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    CounterCurrent 2017

    Houston's most extreme arts festival offers strange and extraordinary performances

    Tarra Gaines
    Apr 17, 2017 | 11:15 am

    Film and television star Lili Taylor performs artist Suzanne Bocanegra’s memoir-lecture about farm life across the road from Texas’s most famous brothel. An acclaimed Norwegian choreographer brings a Japanese flamenco master and an Argentinian kabuki expert together in dance. And Donald Barthelme’s post-modern fairytale masterpiece, Snow White, finally makes it to the stage after almost 50 years.

    These performances are just some of the strange and extraordinary events we can expect from CounterCurrent, Houston’s most extreme cross-discipline arts festival. Oh yeah, and all the tickets are free.

    For its fourth year, the CounterCurrent Festival, presented by the Cynthia Woods Mitchell Center for the Arts, brings to town national and internationally renowned artists, but, as always, the five-day festival running from April 18-23 remains thoroughly grounded in Houston.

    “We took a look at Houston’s populations and the issues of the day, political and sociological, and we responded to them,” explains Karen Farber, the Mitchell Center’s executive director, about the programming for CounterCurrent 2017. “One of our commitments is to take a look at the power the arts can have in our communities and societies.”

    But CounterCurrent has always been true to its title, presenting art and projects that do not run easy with the current, but instead provoke and perhaps even challenge people’s perceptions.

    “Not everyone in Houston agrees on everything,” Farber describes as a positive. “We’d like to place our artists in an environment when they can really craft their opinions, in a situation where there’s some real tension, and they’re actually dealing with the reality of our population.”

    If you’re ready to meet that art challenge, CounterCurrent delivers a plethora of performances, projects and events to explore, so check out the schedule and reserve those free tickets early. But for a Festival introductory guide, here’s some currents you’ll want to sweep you away.

    Returning Favorites

    Farmhouse/Whorehouse
    Farber admits she’s a little “obsessed” with Suzanne Bocanegra’s work, which has been featured every year in the festival, and calls the artist with deep Texas and Houston roots an “anti-performance-artist” who makes performance pieces. Lili Taylor will perform Bocanegra's art-lecture about life on her grandparents’ La Grange farm across the road from that best little whorehouse in Texas, the Chicken Ranch.

    When: Friday (April 21) at 7 pm, Saturday (April 22) at 3 pm and 7 pm.
    Where: MATCH - Box 1, 3400 Main Street.

    Ten Tiny Dances
    Though the dances and dancers change every year, the format and philosophy that “constraint begets creativity” produces some astonishing kinetic dance pieces every year. This 2017 edition is co-curated by one of Houston’s foremost dance experts Nancy Wozny.

    When: Wednesday (April 19) at 8 pm. Reception sponsored by Saint Arnold Brewing Company at 7 pm.
    Where: Post HTX, 401 Franklin Street.

    Art Interactive

    Ghana ThinkTank
    Last year the activism artist collective asked Houstonians from all communities “What’s your Houston diversity problem?” then took the responses to think tanks around the world for solutions. This year the artists are back and have created a piece of structural art that is also an active, mobile mosque. Festival-goers and the general public will be invited to participate in activities in conjunction with Ghana ThinkTank’s ongoing work.

    When and Where: Various times and locations, Tuesday (April 18) through Sunday (April 23).

    Movement V: Ballroom
    Artist Kevin Beasley creates a site-specific sculptural and sound installation at the Houston cultural landmark, The Historic Eldorado Ballroom, and lets audiences connect with local musical history through art.

    “Kevin Beasley’s installation is interactive in a way that’s not immediately evident,” describes Farber. “Nothing will happen in the space unless there are people in it. Sound is triggered by bodies hitting the space. It’s very intentional on his part because he’s looking at the absent of people from that space and from that neighborhood and the history of that neighbor and how bodies can sort of echo in a historic space.”

    When: Installation Tuesday (April 18) through Sunday (April 23) noon- 8 pm. Opening Reception Thursday (April 20) 7 pm - 9 pm. Performance Saturday (April 22) at 8 pm.
    Where: The Historic Eldorado Ballroom, 2310 Elgin Street.

