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    Art On Wheels

    Art on Wheels: Sculpted in Steel exhibit drives car lovers to lust after magnificent wonders

    Tarra Gaines
    Mar 1, 2016 | 11:00 am

    Valentine’s Day may be long gone but the Museum of Fine Arts has just made an enticing play for our affection. Let’s be honest, we Houstonians have always been obvious about what we like when romanced: sexy, hot, fast......cars. The MFAH knows our tastes and is ready to take us on the ride of our life with its new exhibition Sculpted in Steel: Art Deco Automobiles and Motorcycles, 1929–1940.
     
    “The way you arrive has always been an important aspect of public display,” observed MFAH director Gary Tinterow, during a preview walk among the 14 cars and 3 motorcycles in the exhibition. ”Whether it was on a horse in shining armor or in a gilded carriage or whether it was in a fabulous black and ivory Bugatti coupe, that moment of arrival was a way of expressing oneself, one’s position, one’s power,” Tinterow went on to say, making a connection between art, power, transport and presentation.

     

    The exhibition was organized by Cindi Strauss, the MFAH’s curator of modern and contemporary decorative arts and design, working with Ken Gross, noted automobile expert and former director of the Petersen Automotive Museum in Los Angeles. And Sculpted in Steel certainly does arrive in high style, putting its flashes of chrome, steel, glass and leather on display for all of Houston to lust after.

     

    But before falling head over heels for this sexy beast of a show, filled with sleek sculptures of resting speed, here’s a few tips to help you decide if this is just a brief art hookup or if you’ve met the One, that exhibition you can have a real relationship with, at least until it hits the road on May 30.

     

     Get to know Sculpted in Steel’s aesthetic philosophy

     

    All the car and motorcycles were designed and created between 1929-1940 and are examples of the intimate relationship between art, industry and technology of the Art Deco period. The design style born in France before World War I and reaching its height in the '20s and '30s influenced the shape and design of everything from cigarette cases to the Chrysler Building.

     

     Steel tears are oh, so sexy (and aerodynamic)

     

    “One of the great design aspects that you’ll see throughout the show both in body styles and aesthetics is the form of the teardrop,” explained Strauss.

     

    This was the era when designers began testing cars for the best shapes for speed and realized the perhaps irony that the shape of a drop of water falling could be most aerodynamic. While the depression era public wasn’t necessarily ready for these rounded bodies, it’s hard not to appreciate the beauty of the flow of tear shapes throughout the exhibition.

     

     Yes, theoretically you could run away with Sculpted in Steel because the cars all run

     

    But if you’re thinking of pulling a Fast and Furious style heist and hitting the not-so-open Houston freeways with one of these babies, well you better have a crew of 20, a semi outfitted for antique car transport, a rollback truck for getting them off the Museum loading dock and access to two of the MFAH’s large freight elevators, because that’s what it took to get them all into the Beck Building. Strauss calls the immense undertaking a “choreographed ballet” of an installation.

     

     Enjoy the big picture but don’t miss the beauty in the details

     

    These vehicles are indeed wondrous sculptures to behold from afar, but move a little closer (though don’t alarm the guards) to see even the smallest features that make them true works of art, from the flush door handles of the 1937 Delahaye 135MS Roadster to the hidden headlights on the 1941 Chrysler Thunderbolt.

     

     All the good ones have a mysterious-to-badass pasts they want to reveal

     

    Many of the cars and motorcycles have fascinating stories of their creation, loner lifestyle or near-destruction attached to them. For example, you might imagine Gatsby and Nick tooling around New York in the Edsel Ford 1934 Model 40 Speedster, but Edsel Ford’s real life quest to build this ultimate roadster is a true story that almost rivals a Fitzgerald novel. Ford funded the 40 himself for $100,000. It was sold at his death for $1,000 and is now worth over a million.

     

    Likewise, when the bright orangish-red color and futuristic styling of the 1938 Czechoslovakian Tatra T97 catches your eyes in the last gallery, know that the fact you’ve probably never heard of this car before can be blamed on Hitler. After the Nazi invasion of Czechoslovakia, he ended Tatra T97 production to get rid of this VW competition.

     

    Gallery labels and an audio-tour reveal many more vehicle tales as you wander through the exhibition.

     

     Continue this romance (or bromance) all spring

     

    You can fill your calendar with Sculpted in Steel dates for the months to come, as the MFAH has a slew of days and evenings planned around the exhibition, starting with its companion Deco Nights: Evenings in the Jazz Age. Also check out the schedule for exhibition’s related car talks, tours, performances and Happy Hour Thursdays, which each week will feature a different type or era of antique cars.

