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    best january art

    11 vivid and eye-catching January art events no Houstonian should miss

    Tarra Gaines
    Jan 15, 2020 | 11:40 am

    The new year brings beautiful artistic visions for Houston art lovers, with major museum and gallery exhibitions opening this month. While we can look forward to a January filled with stunning traditional works of paintings and sculptures, innovative contemporary film and video art seem to be the medium trend for the new year.

    From pressing social commentary to Harvey analysis to contemporary African artists to Halston finishing a hat, January brings some thought-provoking and beautiful art for all tastes.

    Check out these art highlights for January.

    Museum highlights

    Vicki Meek: 3 Decades of Social Commentary at Houston Museum of African-American Culture (now through February 16)
    Showcasing some of Meek’s works from the 1980s to the present (most done in series format), including a video that explores many of her signature site-specific installations dating back to the 1990s, the exhibition contextualizes the broad spectrum of Meek’s work within the vernacular of black radical thought.

    Garrett Bradley: American Rhapsody at Contemporary Arts Museum Houston (now through March 23)
    The exhibition features new and recent single and multi-channel films and videos from the New Orleans-based artist and filmmaker. Inspired by real stories of her subjects, Bradley’s films focus on themes of race, class, familial relationships, social justice, and southern culture.

    Hats Off: Halston Hats from the Masterson Collection at MFAH’s Rienzi Collection
    January 11–July 31, 2020
    Discover the fashion and art of millinery with this exhibition of hats and hair accessories designed by influential American fashion icon Halston (1932–1990) for the New York department store Bergdorf Goodman. Carroll Sterling Masterson, one of Rienzi’s founders, ordered these 13 pieces from the store’s custom salon.

    Mariam Ghani: What We Left Unfinished at Blaffer Art Museum (January 21-March 14)
    For this exhibition that is at once a research and book project and film, the Afghan-American artist, archivist, activist, writer, lecturer, and filmmaker explores the legacy of five unfinished Afghan feature films shot, but never completed, between 1978 and 1991. The documentary follows a portion of Afghan film history through the lens of the country’s complicated political history.

    Escaping Earth: The Kinetic Work of Casey Curran at the Center for Contemporary Craft (January 25-March 29)
    Art moves in this exhibition of kinetic sculptures, asteroid paintings, and installations that depict complexities found within nature, art, and architecture. Look for work that focuses on humanity’s aspirations on the finite system of resources found in the terrestrial environment, as well as on the new frontier of outer space.

    Radical Revisionists: Contemporary African Artists Confronting Past and Present at Moody Center for the Arts at Rice University (January 24-May 16)
    Featuring works of photography, mixed media, virtual reality, sculpture, and a site-specific installation by artists from Africa, the exhibition addresses the erasure of marginalized histories and the ways in which artists reinterpret familiar themes through contemporary, Afrocentric lenses.

    Gallery openings

    Barbara Hines: Spotlight on Joseph at Congregation Beth Israel’s The Margolis Gallery (now through February)
    New works from Houston-based artist Barbara Hines explore the complicated, yet timeless life of Book of Genesis’ Joseph. “Spotlight on Joseph” is comprised of more than 25 mixed media works on paper and several works on canvas.

    Árpád Forgó: Colliding Parallels at Anya Tish Gallery (now through February 15)
    In the tradition of the Hungarian neo-avant-garde, Forgó shapes canvas to create visually alluring, subtle kinetic works while embracing the heritage of European abstraction and developing it further through his own geometric methods, such as reflection, shifting, and rotation.

    Three at Art League Houston (January 17-February 29)
    The installation Piñatasthetic from Justin Favela, Josué Ramírez, and Giovanni Valderas examines the use of the piñata technique and process as a symbol and cultural staple of Latinx identity. For "Teenage Cream," artists Alex Guillen and Dana Suleymanova combine crude textures and playful objects to create personal narratives that unpack presentations of femininity and its commercialization in an increasingly digital age. Finally, in the installation, "Gone," Carmen Flores creates delicate drawings of flowers on white handkerchiefs reference the temporal nature of life that is a shared human experience.

    Two at Lawndale Art Center (January 18-March 29)
    Two new exhibitions from Gulf Coasts artist open this month. Louisiana artist Shawne Major’s Folie à Deux invites viewers to engage in a shared psychosis composed of linear-shaped objects in tandem with organic line drawings to create mixed-media collages. Houston native Virginia Lee Montgomery’s multi-disciplinary film project SKY LOOP presents a metaphysical analysis of Hurricane Harvey as told through a formal yet subconscious language of Houston-specific symbols.

    Call for artists (ends January 26)
    News for artists and good news for art lovers with a view for art public spaces: Houston Downtown Management District has partnered with UP Art Studio to bring a Mini Murals program to downtown Main Street. They have issued a call for artists to apply to create works that will be featured on traffic signal control cabinets along the METRORail line between Franklin Street in the Historic District and St. Joseph Parkway in Southern Downtown. Up Art Studio encourages visual artists from all disciplines, including photographers and graphic designers to submit their qualifications.