    A Lost Masterpiece Found

    Catastrophic Theatre’s staging of Snow White, the first novel by one of Houston’s greatest literary sons, Donald Barthelme, is garnering national attention. The story of how the almost-forgotten play manuscript finally came to be produced is a bit of a "strange only-in-Houston" fairytale itself, but the Cynthia Woods Mitchell Center’s investment in the production’s development made certain Snow White would have her day. Farber had been looking to collaborate with Catastrophic for some time but Snow White became the perfect partnership.

    “When Snow White came about it was so much more ideal than anything else we’d ever talked about because of obviously the Barthelme connection to the UH Creative Writing Program, and because of the possibility of interaction with the School of Theater and Dance, which ultimately became a fruitful thing, so that there are many UH participants in the piece.”

    See this production now because early reviews and the national attention could signal a happy fairy tale future for the absurdist comedy.

    When: Thursdays through Saturdays through May 6. All tickets are gone for the CounterCurrent performances April 20 through April 22, although a small number of walk up tickets are held for most CounterCurrent performances, with tickets first-come, first-served at the venue 30 minutes before each performance. Suggested donation of $35 for performances from April 27-May 6.
    Where: MATCH - BOX 3, 3400 Main Street.

    Art Party

    Come to the April 18 Festival opening night for Simulacrum, the culture clashing and collaborating dance performance, but stay for the party at the MATCH, beginning at 6 pm. While much of the work throughout the week will be thought-provokingly provocative, that’s all the more reason to party down with free drinks, free performances and a Houston-style celebration of the arts.

    Tickets for CounterCurrent events are free but should be reserved in advance.

    The world premiere staging of Donald Barthelme's Snow White is already making national art headlines.

    Catastrophic Theatre-Snow White
    Photo by Anthony Rathbun
    The world premiere staging of Donald Barthelme's Snow White is already making national art headlines.
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    Best August Theater

    8 best new plays and musicals opening on Houston stages this month

    Tarra Gaines
    Aug 3, 2026 | 11:00 am
    Queensbury Theatre presents Mean Girls
    Photo by Alexander Cross
    Queensbury Theatre presents Mean Girls

    August tends to bring darkened stages across Houston theaters as our favorite local companies prepare for the big fall season. But this month, Houstonians still have lots of summer theatrical shows and musicals opening.

    Many of these productions spotlight family relationships and dynamics. From long lost twins to bickering sister Muses to awkward meet-the-parents family dinners, Houston stages show us families at their most dramatic and comic. In addition, Stages takes us to Vegas with a nun tour guide and Miller Outdoor brings us dance and acrobatics amid visual art masterpieces.

    The Tempest at Miller Outdoor Theatre (now through August 7)
    As one of Shakespeare’s final plays, this story of magic, regret, revenge, and forgiveness has always been a favorite of directors. After years exiled on an enchanted island with his daughter, the aging magician, Prospero, settles the score on those who put him there, including his brother. In this production, Prospero becomes Propera, and director Sharon Ott, who is also the UH director of the School of Theatre and Dance at University of Houston will emphasize themes of motherhood.

    “There have been many productions of this play with women playing the role, so it's not a novel idea of mine,” Ott says. “But as a woman, I read this play very personally. It's even more personal as I get older because the play was written at the end of Shakespeare’s artistic life. Our design team, choreographer, and composer/sound designer will bring Shakespeare's visual and aural magic to the Miller Outdoor Theatre.”

    Comedy of Errors at Miller Outdoor Theatre (now through August 8)
    The Shakespeare Festival alternates Tempest with one of Shakespeare’s first comedies. Hijinks will ensue, interlaced with scenes of shenanigans, in this mistaken identity comedy. With warring cities, an imprisoned father, two sets of adult twins who were separated by a tempest at sea as infants, angry wives, a lost bag of money, and a very confused town who’s going to blame all the madness on witchcraft, the story could not get much more convoluted on its way to a happy ending. According to Errors director, Jack Young, this Miller production will lean in on the farcical nature of the play with a 60s “vibe” and a “cap tip” to classic television sitcoms of that era, like The Honeymooners.