     

     Sculpted in Steel is a ticketed exhibition on view at the Museum of Fine Arts, Houston until May 30.

    Gabriel Voisin, Avions Voisin, Type C27 Aérosport Coupe, 1934, collection of Peter and Merle Mullin.

    Sculpted in Steel, Type C27 A\u00e9rosport Coupe, 1934
      
    MFAH Courtesy Photo
    Gabriel Voisin, Avions Voisin, Type C27 Aérosport Coupe, 1934, collection of Peter and Merle Mullin.
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    Best July Art

    Where to see art in Houston now: 9 fun new exhibits opening in July

    Tarra Gaines
    Jul 9, 2025 | 4:30 pm
    ​Artechouse presents "Blooming Worlds"
    Photo courtesy of Artechouse
    Artechouse presents "Blooming Worlds"

    Art blooms in our world class museums but also on our city streets this July. From exhibitions featuring traditional paintings and sculptures to high tech immersive and interactive shows, we’re weaving art into the best of summertime fun and dreaming up beautiful new artistic creations all over Houston.

    “Town Meeting 1978-2028” at Art League Houston (now through July 20)
    Pioneering Houston-based interdisciplinary artists Nick Vaughan and Jake Margolin continue their decades-long project to create new and sometimes monumental artworks in response to little-known pre-Stonewall queer histories. For this latest exhibition, the duo explore a more recent and influential piece of Houston history, “Town Meeting I,” the pivotal convening of 4,000 LGBTQIA+ Houstonians at the Astro Arena in 1978. For this show at Art League, they’ve used their “wind drawing” technique of stenciling unfixed charcoal powder on paper and blowing it away, leaving a ghost-image. Using archival images of “Town Meeting I” as the bases of their stenciling, the finished “wind drawings” highlight the ephemerality, beauty, and loss of queer histories. In addition to these new works, Vaughan and Margolin hope to inspire, facilitate, and develop programming in 2028 to commemorate the 50th anniversary of “Town Meeting 1.”

    “Fragmentos de un sueño que yo también soñé (Fragments of a Dream I Also Dreamed)" at Art League Houston (now through July 20)
    “Every house is a body, and every individual body is a house full of memories and hopes,” says award-winning Venezuela born, Chicago-based artist, Jeffly Gabriela Molina, of her artistic focus. Molina’s fragmented, layered, and figural compositions explore that idea of home and memories. Delving into memories and stories, these figurative compositions, depicting people and relationships, fluctuate between stories of the present, past, and future. Taken together, the works in “Fragmentos de un sueño” aim to visually capture the feelings of vulnerability, nostalgia, and hope embedded in the experience of many immigrants. Art League notes that Molina’s pieces emphasize optimism over hardship, specifically addressing the longing for a home that no longer exists while striving to create a new one.

    “Every Fiber of Their Bodies” at Art League Houston (now through July 20)
    Working with natural fibers such as linen, paper collage, and hand-spun paper yarn made from calligraphy paper and book pages, textile artist Lin Qiqing weaves stories ofhuman relationships, gender, immigration, and language. As the title hints, the labor-intensive weaving process brings thematic depth to the images of bodies depicted in the pieces. The woven pieces also make connections to the natural world, as when Lin crumples then smooths handmade mulberry paper to resemble human skin, or when she uses handwoven fiber to mimic the body’s movement. Lin process includes research and experimenting with natural materials to explore themes of the internal human struggle for existence and our interactions with the world around us.

    “Annual Juried Exhibition” at Archway Gallery (now through July 31)
    For the 17th year, the artist owned Archway Gallery celebrates Houston artists with its juried exhibition of area artists who are not members of the space. This year’s exhibition is juried by Project Row Houses founder and MacArthur "genius" fellow, Rick Lowe. The acclaimed artist and social activist has selected work from over 35 area artists representing a diversity of medium and styles. Sales from the exhibition will go to Houston’s Brave Little Company, the theater company for Houston’s kids and their gown ups.

    “Foyer Installation: René Magritte” at Menil Collection (now through August 3)
    After a critically acclaimed trip to Australia, some of our favorite Belgian-born Houstonians are back home. Yes, the Magritte paintings have returned to the Menil Collection after taking a star turn in a monumental Magritte retrospective at Sydney’s Art Gallery of New South Wales. Now the Menil is celebrating their return with a special installation in the main building foyer. The Menil Collection owns the largest collection of work by René Magritte outside the artist’s native Belgium, and this display focuses on a core group of paintings from the 1950s and ’60s that truly represent Magritte’s status as a master creator of impossible painted worlds and an icon of the Surrealist movement. The paintings were purchased within a couple years of their making by the museum’s founders, John and Dominique de Menil. They represent and important part of 20th century art history, as the de Menils became Magritte’s biggest champions in the United States, helping to shape the artist’s reception and reputation in the postwar American art world. Stop by to welcome them home and slip into their enigmatic wonder.

