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    Sweet Potato Queens

    The Sweet Potato Queens reign begins with a boost from Grammy-winning pop star's music

    Tarra Gaines
    Mar 18, 2016 | 11:40 am

    Grab that pink feathered boa and place your best tiara atop your head, Houston, because it’s time to crown a new queen, a Sweet Potato Queen that is.

    The world premiere of The Sweet Potato Queens, the musical loosely based on the best-selling books, ascends its rightful throne at the Hobby Center Friday night. TUTS Underground brings this story to the stage for the first time, and while many people have contributed to the beginning of its musical reign, the behind-the-scenes tale of its creation really begins when '80s pop queen Melissa Manchester met the words of queenly author Jill Conner Browne, the original tuberous root vegetable monarch.

    I recently got all the royal dish from Manchester after she arrived in town to attend this musical coronation.

    Musical Meetings Fit for a Queen

    The bestselling Sweet Potato Queens books by Browne hold an array of comic essays, self-esteem building advice and even recipes. And when other people read the series, they might gain a bit of down-home wisdom, life lessons, and experience some great stories. But when Grammy-winning and Oscar-nominated songwriter and performer Melissa Manchester read the life stories from Browne she began to hear music. That music wasn’t a specific kind or type, but instead the way Browne expressed herself in her books resonated so much that the words, in a way, sang to Manchester.

    “At the end of every essay it would almost be a set up of the hard won wisdom that she [Browne] learned. It had a very musical implication to it,” Manchester described. “Writing funny is hard enough, but when you’re reading someone of high intelligence who’s using their wit and humor as armor against the barbs and land mines of life, that really captured me. Everything that I would read from her had that one two punch. Funny, funny, funny and here’s the lesson. It had its own kind of meter and unfoldment. That’s what writing music does.”

    For Manchester, that musical quality of the prose was an indication her soul was being stirred by what she was reading. The book inspired her so much that soon Manchester, who wrote the music for the off-Broadway '90s musical I Sent a Letter to My Love and contributed to soundtracks for many movies, began to think that the Sweet Potato Queen stories could be the bases of a musical. She called her collaborator, songwriter and “southern woman,” Sharon Vaughn and later approached Tony Award winning musical creator Rupert Holmes to write the book. The Sweet Potato Queens musical was coming together when happenstance helped TUTS become attendant to her royal sweet potato majesty.

    Manchester was in Houston a few years ago for a benefit and her volunteer driver taking her to media events just happened to be a TUTS board member. When told that TUTS was a theater organization with a mission to cultivate new musicals her response was, “Funny you should mention that.” This fateful drive soon led to a conversation with TUTS president John C. Breckenridge and things happened pretty quickly, especially after TUTS artistic director, Bruce Lumpkin, was sent the script and score.

    Her Royal Subjects Unite

    A reading of the play was soon set up for March 2015 with a rather surprising result. Even the most ardent theater lovers aren’t usually excited by a read-through of a work-in-progress musical, which usually entails actors on a bare stage, holding scripts, and accompanied by only a few instruments, in this case one piano. But the Sweet Potato crew and TUTS perhaps underestimated the level of queenly devotion fans still have for the books.

    “They were only expecting about 30 people a night and over 200 people showed every night. It was really thrilling,” described Manchester.

    So what is it about the Sweet Potato Queens phenomenon that brought so many Houstonians to a no frills nor sequins workshop reading of musical still in development? Manchester thinks it goes back to the central message of the books that they wanted to maintain within the musical.

    “What’s interesting about the show is the universality about it. It’s not a Southern musical. It’s Southern in its location and some of its attitudes, but the specific issues that she addresses are so universal and that’s why her appeal is all over the world,” believes Manchester.

    “Beneath all the feathers and sequins and bravado is a very grounded philosophy to love your friends, and to love your children and your parents, but also the thing we forget as adults is the power of lightheartedness and play that allow us to endure a lot of hardship.”

    Manchester is quite thankful for that workshop experience with TUTS because it taught the creative team much about their own musical. Those fans who attended the reading will now not only see a full expanded production but they’ll also hear a few new songs and meet a whole new character, a second Jill.

    “We realized that to convey the spirit of Jill Conner Browne we had to have her played by two actresses, a younger version and a more mature version to really clarify her tone of voice. If you have one actress play her, you can’t tell her if her cheekiness is crankiness or cheekiness. Jill has created this tone of voice for her character of Queen Jill that is inspired by the way she really is, but it’s blown up to create this character that supports philosophy.”

    Now Houstonians will be the first in the world to hear the music of that philosophy.

    TUTS Underground's Sweet Potato Queens runs at the Hobby Center through March 27.

    Every queen needs a court: Kerissa Arrington, Susan Koozin, Kevin Cooney, Dylan Godwin and Christina Stroup.

    Sweet Potato Queens Musical
    Photo by Christian Brown
    Every queen needs a court: Kerissa Arrington, Susan Koozin, Kevin Cooney, Dylan Godwin and Christina Stroup.
    theatermusic
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    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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