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    CultureMap Video

    Don't be afraid: A mysterious devil fiddle is headed to Houston, but it means no harm

    Joel Luks
    Jan 12, 2014 | 6:02 am
    Don't be afraid: A mysterious devil fiddle is headed to Houston, but it means no harm
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    Mother of pearl inlays, delicate filigree inkings, bone adornments and fanciful spirals gracing the scrolls — not your typical trimmings for a folk instrument of any kind. One would think that musical instruments wouldn't be dressed to the nine, particularly those that were associated with the evils of the underworld, an instrument that was blasphemously infamous for rousing raucous dance parties, gratuitous drinking and violence.

    No need to be afraid, folks. It's just a violin of sorts with quite a history, its mystique being the focus of the Apollo Chamber Players concert "Scandinavian Spirit," set for 6 p.m. Sunday at Christ the King Lutheran Church.

    The Hardanger fiddle is thought of as the national instrument of Norway. Named for the western part of the Scandinavian Peninsula where the North and Norwegian seas meet, an area that was conquered by the Vikings, the instrument is indigenous to an environment of magnificent natural beauty — the home of the Hardangerfjord, the third largest fjord in the world.

    When violinist Matthew Detrick opens the fiddle's carrying case, you can't help but gasp at the workmanship. This particular fiddle, on loan from a Houston collector, was in the hands of Hardanger virtuoso Laurel Lawshae, an Austin resident who regularly performs with the San Antonio Symphony, the Midland-Odessa Symphony and the Austin Symphony.

    Detrick and fellow Apollo violinist Anabel Ramirez traveled to Austin to procure the instrument and to take lessons from Lawshae to learn how to get the most out of this little devil, which fittingly was christened Annveig, a Norse female name (veig means strength), by its maker when it was built in 1988.

    In addition to the striking visual differences between the Hardanger fiddle and the modern violin, two other properties distinguish the resultant exotic timbre that's bright with harmonic overtones.

    The Hardanger fiddle won't compel you to break out into a rowdy brawl or partake in sacrilegious leisure activities.

    "It has nine strings instead of the four typically found on a violin," Detrick says. "Five of those strings are placed underneath the bridge and extend through the fingerboard all the way to the scroll. But you don't play them or make them sound with your bow."

    These five strings as sympathetic, which means they ring in relation to the sound waves being produced by the other four strings. The resonance adds to constitute a tonal color that's suffused with enchantment, alongside a drone that offers an intoxicating bass.

    "The bridge (a piece of wood that supports the strings that's usually curved so each string can be bowed separately) is flat," he continues. "It forces you to play double stops or two strings at the same time at all times."

    The purpose of these design features is to give license for the Hardanger fiddle to function as more than one instrument. That's important given how it was originally played: Solo. The Hardanger fiddler would sit in a chair and play along while stomping his foot to mark time. Dancers would surround the musician and do the springar, a couple's dance in an asymmetrical triple meter, and the gangar, a walking dance.

    As with all Apollo Chamber Players concert, the group will perform their own arrangements. Scored for string trio and Hardanger fiddle, Anund's Reinlender will couple the soul of the fjords with an orchestral violin, viola and cello. With the inclusion of music by Scandinavian composers, including Grieg's String Quartet in G Minor and Sibelius' String Quartet "Voces Intimae," Apollo Chamber Players hopes the program shows the connection between music of the people and classical repertoire by well-known composers.

    In listening to the lilting affect of the Norwegian tune, you can't help sway side to side and tap along the rolling melody. It's safe and mother approved, though. It won't compel you to break out into a rowdy brawl or partake in sacrilegious leisure activities.

    It may, however, encourage you to grab a beer with Detrick and his colleagues as it takes a certain easy-going nature to execute this delightful strain.

    Watch the CultureMap video (above) to hear the Hardanger fiddle and listen to Detrick and violist Whitney Bullock explain how the program ties together.

    ___

    Apollo Chamber Players presents "Scandinavian Spirit" on Sunday, 6 p.m., at Christ the King Lutheran Church. Tickets may be purchased online and are $25 for adults, $20 for seniors and $10 for students.

    The Hardanger fiddle is considered the national instrument of Norway.

    Hardanger fiddle Apollo Chamber Players
    Photo by Joel Luks
    The Hardanger fiddle is considered the national instrument of Norway.
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    Ride the Wave

    Houston Grand Opera's new album spotlights groundbreaking production

    Holly Beretto
    Jul 23, 2026 | 12:00 pm
    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves
    Photo by Lynn Lane
    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

    A groundbreaking opera is finally getting a recording, and Houston Grand Opera is behind it. Breaking the Waves, by composer Missy Massoli and librettist Royce Vavrek, originally premiered in 2016. The opera’s regional premiere at HGO during the 2024 - 2025 season was captured for the album release. It will be available starting August 7 in both physical and digital formats, with streaming offered on major platforms including Apple Music, Amazon Music, and Spotify.

    This album is the third release from the Houston Grand Opera label, created in partnership with the London Symphony Orchestra’s LSO Live. The label’s first album — for company-commissioned world-premiere opera Intelligence — won the 2026 GRAMMY Award for Best Opera Recording.

    It features a star-studded cast led by soprano Lauren Snouffer and bass-baritone Ryan McKinny, accompanied by the HGO Orchestra and Chorus under the baton of HGO Music Director Emeritus Patrick Summers.

    Breaking the Waves is set in Calvinist 1970s Scotland, and tells the story of the impressionable young Bess (Snouffer) and offshore oil rigger Jan (McKinny). After they marry, Bess embarks on a journey of sexual exploration that, following a series of shocking events, ends in tragedy. Based on the art film of the same name by Lars von Trier, it won the inaugural Best New Opera Award from the Music Critics Association of North America and was shortlisted for Best World Premiere at the International Opera Awards.

    “Breaking the Waves is a fearless, devastating, and utterly singular landmark of contemporary American opera from one of the most compelling compositional voices of this generation,” HGO General Director and CEO Khori Dastoor said in a statement. “Alongside Missy Mazzoli and Royce Vavrek, our company’s incredible cast, orchestra, and chorus have brought their own fearlessness to this piece, rising to meet its challenges with passionate artistry. This album brilliantly captures the electricity of these sublime live performances, preserving their energy in every measure. HGO launched this label to bring bold American works to the world, and there is no better testament to that mission than what you will hear here.”

    In addition to Snouffer and McKinny, the cast features soprano Michelle Bradley as Mother, mezzo-soprano Maire Therese Carmack as Dodo McNeill, tenor David Portillo as Dr. Richardson, baritone Michael Mayes as Councilman, bass-baritone Sam Dhobhany as Terry, bass Johnny Salvesen as Sadistic Sailor, tenor Andrew Surrena as Young Sailor, and Jon Janacek as Tenor Solo.

    “Breaking the Waves is one of the most important operas of the 21st century, a work of incredible beauty, dramatic power, and profound lessons,” said Summers. “I am deeply honored to conduct its first recording.”

    The recording was made possible by Aaron Copland Fund for Music, Inc., Juan Moreno, Kristine Vikmanis and Denny Creighton, Alexander Sanger, and David Gindler.

    “I’m so grateful that Houston Grand Opera has captured this extraordinary cast and creative team in this recording of Breaking the Waves. Opera is an art form that not only takes a village, but a small city, and this performance is filled with artists who gave themselves completely to this emotional, dramatic whirlwind,” said Mazzoli.

    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves

    Photo by Lynn Lane

    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

    houston grand operaperforming-arts
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