    Radical Revisionists: Contemporary African Artists Confronting Past and Present" opens at the Moody Center for the Arts on January 24.

    "Radical Revisionists: Contemporary African Artists Confronting Past and Present" opening reception
    Photo courtesy of Omar Victor Diop and Galerie MAGNIN-A, Paris.
    Radical Revisionists: Contemporary African Artists Confronting Past and Present" opens at the Moody Center for the Arts on January 24.
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    fall theater preview

    Sneak peek at the 2026 fall performance slates for 15 Houston companies

    Tarra Gaines
    Aug 18, 2026 | 1:00 pm
    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars
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    For theater and performing arts lovers, late summer is the most wonderful time of the year, as stage companies across the city begin their new 2026-2027 seasons. But before the curtains rise, most of those companies also give us the gift of Houston Theater Week and all those buy-one-get-one-free discounts.

    To get ready, CultureMap has put together this fall theater guide with the opening shows and dates for each company, as well as taking an early look at what the rest of the fall and holidays will bring. So grab those discounted tickets for a fall filled with blockbuster musicals, dramas, comedies, as well as lots of classics and audience favorites.

    A.D. Players opens with Holly Street (August 19)
    The spiritual and family friendly theater company began its season a bit early with a poignant world premiere set in small town Kentucky in the 1940s after World War II. Holly Street tells the story of two sisters at Christmas time and two unexpected guests.

    The company takes a break for a month and then offers one of the funniest, yet heartwarming holiday plays for all ages withThe Best Christmas Pageant Ever, the beloved comedy about a children’s play that goes wrong.

    Houston Ballet opens with Pecos Bill (September 11)
    HB says howdy to a great fall season with a mixed rep program that holds something for all dance tastes. The performance includes Stanton Welch’s rollicking ballet version of cowboy folklore, Pecos Bill’s adventures. Performances also feature George Balanchine’s elegant and dynamic Symphonie Concertante, and an HB debut, Meadow, a work by celebrated choreographer Lar Lubovitch.

    For the first full story ballet of the fall (September 24), HB brings the opulence of Sir Kenneth MacMillan’s now classic and tragic Mamon, the doomed love story between an irresistibly beautiful femme fatale and impoverished student. Of course, in November, it wouldn’t be the holidays without Stanton Welch’s version of The Nutcracker Ballet that brings the story’s focus back to the adventurous Clara.

    4th Wall Theatre opens with Proof (September 11)
    The first of several Pulitzer Prize-winning plays produced this season comes from this intimate stage. Playwright David Auburn’s Proof is the story of the daughter of a genius mathematician who might have inherited both his aptitude for math and his mental instability. The play travels back and forth through the present and past to study the formulas of family, loss, and love

    Over the years, 4th Wall has produced several wild and moving adaptations of Jane Austen novels. This year, it will present Are the Bennet Girls Ok? This new version of the Pride and Prejudice story, that had a recent Off-Broadway debut to much critical praise, tells the Bennet girls’ marriage quests from their mother’s point of view.

    Main Street Theater opens with Cold War Choir Practice (September 12)
    Also earning lots of recent off-Broadway buzz, this genre-defying comedy with music is one of the most intriguing picks for the fall. In Reagan’s America, a young girl is embroiled in intrigue when her estranged uncle, a prominent Black conservative, brings his mysteriously ill, white wife home for the holidays and forces long-simmering tensions within the family to boil.

    From Victorian England to a fast food joint, theaters across the world and certainly in Houston have put Dickens’s Christmas Carol into a multitude of settings. For the holidays, MST invites Houstonians to a Dublin pub for An Irish Carol, where rich owner David has lost touch with his own humanity in the interest of self-protection and material success. Now on Christmas Eve, a voice from the past will ask David to look at his relationships in the past, present, and possible future to perhaps change his life for the better.

    Theatre Under the Stars opens presenting The Music Man (September 15)
    TUTS changes its usual mix of more self-produced shows than touring shows, leaning in on presenting this season. The season begins with this classic musical comedy about a charming con man who gets conned himself by small town sincerity and love.

    The touring hits continue in October with Mrs. Doubtfire, the musical based on the Robin Williams comedy about a divorced man who disguises himself as a British nanny to take care of his kids. Then for the holidays, TUTS brings back its own leviathan-sized production of Disney’s The Little Mermaid for under the sea family fun with a cast filled with Houston singing sensations, including students from the TUTS schools.

    Rec Room opens with Amadeus (September 17)
    The east-ish downtown theater company decided to take some time off after last year's productions of Angels in American to switch from a calendar year season to the traditional fall/spring season that most Houston companies use. Now they’re back and celebrating their 10 year anniversary with plays Houstonians haven’t seen in quite a while, or ever, on a local professional stage. The season begins with the now classic 20th century play about the (mostly one-sided) rivalry between composers Antonio Salieri and Wolfgang Amadeus Mozart, and its exploration of jealousy and the nature of genius.

