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    METRORail Disappointment?

    Don't be disappointed: New METRORail route is a growing pain for a city that's behind the times

    Joel Luks
    Dec 7, 2013 | 1:01 pm

    I received my driver's license when I was 16, but didn't drive much until eight years after that.

    Public transportation was a way of life in my hometown of Toronto. The network of subways, streetcars and buses was fairly well organized — though not perfect by any means. Whenever I scored a car ride, it felt like a luxury reserved for special occasions. That was some 20 years ago.

    Having my own car was a part of growing up, a coming-of-age rite of passage similar to graduating from high school. Once you were revving up your own set of wheels, public transportation was a thing of the past. In fact, I felt so rusty when I purchased my first car that I decided to hire a driving instructor for a few days to remind me of the rules of the road. It was the responsible thing to do.

    How things have changed.

    The additional stations may be disappointing as they aren't located in well-liked entertainment, shopping or cultural landmarks.

    As METRO prepares to launch the North Line, a 5.3-mile track with eight stations that extends the existing 7.5-mile Main Street Red Line from the University of Houston-Downtown to the Northline Transit Center on Fulton, I was invited to hop aboard to experience the ride, its amenities and destinations before the Dec. 21 ribbon-cutting ceremony.

    One thing became readily evident: Houstonians who don't depend on public transportation view the rail as a novelty, a somewhat hipster mode of getting around that says, "Hey, look at me, I am a forward-thinking local." For that demographic, the perceived increased safety associated with railcars — in comparison to traditional buses — renders the train more accessible.

    For those citizens, the additional stations may be disappointing as they aren't located on popular points of interest. They aren't located in well-liked entertainment, shopping or cultural landmarks. At least not today.

    Consider the first stop on the new route (map here). The elevated Burnett Transit Center/Casa de Amigos station at the intersection of North Main and Burnett streets will accommodate a park-and-ride facility, set to open next year, near the Casa de Amigos Health Center. Continuing up North Main and turning right on Boundary Street, you can see a Pizza Patrón, Fulton Washateria, El Rey del Pollo, McDonald's, industrial lots and, ironically, a car wash as the route approaches an elementary school before reaching Moody Park.

    Some signs of gentrification are noticeable: An Avenue Community Development Corporation senior housing project, an updated commercial plaza, a home mid-renovation and a couple of contemporary townhome developments.

    The extension is a growing pain for a city that's far behind other densely populated areas.

    The final stop, located north of the 610 Loop, past the Culinary Institute LeNotre and in front of Houston Community College, connects to the Northline Transit Center, from which bus lines travel east on Crosstimbers to Highway 59 and west on West Little York toward T.C. Jester and Antoine.

    Nothing about that is particularly exciting, except perhaps the colorful panels by local artists Dixie Friend Gay, Arielle Masson, Rey de la Reza and Jesse Sifuentes, among others, that add beauty to the non-futuristic design of the stations, an initiative that's part of the Arts In Transit program.

    But the North Line's main objective was functionality. For those for whom public transportation is an everyday necessity, the extension opens up possibilities for easier access to existing stops along downtown, Midtown, the Museum District, the Medical Center, Hermann Park and the Reliant complex. The extension is a growing pain for a city that's far behind other densely populated areas.

    It's hard to say what the effects of the North Line will have on its surrounding environs. For homeowners, they may enjoy an increase in property values. For renters, a surge in living costs may see them displaced to less expensive areas, an unavoidable outcome of gentrification.

    As for me, the North Line won't heighten my chances of riding the light rail. Perhaps with the expected 2014 opening of the East End Line to EaDo and the Southeast Line that passes through the University of Houston I may be convinced. What surely is attractive is the future University and Uptown lines that will clear passage west to The Galleria and north to Memorial Park.

    Then, I may change my ways.

    Or it may take another generation for Houstonians, as a whole, to rely less on our own cars and fully embrace the merits of public transportation.

    The first new stop on the North Line, set to launch on Dec. 21.

    METRORail Extension ride
    Photo by Joel Luks
    The first new stop on the North Line, set to launch on Dec. 21.
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    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

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