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    Keeping The Music Alive

    The music lives on from these special performers who left us in 2015

    Bill Van Rysdam
    Dec 30, 2015 | 1:16 pm

    The author Thomas Campbell once said, “To live in hearts we leave behind is not to die.” That is certainly rings true when it comes to some of the musicians who left us in 2015. From rock, to rap, to gospel, to jazz; we will mourn their loss, but can also take comfort that their music lives on.

    Below are just some the amazing talent that will live in hearts forever…

    Andrae Crouch

    The Grammy award winner was a celebrated singer, songwriter and pastor who served in Los Angeles and was known as the father of modern gospel music. Crouch performed with such stars like Quincy Jones, Diana Ross, Elton John and conducted the choirs for Michael Jackson’s “Man in the Mirror” and Madonna’s “Like a Prayer.” Crouch died after suffering a heart attack. He was 72.

    Lesley Gore

    Best known for her smash hit “It’s my Party,” singer/songwriter was discovered by Quincy Jones. Gore followed it up with “Judy’s Turn to Cry,” You Don’t Own Me” and “California Nights.” Gore also performed on two consecutive episodes of the Batman television series (January 19 and 25, 1967), in which she guest-starred as Pussycat, one of Catwoman's minions and was nominated for an Academy Award for her work in the 1980 film, Fame. Gore died at the age of 68.

    Jimmy Greenspoon

    While best known as the keyboardist for Three Dog Night, Greenspoon, also performed and recorded with Linda Ronstadt, Jimi Hendrix, Beck, Cheech & Chong, Eric Clapton, Buddy Miles and many more. Greenspan also composted original music for movies including Field of Dreams, Hellboy and Die Hard. Greenspan lost his battle with cancer at the age of 67.

    Percy Sledge

    "When a Man Loves a Women” was Percy Sledge’s first song recorded under contract. The inspiration for the song came when his girlfriend left him for a modeling career after he lost his job. The song topped the U.S. charts for two weeks in 1966 and was than “rediscovered” in the 1980s and 1990s when it was in films like Platoon, The Big Chill, and The Crying Game. The song was adopted as the title of a Meg Ryan romance movie in 1994. It reached the top of the charts again in 1991 when it was covered by Michael Bolton. Sledge died at the age of 74.

    B.B. King

    B.B. King got his big break when he was invited to appear on the Sonny Boy Williamson’s radio program in 1948. King earned numerous awards and recognition garnering 30 Grammy nominations, a Grammy Lifetime Achievement Award, induction into the Rock and Roll Hall of Fame and a Presidential Medal of Freedom. “There's not a lot left to say because his music is almost a thing of the past now and there are not many left that play it in the pure way that B.B. did,” said Eric Clapton, a close friend and great admirer. King died at the age of 87 leaving behind his daughter, Patty King and his cherished guitar, Lucille.

    Allen Toussaint

    Legendary Jazz great Allen Toussaint was the man behind “Working in a Coal Mine” and “Lady Marmalade” as a writer/producer before gaining new fame as a performer. Toussaint worked with Lee Dorsey, Art and Aaron Neville, Irma Thomas, Joe Cocker and many others. A member of the Rock and Roll Hall of Fame and the Louisiana Music Hall of Fame, Toussaint was awarded the National Humanities Medal in 2013. Toussaint died at the age of 77 following a performance in Spain.

    Scott Weiland

    The former front man for the Stone Temple Pilots and Velvet Revolver, Scott Weiland helped forge the grunge sound into main stream radio. The album Core made it to No. 3 on the Billboard album charts and produced four hit singles: “Sex Type Thing,” “Plush,” “Creep,” and “Wicked Garden.” Later Weiland joined forces with members of Guns N’ Roses and Wasted Youth to form Velvet Revolver and had their first album “Contraband” debut at No. 1 with singles “Fall to Pieces” and the Grammy-winning “Slither”. Weiland was 48.

    Cynthia Robinson

    A trumpet player and original member of Sly and the Family Stone, Robinson helped create the groundbreaking soul-funk-psychedelic sound for a band whose collection of black and white musicians of both sexes and its hippie vibe helped mirror the ideals of the times. Their second album Dance to the Music was loaded with hits like “Every Day People,” “Stand,” “Hot Fun in the Summertime,” and “Thank You (Falettinme Be Mice Elf Again).” Robinson was 71.