    For the ultimate holiday show counter programming, Rec Room will produce a new adaptation of Nobel Prize-winning Italian playwright Dario Fo’s The Accidental Death of an Anarchist. It’s Christmas time at the police station, as Rec Room reimagines Fo’s groundbreaking political farce of the 1970s as a contemporary American satire infused with detective noir, Cold War paranoia, and sharp absurdity.

    Ensemble Theatre opens with Purpose (September 18)
    Ensemble celebrates its 50th season with this recent Best Play Tony and Pulitzer Prize winner by Brandon Jacobs-Jenkins about a prominent and political Black family, the Jenkins. While the patriarch was a leader in the Civil Rights movement, the adult sons are having trouble living up to their father’s legacy. Generational aspirations come to a comic clash for one particularly awkward but purposeful family dinner.

    For the holidays, the company brings back an audience favorite, the joyful and soulful A Motown Christmas, which melds Motown hits and choreography with traditional holiday classics.

    Stages opens with Come From Away (September 19)
    Based on the true story, this poignant and hopeful musical tells the story of a small town in Newfoundland that rallied together to host thousands of stranded international travelers after planes were grounded September 11, 2001. It’s been a few years since Come From Away toured nationally, so Houstonians are definitely looking forward to seeing Stages begin its season with an intimate and homegrown production.

    In October, Stages jumps from a musical with a large cast of characters to The Roommate, the Jen Silverman comedy about two 50-something women with very different personalities and life experiences who begin living together. For the holidays, it brings back another audience favorite with all the music, fun, and wild plots found in The Great American Trailer Park Christmas Musical.

    Alley Theatre opens fall with Romeo and Juliet (September 25)
    While technically the thrilling Girl on the Train began its 26-27 season, the Alley heats up the fall with the play that originated the term star-crossed lovers and is arguably the greatest romantic tragedy in literature. The entire resident acting company will take the stage in Shakespeare’s wrenching tale of young lovers crushed between their warring families.

    In October, the Alley leaps from a classic of world literature to a world premiere satire with Uhuru. This play explores very contemporary themes of access and identity as it follows a group of climbers up Mount Kilimanjaro. Uhuru was developed as part of the Alley All New play reading season. For the holidays, look for both Alley artistic director, Rob Melrose’s, lovely adaptation of A Christmas Carol as well as its very contemporary Texas version of The Night Shift Before Christmas.

    Broadway at the Hobby Center opens with The Sound of Music (September 29)
    Musical lovers might want to see if the Hobby Center will rent a room this fall, because the TUTS and Broadway combined schedules will fill Sarofim Hall with the sound of music almost every week, including the actual Sound of Music. One of the most beloved musicals of all time, Richard Rodgers and Oscar Hammerstein’s story of the von Trapp family and the woman who brought music into their lives tours the country again with new direction from three-time Tony Award winner Jack O’Brien (Hairspray).

    Then, just in time for spooky season, the ghost-est with the mostest, the irrepressible Beetlejuice, returns to haunt Houston after being a surprising comic hit a few seasons ago. Then, the Tony Award-winning Buena Vista Social Club arrives. Depicting the backstage story of the Grammy-winning album of the same name, the show transports audiences into the heart of Cuba, beyond the glitz of the Tropicana into the soul of the music.

    Houston Grand Opera opens with Susannah (October 23)
    Continuing its centenary celebration for the great American composer Carlisle Floyd, HGO opens its season with this tragic beauty of an opera inspired by Floyd’s childhood as a minister’s son. With a score infused with revival hymns and Appalachian folksong, the opera depicts life in a small Tennessee town and the gossip, judgement, and hypocrisy that leads to the ruin of one innocent woman.

    HGO elevates spooky season with upGounod’s masterpiece Faust in late October. This production from acclaimed Scottish director David McVicar reimagines Faust as a tormented composer in Belle Époque Paris, before making a deal with the devil for youth and earthly pleasures.

    Other fall debuts

    While it might only be producing one show this fall, Houstonians still have these plays from some of the city's mid-sized and smaller companies on their must-see lists. In early September, Mildred’s Umbrella gets mad with Jen Silverman’s Collective Rage: A Play in 5 Betties, a sharp comedy with its synopsis in the title as it depicts the lives of five very different women all named Betty. The recently announced Catastrophic Theatre season scheduled the majority of its shows in 2027, but in September the company will revive Eugene Ionesco’s epic absurdest play, Rhinoceros, about a small town whose citizens begin to transform into a herd of giant horned mammals.

    In mid-October, Dirt Dogs presents one of those great dinner parties from hell plays with Donald Margulies’ Pulitzer Prize-winning Dinner with Friends about one couple’s divorce that leads their best friends to question their own marriages. Also in October, Classical Theatre opens its season with one of George Bernard Shaw’s wittiest works from his “Plays Pleasant” collection, Arms and the Man, about a young woman who has romanticized war until she decides to shelter a war-weary enemy soldier.

    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars

    Theatre Under the Stars presents The Music Man

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