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    best may theater

    12 best Houston plays and performances showcase fan favorites, world premieres, and dazzling dance

    Tarra Gaines
    May 6, 2022 | 11:30 am

    Houston theaters wind down and end their 2021-2022 seasons this month with quite the dramatic bang.

    With half our must-see list spotlighting world premiere comedy, drama and dance, Houston will also be the first to see some extraordinary new voices and stories. And for those looking for proven works, we’ve got award-winners and fan favorites on our list as well.

    From moonshots to mothers’ stories, dueling Elizabethan playwrights to pretty dancing things to those boys from Jersey, get ready for “Oh, What a Night” on Houston stages in May.

    Hurricane Diana at Rec Room (now through May 28)
    Climate change meets the Greek god of wine, theater, and nature in this comedy by Madeleine George, an Obie-winning writer on the hit Hulu show Only Murders in the Building.

    Here, Dionysus becomes goddess Diane, who walks the Earth as a lesbian permaculture gardener on secret mission is to save the planet from the ravages of climate change. Loosely based on Euripides’ The Bacchae, Diane plays goddess in the lives of four real housewives of New Jersey. Hurricane Diane uses comic absurdism to explore our complex reactions to global warming and capacity for change.

    Apollo 8 at A.D. Players (now through June 5)
    With this world premiere commission, the A.D. Players tells the out-of-this-world story NASA’s first mission to orbit the moon. In the midst of the turbulent ’60s with unrest at home and war and tension abroad, NASA is tasked with the mission to beat the Russians to the moon.

    Along with true stories of the real Americans who planned and flew the mission, Apollo 8 also tells the fictional stories of people moved and inspired by our first journey to the moon, all culminating in a triumphant and divine glimpse of who we are and who were made to be.

    Born With Teeth at Alley Theatre (now through June 5)
    One of four Alley world premieres this season, Liz Duffy Adams’s historical what-if drama puts volatile geniuses William Shakespeare and Christopher Marlowe into a room for a dangerous theatrical collaboration.

    Artistic rivalry turns political, as poetic and sexual tensions flare. In a time of palace intrigue, when the queen reigns supreme, the state is the church and one wrong move or word can mean execution can either man survive such a deadly creative partnership?

    Aunt Julia and the Scriptwriter at Main Street Theater (May 8-June 5)
    In this English language premiere, playwright Caridad Svich brings the autobiographical novel by Nobel Prize-winning Latin-American writer Mario Vargas-Llosa to life on the Main Street stage.

    This intentionally soapy, romantic comedy follows the lives and loves at a 1950s Peruvian radio station as young writer Mario falls in love with his uncle’s sister-in-law, the much older, recently divorced, Julia.

    Svich describes the coming-of-age story about “the performance of everyday life, the wonderfully disordered nature of love, and an homage to the golden age of radio and the spirit of classic screwball comedies.”

    Jersey Boys present by Theatre Under the Stars (May 10-22)
    The boys are back in town — those Jersey boys that is — as TUTS invites the touring Broadway favorite for a stay.

    Houston musical lovers are always ready to relive the dramatic behind-the-music story of the early days and rise of Frankie Valli and The Four Seasons in a show that also features all their hits including “Sherry,” “Big Girls Don’t Cry,” “Oh What A Night,” “Walk Like A Man,” “Can’t Take My Eyes Off You” and “Working My Way Back To You.”

    Between Riverside and Crazy from 4th Wall Theatre (May 12-June 4)
    Houston theater companies, including 4th Wall, have given us some excellent productions of Pulitzer Prize-wining playwright Stephen Adly Guirgis work. This particular production with some of our favorite local actors opened in March of 2020, only to close after a few performances.

    We were crazy with anticipation for 4th Wall to bring it back. This look inside one retired NYC cop’s rent-controlled apartment on Riverside Drive in New York reveals a whole world of crazy ties, battles, and relationships between family, friends and enemies.

    The Mother Project: A Collaboration to Honor Black Mothers and their Children from Mildred’s Umbrella (May 19-28)
    In collaboration with Esurient Arts, this multidisciplinary theatrical production was created by a diverse group of six female artists from Mildred’s Umbrella and Esurient Arts.

    Based on interviews from Black American mothers, midwives and doulas, Mildred’s founder Jennifer Decker says The Mother Project tries to give voice to “the joy and heartbreak of being a Black mother in an America that still does not treat all people equally.”

