novo’s “Dust Paintings” transform collected dust from culturally significant sites, like the Astrodome, into meditations on memory, history, and place.

    “Texas has become one of the most compelling places in the country for artists to develop ambitious, deeply considered practices,” states Kara Przybyl McIver, deputy director of Opera Gallery Houston. “Rather than presenting a singular narrative, this exhibition brings together artists whose work is rooted in place while engaging universal conversations around memory, identity, landscape, architecture, and social change.”

    “Twilight Zone: Hidden Wonders of the Ocean” at Artechouse (September 18 through fall)
    Dive into this latest interactive exhibition at Houston’s home for immersive art. Collaborating with Woods Hole Oceanographic Institution (WHOI), the world’s leading ocean research organization, Artechouse once again blends art, technology, and nature for an exhibition with multiple installations and digital projects, all exploring the Earth’s oceans and especially those hidden “twilight zone” realms, located approximately 650-3300 feet below the ocean’s surface. Though receiving so little sunlight they lie beyond human vision, these zones also teem with life.

    A star(fish) of the exhibition will be a 24 minute filmed descent into these deep water worlds that will be projected within Artechouse's immersive, cinematic space. But also look for interactive installations and exhibits, including “Weird and Wonderful Creatures,” an aquarium-like encounter where guests activate individual twilight zone animals to learn what makes them so remarkable, and “Abundance & Bioluminescence,” where bioluminescent fields of lanternfish drift across the floor and multiply infinitely across the horizon.

    “Yoshitaka Amano: Big Bang” at Asia Society (September 23-February 7, 2027)
    The Asia Society journeys into the art of anime with this survey of art by pioneering animator and painter Yoshitaka Amano. Early in his career, Amano created characters for Speed Racer and later become the principal concept artist for the Final Fantasy video game franchise.

    The exhibition will showcase approximately 40 of Amano’s works in oil paint, ink, and automotive paint, giving insight into his ethereal paintings, illustrations, and character designs. Highlights of “Big Bang” include the over 50 feet long, insomniac fantasy “New York Nights II,” one of Amano's first oil paintings, and the series “Mozart,” works painted onto gold leaf panels that pay homage to the famed composer. The title of the exhibition takes its name from “Big Bang,” a massive painting that emerged from his Final Fantasy XV concept art, a swirling maelstrom of characters, creatures, and worlds.

    “Terry Winters: Vitalized Geometry” at Menil Collection (September 25-April 4, 2027)
    For Houston's second geometry titled exhibition of the month, the Menil Collection will present a show of 44 career-spanning graphic works by Abstract painter, draughtsman, and printmaker Terry Winters. He employs woodcut, silkscreen, lithography, and a variety of other methods to depict and examine mathematical systems and nature’s structures.

    The exhibition is possible because of two important selections of Winters’s work gifted to the Menil. In 2024, photographer Jack Shear and the estate of his late husband, artist Ellsworth Kelly, gifted 51 works by Winters to the museum. Earlier this year, Winters added another gift of seven additional works to the museum, and he has worked closely with curators on this presentation.

    “The artist’s commitment to exploring abstraction and his inventive approach to material makes his work a vital touchstone of contemporary printmaking,” describes Menil curatorial associate, Sophie Asakura.

    "What We Inherit: The Art and Legacy of Big Bend” at Foltz Fine Art (September 26-October 31)
    One of Texas's most majestic landscapes is the focus of this vivid and timely gallery exhibition. Featuring the work of artists inspired by Big Bend, the show also explores human connections with this very special place and what the future may hold for that relationship. “What We Inherit” features paintings, photographs, and works on paper by acclaimed contemporary artists, but the show will also offer a selection of works by earlier artists inspired by Big Bend.

    “Art teaches us to look carefully and to recognize why places matter. Through the work of these artists, we hope visitors will leave with a deeper connection to Big Bend and a renewed sense of responsibility to the places that shape our lives,” explains gallerist Sarah Foltz.

    "Roaming Gnomes" at City Place Houston (September 26-November 8)
    Created by internationally acclaimed, Sydney-based design studio Amigo & Amigo, this large-scale public art installation features eight, giant, illuminated gnomes. Each of these larger-than-life characters has its own name, personality, expressive pose and "fashion-forward attire," according to press materials. Already a hit from stops at the Napa Lighted Art Festival in California and the World of Winter Festival in Grand Rapids, Michigan, attendees experience the characters by walking throughout the area, taking them in from different angles and noticing details the closer they get.

    “At Amigo & Amigo, we love creating artworks that spark imagination and bring people together. Roaming Gnomes transforms everyday spaces into a playful adventure, inviting visitors to roam, explore and uncover delightful surprises along the way,” the art collective said in a statement. “We’re thrilled to see these oversized gnomes find a new home at City Place and become part of the community’s shared experiences.”

    Untitled Art, Houston at George R. Brown Convention Center (October 2-4)
    While this list is focused on September, art lovers should get ready for the return of this fair. After its successful debut in 2025, Untitled expands to include 95 galleries from 20 countries and territories, including 17 Texas exhibitors — with 13 new and returning presenters from Houston, including Moody Gallery, Barbara Davis Gallery, Laura (the gallery), David Shelton Gallery, Mitochondria Gallery, Dimmitt Contemporary Art, Seven Sisters, F Magazine, and the Lima-based Revolver Galería.

    Untitled will also bring back and expand Nest Sector, their subsidized selection of emerging galleries and first-time fair participants. Attendees should also look for 25 solo presentations and 35 two-artist presentations, including a collaborative presentation by Houston Art Car Parade legends Harrod Blank and Cody Ledvina with Nature of Things.

    The fair officially kicks off with a VIP special preview on October 1, followed by another three days of events and programming. VIP ticket holders can expect additional talks and special tours in collaboration with some of the city’s leading art institutions.

    “What makes this fair distinct is that it has been developed in close dialogue with the local arts community from the very beginning,” explains Untitled Art's Houston director Michael Slenske. “As we continue to expand our international reach, we remain committed to creating meaningful opportunities for galleries at every stage while highlighting the energy, diversity, and spirit of discovery that define the city of Houston itself.”

     Patricia Dom\u00ednguez, Matrix Vegetal, 2021-22. Video 4K, 21:12 min. Commissioned by Screen City Biennial, with the support of Cecilia Brunson Projects and Galer\u00eda Patricia Ready.
    Photo courtesy of Moody Center for the Arts

    Moody Center for the Arts presents "Radiant Geometries: Vectors of Knowledge from the Indigenous Americas"

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