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    CultureMap Video

    Don't be afraid: A mysterious devil fiddle is headed to Houston, but it means no harm

    Joel Luks
    Jan 12, 2014 | 6:02 am
    Don't be afraid: A mysterious devil fiddle is headed to Houston, but it means no harm
    play icon

    Mother of pearl inlays, delicate filigree inkings, bone adornments and fanciful spirals gracing the scrolls — not your typical trimmings for a folk instrument of any kind. One would think that musical instruments wouldn't be dressed to the nine, particularly those that were associated with the evils of the underworld, an instrument that was blasphemously infamous for rousing raucous dance parties, gratuitous drinking and violence.

    No need to be afraid, folks. It's just a violin of sorts with quite a history, its mystique being the focus of the Apollo Chamber Players concert "Scandinavian Spirit," set for 6 p.m. Sunday at Christ the King Lutheran Church.

    The Hardanger fiddle is thought of as the national instrument of Norway. Named for the western part of the Scandinavian Peninsula where the North and Norwegian seas meet, an area that was conquered by the Vikings, the instrument is indigenous to an environment of magnificent natural beauty — the home of the Hardangerfjord, the third largest fjord in the world.

    When violinist Matthew Detrick opens the fiddle's carrying case, you can't help but gasp at the workmanship. This particular fiddle, on loan from a Houston collector, was in the hands of Hardanger virtuoso Laurel Lawshae, an Austin resident who regularly performs with the San Antonio Symphony, the Midland-Odessa Symphony and the Austin Symphony.

    Detrick and fellow Apollo violinist Anabel Ramirez traveled to Austin to procure the instrument and to take lessons from Lawshae to learn how to get the most out of this little devil, which fittingly was christened Annveig, a Norse female name (veig means strength), by its maker when it was built in 1988.

    In addition to the striking visual differences between the Hardanger fiddle and the modern violin, two other properties distinguish the resultant exotic timbre that's bright with harmonic overtones.

    The Hardanger fiddle won't compel you to break out into a rowdy brawl or partake in sacrilegious leisure activities.

    "It has nine strings instead of the four typically found on a violin," Detrick says. "Five of those strings are placed underneath the bridge and extend through the fingerboard all the way to the scroll. But you don't play them or make them sound with your bow."

    These five strings as sympathetic, which means they ring in relation to the sound waves being produced by the other four strings. The resonance adds to constitute a tonal color that's suffused with enchantment, alongside a drone that offers an intoxicating bass.

    "The bridge (a piece of wood that supports the strings that's usually curved so each string can be bowed separately) is flat," he continues. "It forces you to play double stops or two strings at the same time at all times."

    The purpose of these design features is to give license for the Hardanger fiddle to function as more than one instrument. That's important given how it was originally played: Solo. The Hardanger fiddler would sit in a chair and play along while stomping his foot to mark time. Dancers would surround the musician and do the springar, a couple's dance in an asymmetrical triple meter, and the gangar, a walking dance.

    As with all Apollo Chamber Players concert, the group will perform their own arrangements. Scored for string trio and Hardanger fiddle, Anund's Reinlender will couple the soul of the fjords with an orchestral violin, viola and cello. With the inclusion of music by Scandinavian composers, including Grieg's String Quartet in G Minor and Sibelius' String Quartet "Voces Intimae," Apollo Chamber Players hopes the program shows the connection between music of the people and classical repertoire by well-known composers.

    In listening to the lilting affect of the Norwegian tune, you can't help sway side to side and tap along the rolling melody. It's safe and mother approved, though. It won't compel you to break out into a rowdy brawl or partake in sacrilegious leisure activities.

    It may, however, encourage you to grab a beer with Detrick and his colleagues as it takes a certain easy-going nature to execute this delightful strain.

    Watch the CultureMap video (above) to hear the Hardanger fiddle and listen to Detrick and violist Whitney Bullock explain how the program ties together.

    ___

    Apollo Chamber Players presents "Scandinavian Spirit" on Sunday, 6 p.m., at Christ the King Lutheran Church. Tickets may be purchased online and are $25 for adults, $20 for seniors and $10 for students.

    The Hardanger fiddle is considered the national instrument of Norway.

    Hardanger fiddle Apollo Chamber Players
    Photo by Joel Luks
    The Hardanger fiddle is considered the national instrument of Norway.
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    news/arts

    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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