    A Nice Indian Boy from Aerial Roots Theatre Company (now through August 9)
    A new Houston theater company makes an auspicious debut with this delightful twist on the “bring the fiancé home to meet the parents” plot. In fact, playwright and noted screenwriter Madhuri Shekar’s regional hit play was recently adapted into a critically acclaimed Desi rom-com. Shy and unlucky in love, gay American Indian engineer Naveen, meets the man of his dreams, Keshav, at his local Hindu temple. The only hitch is that his new love is white, though adopted by a nice Indian family. When Naveen finally takes Keshav home to meet his traditional parents, his sister arrives to bring her own drama to a most awkward dinner. The Asia Society hosts this inaugural production from Aerial Roots.

    Late Nite Catechism Las Vegas: Sister Rolls the Dice! at Stages (August 4-16)
    This is one habit Houstonians just can’t break. Yes, Denise Fennell as Sister is back with another audience participatory adventure from the Late Nite Catechism theatrical universe. In this one, the church needs a new roof, so Father Murphy has decided that Sister, with her extensive gambling experience running the church sanctioned bingo game for the last 25 years, will organize a Las Vegas Night. Sister will tackle topics ranging from magicians to show girls, all the while reminding audiences that what happens in Vegas may stay in Vegas, but God sees and remembers everything.

    Mean Girls at Queensbury Theatre (August 6-16)
    Keeping with this summer's trend of musical fun, Queensbury brings audiences this fetching Broadway adaptation of Tina Fey’s most quotable and meme-able blockbuster comedy from the early 2000s. As a reminder, the musical introduces the naive Cady on her first day of American high school as she tries to break into the mean girls clique who rules the school. This production showcases a great local cast with some Texas musical theater heavy vocal hitters, like Abigail Bensman, Sara Sachi, Teresa Zimmermann, and Holland Vavra.

    Xanadu from Garden Theatre (August 14-30)
    The 2007 jukebox musical adaptation of the cult classic '80s hit Broadway tells the story of a Greek muse who descends to Earth to inspire a young painter and a former '40s big band musician-turned-real estate mogul to partner in opening a roller disco night club, plus added subplots involving sibling jealousy and demigoddess pranks among the muses. (Houston connection fun fact: Theatre Under the Stars artistic director, Dan Knechtges, was nominated for a Tony Award for his choreography of the original Broadway production of the show.) Since then, Xanadu has become a campy hit for regional theaters across the nation. Next up, Garden Theatre slips on the roller skates and weaves some “Strange Magic” for end of summer fun in the intimate Matchbox 3.

    Holly Street at A.D. Players (August 19-September 6)
    The Houston theater company that specializes in family-friendly productions with spiritual themes opens its 26-27 season a little early with this world premiere drama about a unique kind of love geometry. Set in the 1940s after World War II, the play tells the story of two sisters ,Virginia and Martha, as they prepare for a Christmas pageant in rural Kentucky. But the holidays are not so joyful, as Virginia recently lost her fiancée, Paul, during the war. As life sputters forward, two veterans and friends of Paul arrive unexpectedly having also fallen for Virginia through her letters when Paul read them aloud at the front. As Christmas nears, hidden truths surface, loyalties are tested, and affection and grief collide in surprising ways.

    Cirque-tacular: The Art of Circus at Miller Outdoor Theatre (August 28)
    Still celebrating its reopening, Miller Outdoor brings in Cirque-tacular, the New York based aerial and ground acrobatic performing arts company with a history of lots of off-Broadway and internationally touring hits. Its Art of Circus show surrounds performers with sets that recreate some of the greatest art masterpieces. From Van Gogh’s swirling skies, to Da Vinci’s all perceiving genius, Warhol’s pop images, and O’Keeffe’s beguiling natural forms, these colors, movements, and stories inside the paintings inspire the performers into dance, acrobatics, and aerial artistry.

    Queensbury Theatre presents Mean Girls

    Photo by Alexander Cross

    Queensbury Theatre presents Mean Girls

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