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    Cool New Sculpture

    It's a woman? It's a flower? James Surls explains his towering sculpture that's sprouted on Kirby

    Barbara Kuntz
    Barbara Kuntz
    Apr 7, 2014 | 5:02 pm

    Spring has truly sprung in Houston with Tree with Three Flowers, a 38-foot-tall sculpture created by world-renowned artist James Surls, sprouting overnight at one of Houston's busiest intersections as a symbol of growth, potential and inspiration.

    Surls was on hand Sunday to oversee the "planting" of his stainless steel and bronze creation in the median at Kirby and Westheimer. Here, it will bloom permanently for drivers and passengers in the more than 50,000 cars that pass through the intersection each day.

    "I like the idea of us aspiring to something greater, so the spire aspires."

    Surls transported the sculpture from his studio in Carbondale, Colo., where he and his wife, artist Charmaine Locke, live. The installation demanded a multi-member expert crew and involved screwing in smaller pieces to the large base, loading it on a crane and erecting it in the median. The project is a 50/50 partnership spearheaded by the Upper Kirby Management District and the city's Tax Increment Reinvestment Zone (TIRZ) and was also made possible with public and private donations.

    A dedication ceremony led by Mayor Annise Parker is scheduled for 10:15 a.m. Tuesday at West Ave, 2800 Kirby Dr., at which Surls will be on hand for comments.

    His wood, steel and bronze sculptures, drawings and prints, which reflect his unique sensibility to natural forms, are in major art museums and public and private collections throughout the world. During an interview on Monday at West Ave, where the Tree with Three Flowers can be seen from multiple vantage points, he explained the sculpture, talked about his latest projects and discussed why he remains passionate about his craft.

    CultureMap: What was your inspiration for the whimsical sculpture?

    James Surls: In the context of the site, I knew I wanted something that can't be climbed on, but rather pushed up out of the street. How to make it stand up was the next consideration. A vase, or vessel, is a life-giving form and by definition, female. It's a classic shape, not new to humanity, but a metaphor used throughout time.

    One flower is a morning glory, like you see growing on the side of houses in East Texas. Flowers, in general, like a rite of spring, represent rebirth. The other is more in the realm of cactus blooms, particularly Night Shade, which is pure white but with an edge to it: It's poisonous.

    The tree shape is a branch that begets the branch that begets a branch. I could have added more and more, but it's inherent in its division. And the spire sticking out on top, it's pointing to something. I like the idea of us aspiring to something greater, so the spire aspires.

    CM: In the past, I've asked artists to tell me more about a work, even my own artist brother. They turn the question around to ask me, "Well, more importantly, what do you see?"

    JS: I remember that time. But for an artist not to know the answer, well, that's not good. I've known artists, when they were building these enormous sculptures, to give lectures with slideshows. Clicking through them, they would say, "That's my so-and-so and it's so-and-so tall and weighs so-and-so pounds." And then click to the next slide.

    "I know now that my work will last as long as someone loves it."

    CM: What are you working on now?

    JS: I'm one of the judges at the Lawndale show in August. Sculpture is coming in from across Texas. Texas State University in San Marcos has commissioned me to make a sculpture for a garden area for a new multi-use complex. Sculptures for gardens are my favorite things to do now.

    (Surls is also preparing for his annual sculpture invitational, set June 26-30, with exhibits open for an entire month in Santa Fe. He's collaborating with Wade Wilson at his studio there to host the event, set to begin on opening day of the Santa Fe Opera.)

    CM: Public art. I've written about public art and its regretful neglect.

    JS: Public art. You build only what you can afford to maintain. I've learned the hard way. When a public art piece is unkept, it does something psychological to those who see it. I know now that my work will last as long as someone loves it.

    (Thankfully, Tree with Three Flowers comes with a maintenance agreement.)

    CM: (The 1986 book, 50 Texas Artists, that CultureMap brought to the interview, includes a quote from Surls, who is featured in the book. "It's the puff I'm after. The hocus-pocus the Merlin types used to produce. I love it that they could wave a wand and from a flash of a light and puff of smoke would appear an object.") Does this passion still hold true with you today?

    JS: Yes, I still believe that. The p-o-o-f actually takes a day, a week a month to happen. This project took me more than two years.

    It's making the intangible tangible. That's what the poof is.

    ("I make objects. It takes so long," the rest of Surls' quote reads. "It would take me a lifetime to build just what I can dream in one day. I want a hundred lifetimes and one day. To do my best.")

    Tree with Three Flowers by James Surls.

    James Surls Surls on Kirby Tree with Three Flowers April 2014
    Photo by Barbara Kuntz
    Tree with Three Flowers by James Surls.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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