    Chris Squire

    A co-founder and bassist for the rock band Yes, Chris Squire. Squire was the group’s only member to have performed on every Yes studio album and heavily influenced bass players world-wide. Wielding his trademark Rickenbacker 4001, Squire was a leader among the English progressive rock bands showcasing a clear and distinct style of play. Squire died at the age of 77 following a brief battle with leukemia.

    Andy White

    Best known as the replacement drummer for the Beatles first single U.S. single release “Love Me Do,” Andy White went on to play with many prominent musicians including Chuck Berry, Herman’s Hermit’s, Billy Fury and drummed on Tom Jones’ smash hit, “It’s not Unusual.” White moved to the U.S. in the late 1980s and became a drum instructor. He was 85.

    Sean Price

    Born in Brooklyn, rapper Sean Price performed under the name Ruck with Heltah Skeltah and Boot Camp Clik before going solo. Price went back to his birth name to release Monkey Barz which received critical acclaim. Price also teamed with Guilty Simpson and producer Black Milk for their acclaimed 2011 LP Random Axe. Price had been working on a new mixtape “Songs in the Key of Price” that was due out last August at the time of this death. He was 43.

    Lesley Gore.

    Lesley Gore
      
    Courtesy photo
    Lesley Gore.
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    Movie Review

    New horror movie Sinners sings the blues with twin turn from Michael B. Jordan

    Alex Bentley
    Apr 18, 2025 | 12:30 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Michael B. Jordan and Miles Caton in Sinners.

    Writer/director Ryan Coogler has become so well-known for his blockbuster films — Creed, Black Panther, and Black Panther: Wakanda Forever — that it’s easy to forget that he made his debut with the small-but-powerful 2013 film, Fruitvale Station. After more than a decade, he’s finally returning to original material with his latest film, Sinners.

    Each of Coogler’s films has either starred or featured Michael B. Jordan, and this one gives moviegoers a double dose, as Jordan plays twins who go by the nicknames of Smoke and Stack. Set in 1932, the two hustlers have recently returned from mysterious (and possibly criminal) work in Chicago to their hometown of Clarksdale, Mississippi to open a juke joint.

    They call upon a number of friends and family to help them with the venture, including cousin and guitar player Sammie Moore (Miles Caton), Smoke’s old girlfriend Annie (Wunmi Mosaku), piano player Delta Slim (Delroy Lindo), bouncer Cornbread (Omar Miller), and Chinese couple Bo and Grace Chow (Yao and Li Jun Li). Trouble is never far from the brothers, though, whether it’s Stack’s old girlfriend Mary (Hailee Steinfeld), the Ku Klux Klan leader who sold them the property for the juke joint, or something even more sinister.

    Coogler began his feature film career by confronting the issue of unjustified shootings of Black people by police. How Black people are perceived by society has been a part of everything he’s done since. By placing this film firmly in the middle of the Jim Crow era, he infuses the story with all manner of subtext, including the injustice of sharecropping and prevalent segregation in the South.

    Music, specifically Blues, plays a big part in the film as well. It’s championed through the emerging talent of Sammie and the veteran presence of Delta Slim, but it’s also a driving force for other parts of the plot. Sammie is decried by his pastor father for playing “the devil’s music,” while strange newcomer Remmick (Jack O’Connell) seems to appreciate it a little too much. A fantastically surreal scene at the juke joint turns into an entertaining and educational lesson on the history of Black music.

    It’s Remmick’s obsession that’s at the center of the final hour or so of the film, one in which all hell breaks loose. The manner of that hell is probably better enjoyed if it’s not spoiled here, but suffice it to say that Remmick has an evil to him that threatens to destroy Smoke and Stack’s venture before it even gets started. The horror aspect of the film is fine, but it winds up being the least interesting part of the story.

    Jordan can occasionally go over-the-top with his performances, and with him playing twins the threat of doing so was doubled. But he remains relatively restrained for most of the film, giving each twin their own unique spin. Caton, a rising R&B singer, makes his acting debut in the film and winds up stealing every scene he’s in. The rest of the cast complements each other well, with Mosaku and Steinfeld being standouts.

    Coogler has proven himself to be a savvy filmmaker in each of his previous four films, and with Sinners he combines the personal with crowd-pleasing elements to great effect. It features great music, an insightful story, and even some gory action for an experience you’re not likely to find anywhere else.

    ---

    Sinners opens in theaters on April 18.

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