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    Out of this world exhibit

    Saudi prince celebrates the many Roads of Arabia — and space travel, too

    Tarra Gaines
    Dec 23, 2013 | 10:17 am

    Traders, pilgrims and kings, these are the people, some renowned in history, some lost in time, who once journeyed on the roads of Arabia. The remnants of these wanderers — the magnificent sandstone statues, the intricate decorated incense burner, the stone carving of a horse, the gold funeral mask — have now found a temporary rest at the Museum of Fine Arts, Houston in the exhibition Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia.

    Roads of Arabia is organized by the Arthur M. Sackler Gallery, Smithsonian Institution, in association with the Saudi Commission for Tourism and Antiquities of the Kingdom of Saudi Arabia, but the arrangement of the over 300 objects for the Houston stop on the tour accentuates the pieces as sculpture and art, alongside their remarkable archeological significance. This arrangement might be most beautifully realized with the grouping at the center of the exhibition of 9th-and-10th-century tombstones from the destroyed al-Ma’lat cemetery, north of Mecca — 20 in all.

    A prince of wanderers

    Also in town to introduce Houston to these works of art was the president and chairman of the board of the Saudi Commission for Tourism and Antiquities (SCTA), His Royal Highness Prince Sultan bin Salman bin Abdulaziz Al-Saud.

    Prince Sultan is a particularly apt champion of these ancient travelers because he is arguably the most traveled son of Arabia in its great history.

    Prince Sultan is a particularly apt champion of these ancient travelers because he is arguably the most traveled son of Arabia in its great history. Besides being a former Royal Saudi Air Force fighter pilot, he was the first Muslim and Arab in space when he was chosen for the crew of the Space Shuttle Discovery as a payload specialist in 1985, a mission that traveled 2.9 million miles.

    After an early viewing of the exhibition, which is thematically set around the two periods of roads, the incense roads of antiquity and the pilgrimage road with the rise of Islam, I had a chance to sit down with His Royal Highness and ask him what he hopes Houstonians will learn from these objects of beauty and history.

    Prince Sultan explained how the exhibition might shatter people’s preconceptions that contemporary Saudi Arabia sprang into being only once oil was discovered.

    “People have always thought of Saudi Arabia as a place of nothingness, that Islam came to a place of nothingness,” he says, but thousands of years before its oil wealth “spices and silk” transported by camels and caravans across the deserts made the cities that grew along these trading routes into economic powerhouses.

    Prince Sultan believes the exhibition illustrates that “Saudi Arabia was always very much active on the world stage. I’m talking about the world stage in terms of the ancient world and the modern world and will have a much bigger world going forward into the future, not just in region sense, but also in the international sense.”

    A change in perception

    When I asked if the pilot and former astronaut might have a different perspective on these ancient peoples on the move, he jokingly assured me that pilots always feel they have a different perspective “on everything,” before turning serious and into something of a poet.

    “I fly my U.S.-made Cessna Caravan over my country and I fly very low to the ground,” Prince Sultan described. “I see people in the desert. I find a place and put it down — I’m trained to do that. I get out of the airplane and talk to them, milk their camels with them, have a camel milk and dates. It changes your life. Your life is not formalize anymore. It becomes a good life. You really can go and see things and feel things nobody else can do.”

    “When you see Earth from space what you see is the beautiful blue and multicolored planet, but the most amazing thing is not the planet itself, the most amazing thing is the blackness of space."

    His time aboard Discovery also changed his perception when viewing the distances that separate people. He reiterated to me some ideas he first voiced after coming back to Earth: “The first day or two we all were pointed to our country. By the third or fourth day we were pointing to our continents. By the fifth day we were all pointing to one planet, one Earth. It was absolutely like a revelation. I still believe in this. I’m driven by this as a person in my political views, in my views about war and peace, in my views about people.

    “When you see Earth from space what you see is the beautiful blue and multicolored planet, but the most amazing thing is not the planet itself, the most amazing thing is the blackness of space. That’s what hit me the most, really. This beautiful planet but it’s right there by itself floating in this incredible universe.”

    Prince Sultan ended our conversation with a description of the latest wave of Saudi Arabian travelers, the students crossing oceans and continents to study at universities around the world and especially in the United States. Many of them are given Saudi government scholarships with the idea that they will come back “with knowledge, a degree and an understanding of the world. Though separated by millennia, perhaps these students are not so different from their ancient ancestors whose lives we may glimpse in this extraordinary exhibition.

    Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia is on display at the Museum of Fine Arts, Houston, through March 9.

    HRH Prince Sultan bin Salman bin AbdulAziz Al Saud

    2 Roads of Arabia HRH Prince Sultan bin Salman bin AbdulAziz Al Saud
    Photo by © Rachel Phoenix
    HRH Prince Sultan bin Salman bin AbdulAziz Al Saud
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    Movie Review

    Feuding couple fights for survival in dark comedy Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 2:00 pm
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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