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    Day For Night Art Scene

    Art-Star Lineup: Must-See Guide to Day for Night's coolest visual artists — Björk included

    Tarra Gaines
    Dec 14, 2016 | 2:00 pm

    A live music festival that makes digital, multimedia and light art a vital component of the event is something of a rarity in the United States, but a music and visual art festival produced in the dead of winter, well that’s uniquely Houston. After a successful debut last year, Day for Night. the three-day music and art event presented by Free Press Houston and New York-based creative firm Work-Order, makes a venue move to the Post HTX space to light up downtown Houston this weekend.

    With four stages and every hour from afternoon until dead of night filled with music, you might be tempted to spend the weekend running from one favorite musician or band to to the next. But on your way from stage to stage, don’t forget to feed your eyes. Day for Night offers some of the top national and international artists working and creating at that blurry, but often beautiful edge, where technology and traditional visual art meet. Curated by Day For Night co-founder Alex Czetwertynski, this impressive offering, which they’re calling the Light lineup, should not be bypassed on your way to that favorite band. Take time out to wander upstairs where many of the installations and immersive art experience are located.

    Don’t know where to begin your art journey? Here’s a quick don’t-miss list to map your way through some of the art highlights.

    Björk Digital
    Just one installation from the international renowned musician, visual artist and occasional fashion icon would never be enough; instead, as both a sound and light headliner at Day for Night, Björk brings with her an entire exhibition. This five gallery exhibition will feature immersive digital and video work that fest-goers can experience in virtuality. Yes, you’ll strap on the sci-fi, VR headset to go into Björk’s weird and wonderful worlds. The rooms will include the MOMA commissioned Black Lake and its views of the highlands of Björk’s native Iceland and Mouthmantra VR which takes you inside Björk’s mouth as she sings. Björk will also perform live DJ sets at the Friday night preview party as well as on Sunday.

    Musica Universalis by United Visual Artists (UVA)
    For your pre-fest homework brush up on Pythagoras’s theories on harmonics because, appropriately enough for an art and music festival, United Visual Arts invites viewers and listeners to explore the music of the spheres. The internationally influential London-based art practice combines kinetic sculpture, music, light and color in their latest work as UVA delves into resonance and harmony in the universe.

    SHIRO by NONOTAK
    Last year, NONOTAK’s massive light, sound and scaffolding installation Volume was the art hit of Day for Night and garnered the duo many local fans. So, of course, fest programmers brought the Paris-based team of illustrator Noemi Schipfer and architect and musician Takami Nakamoto back to wow crowds again with a site specific version of their work SHIRO, which becomes both an installation and a stage for live audiovisual performances. They’ll also debut the brand new work created for Day for Night, Highline.

    Crimson Lotus by Damien Echols
    Painter and sculptor Echols is also the best-selling author of the memoir Life After Death which chronicled his early life and then 18 years on death row after being wrongly convicted for murder as one of the West Memphis Three. Echols’s spiritual Magick practices sustained this innocent man awaiting his execution, and now Magick has become a focus of his art. Early word on Crimson Lotus is that the installation will be a collaboration with art curator Alex Czertwertynski who will create a sigil light room based on Echols images that will also become an immersive space for live performances from Echols.

    Ghostbeast by Shoplifter
    Björk won’t be the only Icelandic artist bringing quirky installations to the festival. Take a break from light, video and digital art to visit Shoplifter’s caged sculptural beast. The artist, who works in human hair as well as other natural fibers, creates playful and humorous sculptures. Step up and give her Ghostbeast a sonic treat. The interactive hair creature growing in a large cage feeds on sounds.

    Art Unbound
    Head outside into the winter air – which will probably be warm and humid, knowing Houston – for some outdoor art and sample the work of one pioneer of digital and computational art, Golan Levin, and one very young and rising artist in the field, Ezra Miller. Viewers of Levin’s Ghost Pole Propagator become the artwork as their images are transformed into stick figures and then projected onto an 180-foot wall opposite the Day for Night food court. Meanwhile around the corner, near the Red Stage area, 20-year-old Ezra Miller’s Warp Transmission interacts with the music artists and bands on the main stage by combining a live video feed of the performance with his own visuals.

    The Venue Formally Known as the Barbara Jordon Post Office
    Once upon a time, people used to send these objects of communication called letters at an office of posting. In downtown Houston that letter relay station was the massive Barbara Jordan Post Office. Built in the early '60s, the five-story building sitting on 16 acres of land holds lots of raw, industrial and perhaps even eerie space most Houstonians probably never really thought about during those begone days when they stopped to mail a package or buy a stamp. Day for Night 2016 gives us a back (postal) stage look at the facility and allows us to see it transformed by light and sound.

