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    best may art

    10 vivid and eye-catching May art events no Houstonian should miss

    Tarra Gaines
    May 10, 2022 | 11:31 am

    In one of the most eclectic visual art months in recent memories, look for art of the birds, bees, and bikes this May.

    Several art organizations open multiple summer exhibitions and a new outdoor art festival with an Orange pedigree rides into town. Plus, get ready for a weekend art crawl, as art galleries across town spring fling their doors open for a special 3 day open house.

    “Transcending Audubon”at Houston Museum of Natural Science (now through October 10)
    This special exhibition features 29 framed works by acclaimed wildlife watercolor artist, and Birds and Trees of North America author, Rex Brasher, who committed to painting all of the birds of North America in their natural habitat. The framed works featured in the HMNS exhibition were selected from the their collection of the complete 12-volume set from 1929 to 1932.

    Houston Art Gallery Association Spring Art Gallery Celebration (May 13-15)
    Art galleries across the city will throw their doors open for a special spring weekend celebration of art. This different kind of art party offers a beautiful chance to spend an evening art crawl with friends, and maybe discover your next favorite gallery or local, national, or international artists.

    Admission is free and open to the public. Refreshments will be served. HAGA member galleries include Anya Tish Gallery, Bill Arning Exhibitions, Bisong Art Gallery, Catherine Couturier Gallery, Deborah Colton Gallery, Dimmitt Contemporary Art, ELLIO Fine Art, Foltz Fine Art, Foto Relevance, G Spot Contemporary Art Space, Gallery Sonja Roesch, Heidi Vaughan Fine Art, Jack Meier Gallery, Laura Rathe Fine Art, McClain Gallery, Nancy Littlejohn Fine Art, Redbud Gallery, Sicardi | Ayers | Bacino, The Grogan Gallery, and Thornwood Gallery.

    “The Architecture of Bees” at Architecture Center Houston (May 18-August 26)
    We’re buzzing for this honey of an exhibition bringing together designers, architects, naturalists, and beekeepers to illustrate the importance and influence of bees in human design and construction.

    Highlights of the show include an immersive human-scale Bee Space; art and architectural examinations of the hexagon; commissioned artwork from architect and designer, Marcus Martinez, of honeybees descending on Downtown Houston.

    The exhibition will also show how bees anatomy and engineering hold inspiration for possible future human architecture solutions. The show will offer a peek into the artists’ studio in the form of a living bee hive.

    Art Bike Festival at MacGregor Park (May 21)
    Bikes get into the art vehicle phenomenon in this new festival from Houston Parks Board and the Orange Show Center for Visionary Art. Building on the success of the iconic Art Car Parade, the Art Bike Festival will bring together Houstonians of all ages to celebrate Houston’s great parks and trails through art and creativity. The day-long celebration kicks off at 9 am in MacGregor Park, with the bike parade pedaling in at 10 am.

    Individuals can then join the parade of art bikes some created by students from more than 100 HISD schools. An organized bike route along Brays Bayou Greenway from MacGregor Park to the Orange Show Center for Visionary Art campus will invite community members, families, and friends to cycle together to an afternoon of awards, activities, and art.


    “Amoako Boafo: Soul of Black Folks” at Contemporary Arts Museum (May 27–October 2)
    Working primarily in figuration, the Ghanaian artist, known for his vibrant use of color and thick improvisational gestures, has become one of the most influential artists of his generation.

    The title of this new CAMH was inspired by W.E.B. Du Bois’s the Souls of Black Folk, with the show featuring Boafo’s paintings that represent the nuance and complexities of Black life globally. The CAMH notes that Boafo creates images that actively center Black subjectivity, Black joy, the Black gaze, and radical care as a foundational framework for his artistic practice.

    The exhibition features over thirty works created between 2016–2022, including a site- specific wall painting made specifically for CAMH.

    “Boafo’s portraits are vital and urgent celebrations of Black joy, with unique tactile painting methods that go beyond representation to add life to each of his subjects,” says Hesse McGraw, CAMH executive director.

    “Sad Girls” at Art League Houston (May 27-July 23)
    The title of the exhibition of multi disciplinary, first-generation Honduran-
American artist Jasmine Zelaya reference to Chola culture, the distinctive style characterized by dark, undulating hair, winged eyeliner, and dark lipstick.

    Zelaya references Chola imagery in her paintings and sculptures of these Sad Girls, but also applies graphic floral patterns over the faces.

    Art League describes that these flowered patterns mask the tensions that lie beneath the surface of portraits’ appearance, but also offer a kind of personal protection from the world. These floral elements also serve as symbols of not only a familial narrative, but the contrast of the natural and artificial world.

    “Never Free to Rest” at Art League Houston (May 27-July 23)
    This multidisciplinary exhibition of work by award-winning Detroit artist Rashaun Rucker features a body of work that compares the life and origins of a commonly found bird in cities around the world known as the Rock Pigeon, to the stereotypes and myths of the constructed identities of Black men in the United States of America.

    Of the art, Rucker says the work “...intends to communicate how the environment we have been placed in as Black people, created by generational systemic oppressions, becomes a reluctant contentment rather than a fleeting station—the ‘why’ of ‘Black men often don’t fly’ (achieve)—even though we can fly beyond these constructed circumstances.”

    “Pressure Cookie” at Art League Houston (May 27-July 23)
    This installation of abstract large paintings and small sculptures by Houston artist Melinda Laszczynski were created from dyed and cast paper pulp encrusted with paint, glitter, found objects, and other materials.

    The artist layers color and texture to create dense, tactile landscapes, some of which are multiples cast from a single painting. Embedded within these forms are fragments of cassette tape, documents, and notes that the artist’s grandmother shredded as she began to struggle with dementia.

    Through a process of soaking, blending, pouring, drying, folding, and layering, these materials are altered much like memory-rearranged, forgotten, recalled, and rearranged again.

    “A Dressing the Future: The Ecofiction of Nicole Dextras” at Houston Center for Contemporary Craft (May 28-September 10)
    Craft meets film in this new exhibition of environmental artist Nicole Dextras’s set and costume designs from her dystopian film trilogy, A Dressing the Future (2016—present), including Waiting for Spring: Persephone and the Pomegranate, Chronos: Time of Sand, and the third film currently in development.

    The show will feature the art that goes into the making of film art, including video excerpts; a selection of plant-based costumes; and ephemera that includes props, models, and other set components.

    HCCC notes that Dextras was inspired by the environmental art movement that emerged in the 1960s in her artistic practice, “which incorporates her meticulous use of materials, encourages sustainable decision-making on an individual level, as well as within the fashion and film industries.”

    “Made to Last: The Legacy of the Jubilee Quilt Circle” at Houston Center for Contemporary Craft (May 28-September 10)
    Held in conjunction with the 35th anniversary of The Community Artists’ Collective (The Collective), the exhibition showcases a selection of quilts made by current participants and founding members and honors the quilting traditions and narratives of the African American community.

    As The Collective has always made quilting and sewing an important part of their programming, they officially named The Jubilee Quilt Circle in 2007 as a regular program. The exhibition offers insights into the importance of the program while celebrating the transformative process of quilting and the powerful connections this art form creates across generations.

    Craft meets film in “A Dressing the Future: The Ecofiction of Nicole Dextras” at Houston Center for Contemporary Craft .

    Tour of A Dressing the Future
    Photo courtesy of Nicole Dextras
    Craft meets film in “A Dressing the Future: The Ecofiction of Nicole Dextras” at Houston Center for Contemporary Craft .
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    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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