    One of the project’s creators, Houston playwright Jelisa Robinson, describes, “I was brought on to the project later on and was drawn to the fact that it was seeking to honor the various and beautiful experiences of Black mothers. As a Black woman with a Black mother, it was part of honoring her in this process.”

    Pretty Things from Houston Ballet (May 20-29)
    While not technically theater, we’re ready for the world premiere, peacocky drama of Trey McIntyre’s all-male dancer Pretty Things, part of Houston Ballet’s mixed repertory showcase of Houston-born ballets.

    Along with McIntyre’s David Bowie-inspired Pretty Things, Jorma Elo’s ONE|end|ONE reflects the choreographer’s quirky and unexpected movements to create an atmosphere of playfulness. Christoper Bruce’s Hush is a comic and moving celebration of life set to the music of Yo-Yo Ma and Bobby McFerrin.

    Bonnie & Clyde from Open Dance Project (May 27-June 4)
    Few performing arts companies make theatrical dance as immersive as choreographer Annie Arnoult’s Open Dance Project.

    For Arnoult’s latest immersive piece, staged at Rice’s Moody Center, the ODP dancers, designers and composers take audiences back to 1920s and ’30s Texas and the criminal love story of Bonnie and Clyde.

    Expect the dance unexpected with ODP, as the company does their research when creating new work. Look forward to a new vision of this violent duet that delves into the circumstances that turned teens with nothing to lose into killers.

    Clybourne Park from Dirt Dog Theatre (May 27-June 11)
    Inspired by Lorraine Hansberry’s play A Raisin in the Sun, Bruce Norris’s Pulitzer, Tony and Oliver (an awards rarity)-winning play ponders questions of community and change.

    Covering a 50-year span in one Chicago neighborhood, Act One takes place in 1959, as white community leaders attempt to stop the sale of a home to a Black family. Act Two is set in the same house in 2009, as the now predominantly Black neighborhood faces gentrification.

    With the same cast playing different roles in both eras, the play examines what changes and what remains the same for human prejudice and neighborly relationships.

    Song of Me at Stages (May 27-June 12)
    The final show of Stages 2021-22 season brings us another world premiere from local artists.

    Actor Mai Lê, who we’ve watched onstage on many Houston stages over the years and photographer, sound designer, and director Đạt Peter Tôn collaborated on the story of Vietnamese-Houstonian siblings. Philip and Luci. On the eve of Philip’s wedding the brother and sister cook, plan, and reminisce.

    Cultures clash as the two siblings seek their own path and long to sing in their own voices. Together, the two unpack their past and pave a new way forward, in this story of family, culture, and identity that could only be set in Houston.

    Innominate from Catastrophic Theatre (May 27-June 19)
    Inspired by Pablo Picasso’s painting Guernica and Iran’s Green Revolution, this experimental dance-theatre work by by multidisciplinary artist Afsaneh Aayani will combine puppetry, live original music, mixed media, and movement to take audiences on a surreal journey. Expect a journey through Aayani’s personal story as an immigrant from war-torn Iran.

    Caught between a perpetual limbo on her twisted path to American citizenship and unable to return to Iran, she remains a woman without a country.

    Shakespeare and Marlowe begin a dangerous collaboration in the world premiere Born With Teeth at the Alley Theatre.

    Alley Theatre: Born with Teeth
    Photo by Lynn Lane
    Shakespeare and Marlowe begin a dangerous collaboration in the world premiere Born With Teeth at the Alley Theatre.
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    fall theater preview

    Sneak peek at the 2026 fall performance slates for 15 Houston companies

    Tarra Gaines
    Aug 18, 2026 | 1:00 pm
    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars
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    For theater and performing arts lovers, late summer is the most wonderful time of the year, as stage companies across the city begin their new 2026-2027 seasons. But before the curtains rise, most of those companies also give us the gift of Houston Theater Week and all those buy-one-get-one-free discounts.

    To get ready, CultureMap has put together this fall theater guide with the opening shows and dates for each company, as well as taking an early look at what the rest of the fall and holidays will bring. So grab those discounted tickets for a fall filled with blockbuster musicals, dramas, comedies, as well as lots of classics and audience favorites.