    How much will this venue add to the Day for Night experience? Well, during a recent conversation I had with one of the Day for Night music artists, Houston’s own Fat Tony, we discussed his preparation for the festival and his own excited reaction to getting an early look and feel for the venue.

    “We did a run through to check it out, and it was really scary,” Fat Tony described. “It looks like a great place to film a horror movie. It’s dark, squeaking and creaking. It’s definitely haunted, I’m sure.”

    Day for Night runs Friday, December 16 until 2:00 a.m. Monday, December 19. Read this CultureMap article for more about the musical performers at Day for Night.

    Vanishing Point is an earlier light installation by United Visual Artists. Look for one of their latest works Musica Universalis at Day for Night.

    Day for Night 2016-United Visual Artists
    Day for Night Courtesy Photo
    Vanishing Point is an earlier light installation by United Visual Artists. Look for one of their latest works Musica Universalis at Day for Night.
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    let's dance

    Houston Ballet leaps into 2026-2027 with world premieres and Swan Lake

    Tarra Gaines
    Feb 17, 2026 | 10:30 am
    Artists of Houston Ballet in Stanton Welch’s Swan Lake
    Photo by Lawrence Elizabeth Knox
    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    Announcing its 2026-2027 season, Houston Ballet leaps into an immersive wonderland with the world premiere ballet Where’s Alice? from co-artistic director Stanton Welch. This is just one of many dance adventures set for a season filled with spectacular story ballets, cutting edge contemporary dances, and world premieres.

    “This season reflects the full breadth of what Houston Ballet is — and where we’re going,” Houston Ballet co-artistic director Julie Kent said in a statement. “We are honoring the great choreographic voices that have shaped our art form, from Balanchine and MacMillan to Lubovitch and Peck, while simultaneously opening the door to new creative possibilities through world premieres and bold collaborations.”

    The season begins September 11 through 20 with a classic Texas twang for Pecos Bill, the title production of an eclectic mixed repertory program. Stanton Welch’s fun and rollicking dance follows the adventures of the folklore cowboy, Pecos Bill. The program also showcases a work from 20th century dance master, George Balanchine, with the elegant and dynamic Symphonie Concertante. And for the first time, the company will perform celebrated choreographer Lar Lubovitch’s Meadow, a piece Julie Kent herself once danced when it first debuted.

    Sir Kenneth MacMillan’s Manon returns September 24 through October 4. First performed by the company in 1994, the doomed love story between irresistibly beautiful femme fatale, Manon, and impoverished student, Des Grieux, has had audiences swooning for decades.

    Of course, it wouldn’t be a Houston Ballet season without the annual Margaret Alkek Williams Jubilee of Dance. And then closing out 2026, the company gifts Houston with Welch’s delightful and delectable Nutcracker Ballet.

    The new year premieres Where's Alice? , Welch’s brand new work will be a re-envisioning of Lewis Carroll’s Alice in Wonderland, February 25 through March 7. Describing it as one of the most ambitious undertakings in HB’s recent history, the company plans for Alice to become a fully immersive theater experience that incorporates cutting-edge audio and visual effects that will take audience down the rabbit hole into a living, breathing, wondrous world.

    Keeping with what looks to be the 26-27 season’s theme of blockbuster ballets from Welch, the company floats into spring, March 11 through 21, with the classic story of Madam Butterfly, a dramatic exploration of love, sacrifice, and cultural collision danced to Puccini’s heartbreaking score.

    Beginning May 27 through June 6, HB offers the second mixed repertory program of the season, The Rite of Spring, and with it another world premiere. First, the company brings back the hypnotic, contemporary ballet, Reflections, a piece it originally debuted by the dance world’s reigning rock star, Justin Peck. Company member and up-and-coming choreographer Jacquelyn Long will create a new ballet for the program. Another highlight of the evening and the title work, Welch’s The Rite of Spring, offers a a visceral and elemental reimagining of dance for Stravinsky’s score that shocked the music world when it first debuted.

    Artists of Houston Ballet in Stanton Welch\u2019s Swan Lake

    Photo by Lawrence Elizabeth Knox

    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    The season ends June 10 through 27 with one of ballet’s most beloved stories, Swan Lake. Stanton Welch’s celebrated production was first staged by the company in 2006 and has gone on to become an audience favorite. Inspired by Pre-Raphaelite painter John William Waterhouse’s painting “The Lady of Shalott,” the production features lavish sets and costumes.

    Reflecting on the whole season and his Alice in particular, Welch echo’s Kent’s belief that the programming offers a vision that connects the company’s history, present, and future.

    “Where’s Alice? is an example of that vision – a production that pushes the boundaries of ballet through immersive sets and thought-provoking storytelling that makes you question, 'Who in the world am I?' as Alice did, creating an entirely new world audiences can step into,” Welch said. “It’s work like this that allows us to welcome new audiences into the theater while continuing to challenge and inspire our longtime supporters.”

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