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    Movie Review

    News of the World squanders chance to tell unique Western story

    Alex Bentley
    Dec 18, 2020 | 2:15 pm
    News of the World squanders chance to tell unique Western story
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    The last time Tom Hanks teamed up with writer/director Paul Greengrass, it led to one of his best performances in Captain Phillips. That film was based on a real story where the stakes couldn’t have been higher for Hanks’ titular character. Their latest collaboration, News of the World, is fictional, but continues on that theme of life-or-death situations.

    Hanks plays Captain Jefferson Kyle Kidd, a former soldier who makes a living in post-Civil War America by traveling from town to town reading news from various papers across the country to interested audiences. It’s during one of his trips in Texas that he encounters Johanna (Helena Zengel), a young girl he discovers had been kidnapped by members of the Kiowa tribe for six years. In the process of being returned to her family, her wagon was ambushed, leaving her all alone.

    With no good options for anyone else to take her to her aunt and uncle in Castroville, Texas, Kidd decides to take on the responsibility himself. Having essentially been raised Kiowa, Johanna only speaks their language, and their journey is spent with the two of them trying to figure out how to communicate, as well as fend off the many dangers of life in the Old West.

    Based on the novel by Paulette Jiles, the film (co-written by Luke Davies) is relatively straightforward, perhaps too much so. The story starts off interesting, as the idea of a man entertaining others just by reading the news paired with a girl with whom he has almost no way to talk is intriguing. Indeed, it’s their “conversations” that comprise some of the best moments of the film, as the two constantly feel each other out and bond over unspoken sentiments.

    It’s when the movie transitions into genre stereotypes that it starts to falter a bit. Although Kidd is not a character typical of Westerns, the story relies on a variety of Western tropes to move it along. One of the main action sequences in the film becomes close to laughable as Kidd and Johanna try to escape a trio of bad guys. A pursuit that starts off late at night finishes in the bright sunshine for seemingly no reason; thankfully, the gun battle at its end makes up for the logical fallacy.

    What the film never seems to want to wrestle with is difficult topics like festering Civil War sentiments or relations between Native Americans and white settlers. Kidd is a voice of reason who seems to know how to ingratiate himself to any crowd, but his calming presence helps Greengrass elide the film’s thorny issues when they briefly arise.

    The character of Kidd fits right in with Hanks’ reputation for playing nice guys, but, as always, he brings more to the table than might be apparent on the surface. Kidd has a bit of a tortured history, and that sadness can be read on Hanks' face throughout, whether the scene involves Kidd's past or not. Zengel, a German actress, plays Johanna as both feral and innocent, and she hits the right notes 99 percent of the time.

    Greengrass is known for his verisimilitude in his docudramas and the Bourne series, but he misses the mark a bit with News of the World. The relationship between Kidd and Johanna is of paramount importance in this film; any big Western flourishes should have been secondary to that part.

    ---

    News of the World opens in theaters on December 25.

    Tom Hanks in News of the World.

    Tom Hanks in News of the World
    Photo by Bruce W. Talamon/Universal Pictures
    Tom Hanks in News of the World.
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    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

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