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    the culturemap interview

    Broadway smash Miss Saigon grips Hobby Center with gritty Houston run

    Tarra Gaines
    May 3, 2019 | 5:35 pm

    One of the last 1980s blockbuster musicals, Miss Saigon, has earned its many awards and accolades by marrying a tragic love story with a contemporary, complex war story. Loosely based on Puccini's Madame Butterfly, but set during the Vietnam War, the show became a smash international hit, so it wasn’t that surprising when, in 2017, producer Cameron Mackintosh brought a gritty Miss Saigon revival to Broadway soon after its 25th anniversary.

    With this new production set to land in Houston as part of the Mischer Neurosciences Broadway at the Hobby Center season (running May 7-12), CultureMap caught up with actor Anthony Festa, who plays Chris Scott, half of the tragic lovers, to find out how Miss Saigon speaks to 21st-century audiences while remaining true to its musical heart.

    The perfect role
    In the show, army sergeant Chris meets and falls in love with orphan bar girl Kim shortly before the U.S. evacuation, and then they’re separated. The show jumps through time as Kim has a son and struggles to stay alive, while attempting to find her way back to Chris.

    Festa, who saw a touring production of the original Miss Saigon in his mid-teens, found a deep theatrical connection to the story and the morally torn Chris.

    “I remember my dad really loving it and saying to me, 'Someday, Chris, [this] is a role for you,'” describes Festa.

    While he mostly forgot about his father’s foretelling comment, the show spawned many questions for the teen about Vietnam, the war, and what it meant for the U.S.

    “We lost my father ... so he didn’t see me do this role, but I know he would be super proud of his son playing the American GI all over America.”

    A timeless love story
    Although it's set in the mid-’70s and first premiered in London’s West End in 1989, Festa says that the show holds just as much for audiences now, as we grapple with issues of immigration and stories of refugees. But above all, it is Kim’s (played by his co-star Emily Bautista) story that moves Festa.

    “What’s been most powerful and unique for me is watching the journey that Kim takes, how current that is with the empowering of women,” describes Festa. “She’s this young woman who births this child out of love and carries it through three years of God only knows what to give her child a good and happy life. The power of that journey and everything that she goes through brings so much emotion for me when I see her again after it all. I feel like it’s so poignant and so powerful now.”

    As for his own character, Festa finds much nuance to tackle in the role.

    “I feel he’s a guy who is morally trying to finally do the right thing. I think he’s trying to see everything for the better but always seems to get himself caught up somewhere not so good.”

    Of course, one of the traditions of musicals allows characters to put their heart and dilemma into song, sometimes solo songs, and for Festa this comes in the powerful first act number “Why, God, Why?”

    “It’s me on stage alone with a cigarette and a little conversation with God," he describes. A great challenge for Festa as an actor, he tries to deliver the core of Chris, and perhaps the eternal questions of war, to the audiences.

    “I think it is a beautiful piece, because it becomes a question within himself that builds and builds until he can’t find the answer,” Festa says. “As an actor, I get to experience so many emotions throughout the question. He’s asking two countries: ‘What’s going on, why are we doing this?' By the end of the piece, you can see his heart for a moment for the first time, and then I cover it up for a while. It challenges me.”

    The heart of the show
    Along with the love story and music, one of the aspects of Miss Saigon everyone remembers is the life-sized helicopter that lands on stage for the evacuation flashback later in the show. Now as iconic as the chandelier in Phantom, the helicopter sometimes represents Miss Saigon as much as the music. When asked, jokingly, if the actors ever felt a bit upstaged by such famous scenic design, he laughed but whorled into praise not just for the helicopter, which he calls a giant robot and uses the pronoun “her,” but for all the artists on stage and off in the mammoth show.

    “I could never be jealous of her ever. She’s something special. Everybody I work with on stage is so incredibly special. All of them bring so much heart and soul to their roles that they force me to be there, to be committed. It never becomes about me, but the story we tell as a whole.”

    ---

    Miss Saigon runs May 7-12 at the Hobby Center for the Performing Arts, 800 Bagby St. For tickets and showtimes, visit the show's site.

    The helicopter lands in "The Nightmare" in Miss Saigon.

    Miss Saigon tour-helicopter lands
    Photo by Matthew Murphy and Johan Persson
    The helicopter lands in "The Nightmare" in Miss Saigon.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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