    A.D. Players opens with Holly Street (August 19)
    The spiritual and family friendly theater company began its season a bit early with a poignant world premiere set in small town Kentucky in the 1940s after World War II. Holly Street tells the story of two sisters at Christmas time and two unexpected guests.

    The company takes a break for a month and then offers one of the funniest, yet heartwarming holiday plays for all ages withThe Best Christmas Pageant Ever, the beloved comedy about a children’s play that goes wrong.

    Houston Ballet opens with Pecos Bill (September 11)
    HB says howdy to a great fall season with a mixed rep program that holds something for all dance tastes. The performance includes Stanton Welch’s rollicking ballet version of cowboy folklore, Pecos Bill’s adventures. Performances also feature George Balanchine’s elegant and dynamic Symphonie Concertante, and an HB debut, Meadow, a work by celebrated choreographer Lar Lubovitch.

    For the first full story ballet of the fall (September 24), HB brings the opulence of Sir Kenneth MacMillan’s now classic and tragic Mamon, the doomed love story between an irresistibly beautiful femme fatale and impoverished student. Of course, in November, it wouldn’t be the holidays without Stanton Welch’s version of The Nutcracker Ballet that brings the story’s focus back to the adventurous Clara.

    4th Wall Theatre opens with Proof (September 11)
    The first of several Pulitzer Prize-winning plays produced this season comes from this intimate stage. Playwright David Auburn’s Proof is the story of the daughter of a genius mathematician who might have inherited both his aptitude for math and his mental instability. The play travels back and forth through the present and past to study the formulas of family, loss, and love

    Over the years, 4th Wall has produced several wild and moving adaptations of Jane Austen novels. This year, it will present Are the Bennet Girls Ok? This new version of the Pride and Prejudice story, that had a recent Off-Broadway debut to much critical praise, tells the Bennet girls’ marriage quests from their mother’s point of view.

    Main Street Theater opens with Cold War Choir Practice (September 12)
    Also earning lots of recent off-Broadway buzz, this genre-defying comedy with music is one of the most intriguing picks for the fall. In Reagan’s America, a young girl is embroiled in intrigue when her estranged uncle, a prominent Black conservative, brings his mysteriously ill, white wife home for the holidays and forces long-simmering tensions within the family to boil.

    From Victorian England to a fast food joint, theaters across the world and certainly in Houston have put Dickens’s Christmas Carol into a multitude of settings. For the holidays, MST invites Houstonians to a Dublin pub for An Irish Carol, where rich owner David has lost touch with his own humanity in the interest of self-protection and material success. Now on Christmas Eve, a voice from the past will ask David to look at his relationships in the past, present, and possible future to perhaps change his life for the better.

    Theatre Under the Stars opens presenting The Music Man (September 15)
    TUTS changes its usual mix of more self-produced shows than touring shows, leaning in on presenting this season. The season begins with this classic musical comedy about a charming con man who gets conned himself by small town sincerity and love.

    The touring hits continue in October with Mrs. Doubtfire, the musical based on the Robin Williams comedy about a divorced man who disguises himself as a British nanny to take care of his kids. Then for the holidays, TUTS brings back its own leviathan-sized production of Disney’s The Little Mermaid for under the sea family fun with a cast filled with Houston singing sensations, including students from the TUTS schools.

    Rec Room opens with Amadeus (September 17)
    The east-ish downtown theater company decided to take some time off after last year's productions of Angels in American to switch from a calendar year season to the traditional fall/spring season that most Houston companies use. Now they’re back and celebrating their 10 year anniversary with plays Houstonians haven’t seen in quite a while, or ever, on a local professional stage. The season begins with the now classic 20th century play about the (mostly one-sided) rivalry between composers Antonio Salieri and Wolfgang Amadeus Mozart, and its exploration of jealousy and the nature of genius.

    For the ultimate holiday show counter programming, Rec Room will produce a new adaptation of Nobel Prize-winning Italian playwright Dario Fo’s The Accidental Death of an Anarchist. It’s Christmas time at the police station, as Rec Room reimagines Fo’s groundbreaking political farce of the 1970s as a contemporary American satire infused with detective noir, Cold War paranoia, and sharp absurdity.

    Ensemble Theatre opens with Purpose (September 18)
    Ensemble celebrates its 50th season with this recent Best Play Tony and Pulitzer Prize winner by Brandon Jacobs-Jenkins about a prominent and political Black family, the Jenkins. While the patriarch was a leader in the Civil Rights movement, the adult sons are having trouble living up to their father’s legacy. Generational aspirations come to a comic clash for one particularly awkward but purposeful family dinner.