    “Blooming Wonders” at Artechouse (now through September)
    The latest immersive exhibition from the Houston venue that brings art, science, and technology home together, Artechouse, lets the flowers blossom. The exhibition contains several dynamic installations, including “Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. Another immersive piece, “Infinite Blooms” takes audiences on a journey through an endless digital forest of cherry blossoms. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” by Interactive Items / Vadim Mirgorodskii invites visitors to sculpt new forms using clay and a little help from an AI program. Note that “Blooming Wonders” runs simultaneously with the rock ‘n’ roll exhibition, “Amplified” with “Wonders” open during the daytime.

    “Weci | Koninut” at Avenida Houston (now through September 1)
    Houston is a place for big dreams, and this wondrous outdoor exhibition near George R. Brown Convention Center gives us the space to do so. Created by First Nations artists Julie-Christina Picher and Dave Jenniss, this interactive installation weaves together visual arts, Indigenous storytelling and sensory technologies in the form of six immense sculptural dreamcatchers. Each of these dreamcatchers are unique and represent one of the six seasons from the Atikamekw culture, an Indigenous people in Canada. Activated by people passing by, the dreamcatchers come to life with lights, sounds, and story, making the whole installation truly interactive. “Weci | Koninut” creators say that they want the installation to offer a total immersion experience for visitors, to create a moment where nature and dreams converge. Each piece offers a place for the public to slow down, sit, reflect, and yes, dream.

    New Murals in the East End and Midtown (ongoing)
    We could spend days viewing all the new murals painted across town, just in the last few years. But in honor of summer outdoor art viewing, we thought we’d spotlight two noteworthy new additions to our city-wide gallery of murals. As part of his major exhibition last spring at the CAMH, Vincent Valdez worked with San Antonio muralist Rubio and local students to create “Memoria, Memory.” Dedicated to his mother Theresa Santana Valdez (1947–2020), the vivid mural on historic Navigation Boulevard features her favorite bird and flower. Over in Midtown, check out “Stellar Illumination,” the latest installation in the city’s Big Walls Big Dreams mural series. Created by Robin Munro, also known as Dread, the seven stories high “Illumination” depicts a celestial scene of an astronaut gazing at Earth from space.

    “The Weight of Place” at Anya Tish Gallery (July 11-August 23)
    This group exhibition will explore themes of memory and the emotional, psychological, and physical landscapes memories can evoke. The will showcase three contemporary Texas-based female artists: Megan Harrison, Marisol Valencia, and Lillian Warren. While these artists work in different mediums–including large-scale paintings, mixed media works, and elegant porcelain sculptures–they are inspired by personal reflection and nature to create artworks that reflect on the ways we hold onto the past through sensory experience.

    “In Residence: 18th Edition” at Houston Center for Contemporary Craft (July 12-June 27, 2026)
    This annual exhibition celebrating the Center’s Artist Residency Program reaches it’s big 18th anniversary. Over the many years, the residency program has supported so many emerging, mid-career, and established artists working in all craft media. The program gives them a space for creative exploration, exchange, and collaboration with other artists, arts professionals, and the public. Now arts and craft lovers will get a chance to see the culmination of that work with this exhibition featuring pieces in fiber, clay, copper, and found objects by 2024-2025 resident artists Prerata Bradley, Stephanie Bursese, Atisha Fordyce, Nela Garzón, Gbenga Komolafe, Gabo Martinez, Preetika Rajgariah, Macon Reed, Jamie Sterling Pitt, Adam Whitney, and Dongyi Wu.

    “My Texas” at Our Texas Cultural Center (July 27-August 22)
    Award winning, Russian-born photographer, Anatoliy Kosterev, chronicles his personal exploration of Texas with photographs he took around the Lone Star State. The photos offer extraordinary views of Texas, from our dynamic cities to dramatic and sometimes lonesome landscapes. Kosterev’s photographic style blends science and technology with an artistic eye. He puts those two perspectives into practice when documenting all facets of life in Texas. Using HDR, drone imaging, macro photography, and traditional camera methods, he captures a diversity of subjects from quiet human moments to vast landscapes to delicate close-ups of insects and flowers.

    \u200bArtechouse presents "Blooming Worlds"
      

    Photo courtesy of Artechouse

    Artechouse presents "Blooming Worlds."

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