    For the holidays, the company brings back an audience favorite, the joyful and soulful A Motown Christmas, which melds Motown hits and choreography with traditional holiday classics.

    Stages opens with Come From Away (September 19)
    Based on the true story, this poignant and hopeful musical tells the story of a small town in Newfoundland that rallied together to host thousands of stranded international travelers after planes were grounded September 11, 2001. It’s been a few years since Come From Away toured nationally, so Houstonians are definitely looking forward to seeing Stages begin its season with an intimate and homegrown production.

    In October, Stages jumps from a musical with a large cast of characters to The Roommate, the Jen Silverman comedy about two 50-something women with very different personalities and life experiences who begin living together. For the holidays, it brings back another audience favorite with all the music, fun, and wild plots found in The Great American Trailer Park Christmas Musical.

    Alley Theatre opens fall with Romeo and Juliet (September 25)
    While technically the thrilling Girl on the Train began its 26-27 season, the Alley heats up the fall with the play that originated the term star-crossed lovers and is arguably the greatest romantic tragedy in literature. The entire resident acting company will take the stage in Shakespeare’s wrenching tale of young lovers crushed between their warring families.

    In October, the Alley leaps from a classic of world literature to a world premiere satire with Uhuru. This play explores very contemporary themes of access and identity as it follows a group of climbers up Mount Kilimanjaro. Uhuru was developed as part of the Alley All New play reading season. For the holidays, look for both Alley artistic director, Rob Melrose’s, lovely adaptation of A Christmas Carol as well as its very contemporary Texas version of The Night Shift Before Christmas.

    Broadway at the Hobby Center opens with The Sound of Music (September 29)
    Musical lovers might want to see if the Hobby Center will rent a room this fall, because the TUTS and Broadway combined schedules will fill Sarofim Hall with the sound of music almost every week, including the actual Sound of Music. One of the most beloved musicals of all time, Richard Rodgers and Oscar Hammerstein’s story of the von Trapp family and the woman who brought music into their lives tours the country again with new direction from three-time Tony Award winner Jack O’Brien (Hairspray).

    Then, just in time for spooky season, the ghost-est with the mostest, the irrepressible Beetlejuice, returns to haunt Houston after being a surprising comic hit a few seasons ago. Then, the Tony Award-winning Buena Vista Social Club arrives. Depicting the backstage story of the Grammy-winning album of the same name, the show transports audiences into the heart of Cuba, beyond the glitz of the Tropicana into the soul of the music.

    Houston Grand Opera opens with Susannah (October 23)
    Continuing its centenary celebration for the great American composer Carlisle Floyd, HGO opens its season with this tragic beauty of an opera inspired by Floyd’s childhood as a minister’s son. With a score infused with revival hymns and Appalachian folksong, the opera depicts life in a small Tennessee town and the gossip, judgement, and hypocrisy that leads to the ruin of one innocent woman.

    HGO elevates spooky season with upGounod’s masterpiece Faust in late October. This production from acclaimed Scottish director David McVicar reimagines Faust as a tormented composer in Belle Époque Paris, before making a deal with the devil for youth and earthly pleasures.

    Other fall debuts

    While it might only be producing one show this fall, Houstonians still have these plays from some of the city's mid-sized and smaller companies on their must-see lists. In early September, Mildred’s Umbrella gets mad with Jen Silverman’s Collective Rage: A Play in 5 Betties, a sharp comedy with its synopsis in the title as it depicts the lives of five very different women all named Betty. The recently announced Catastrophic Theatre season scheduled the majority of its shows in 2027, but in September the company will revive Eugene Ionesco’s epic absurdest play, Rhinoceros, about a small town whose citizens begin to transform into a herd of giant horned mammals.

    In mid-October, Dirt Dogs presents one of those great dinner parties from hell plays with Donald Margulies’ Pulitzer Prize-winning Dinner with Friends about one couple’s divorce that leads their best friends to question their own marriages. Also in October, Classical Theatre opens its season with one of George Bernard Shaw’s wittiest works from his “Plays Pleasant” collection, Arms and the Man, about a young woman who has romanticized war until she decides to shelter a war-weary enemy soldier.

    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars

    Theatre Under the Stars presents The Music Man

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