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    Shelby's Social Diary

    Another million-plus night for MFAH: Tinterow time catches a Latin American groove

    Shelby Hodge
    shelby hodge
    Nov 13, 2013 | 1:54 pm

    With the ever-increasing cachet of the Museum of Fine Arts, Houston's biennial Latin American Experience as the place for acquiring contemporary Latin American art, it comes as no surprise that Saturday night's fifth event in this genre was a huge success. The oh-so-sophisticated live auction, led by Sotheby's suave Jamie Niven, brought in $845,000 as guests raised their paddles in the museum auditorium and others bid by proxy over cellphones.

    The silent auction in a main floor gallery reaped $120,000 and ticket sales made up the balance at $345,000.

    It was a grand black-tie evening for chairs Eugenia and Eduardo Gruneisen, in from Argentina for the evening, but also for honoree grande dame Nelly Arrieta de Blaquier, who divides her time between Buenos Aires, for which she is cultural ambassador; New York, where she serves on the Museum of Modern Art International Council and Chairman's council; and Paris, where she serves on the decorative arts committee of the Louvre.

    Credit for this successful event goes in part to the museum's curator of Latin American art Mari Carmen Ramírez, who has put the museum at the forefront of the movement to recognize the accomplishments of modern Latin American artists. On this evening she was frequently in the company of Argentinean artists Miguel Angel Rios and Nicola Costantino.

    Helping take this event to its happy conclusion were gala advisors Sofia Adrogué and Brad Bucher and host committee members such as Karol and Paul Barnhart Jr., Celina Hellmund, Gail and Louis Adler, Maria Ines Sicardi, Mary Cullen, Meredith Cullen, Sten Gustafson, Karol Kreymer and Dr. Robert Card.

    Following the live auction, guests moved on to Cullinan Hall where dinner was served by City Kitchen and where the well-dressed crowd danced the night away to the sounds of Havana NRG. Of course, keeping a close eye on the proceedings was museum director Gary Tinterow.

    The crowd at Cullinan Hall at the MFAH Latin American Experience.

    crowd, venue at Cullinan Hall at the MFAH Latin American Experience November 2013
    Photo by © Wilson Parish
    The crowd at Cullinan Hall at the MFAH Latin American Experience.
    unspecified
    news/society

    Toi Toi Toi

    Emerging opera stars take center stage at HGO’s vocal showdown

    Joel Luks
    Feb 11, 2026 | 2:30 pm
    Houston Grand Opera Concert of Arias 2026
    Photo by Jacob Power Photography
    Julien Benhamou, Khori Dastoor, first place winner Scarlett Jones, Patrick Summers, and Sasha Cooke.

    A bel canto soprano, a lyric tenor, and a Wagnerian chanteuse walk onto the Cullen stage.

    Houston Grand Opera Concert of Arias 2026

    Photo by Jacob Power Photography

    Julien Benhamou, Khori Dastoor, first place winner Scarlett Jones, Patrick Summers, and Sasha Cooke.

    It’s not a joke. No punchline here.

    It’s Houston Grand Opera’s Concert of Arias, where the drama isn’t just onstage, it’s in the agonizing question: How do you judge between wildly different operatic voices?

    The 38th edition of the Eleanor McCollum Competition for Young Singers, chaired by Drs. Rachel and Warren A. Ellsworth IV, brought seven stellar finalists to the Wortham Theater Center, plucked from 18 international semi-finalists, all eyeing spots in the revered Butler Studio. Maestro Patrick Summers returned to conduct the HGO Orchestra, bringing extra lavishness to every high note and held breath.

    The judges — HGO’s Khori Dastoor, opera star and Shepherd School of Music alum Sasha Cooke, and Julien Benhamou, director of production for the Théâtre des Champs Élysées and casting consultant for the Metropolitan Opera and the Festival d’Aix-en-Provence — had the impossible task of ranking vocal apples to oranges. Audience members, from industry insiders to aria aficionados and talent managers, whispered, scribbled, and guessed. We all texted, voted, and gossiped, wondering if our ears were aligned with the judges.

    For the record, this reporter’s predictions were dead wrong.

    The final verdict? Scarlett Jones, soprano, took first and a $25,000 prize. Tenor Misael Corralejo snagged second and the Audience Choice Award, walking away with a combined $20,000. Mezzo Lauren Randolph claimed third and $10,000. Viktoriia Shamanska earned the Ana María Martínez Encouragement Award and $2,000, and each non-placing finalist walked away with $3,500 and roaring applause.

    Following the mainstage showdown, 470 guests swanned into the Grand Foyer for a seated dinner by City Kitchen, served under swoon-worthy décor from The Events Company. With $815,000 raised — that’s a record worthy of a standing o — the evening was about those high Cs and the high impact.

    Toi toi toi to the rising stars of opera were Donna and Ken Barrow, Astley Blair and Vivianna Jolie, Jill Schaar and George Caflisch, Janet and John Carrig, Theresa and Peter Chang, Anne and Albert Chao, Cheryl and Mike Clancy, Molly and Jim Crownover, Mindy and Josh Davidson, Valerie and Tracy Dieterich, Michelle Huth, Alexandra Ikeguchi, Teresa and José Ivo, Blair and Barbara Labatt, Stephanie and Rich Langenstein, Stephanie Larsen, Jackie Macha and Brian Faulkner, Frank Marchetti, Stan Marek, Diane Marcinek, Barbara and Pat McCelvey, Kelly and Cody Nicholson, Gloria Portela, Jill and Allyn Risley, David Satterfield and Elizabeth Fritschle, Keith Scott, Chuu Jen and Paul Sheng, Dian and Harlan Stai, Aaron, Sarah, Emerson and Tate Stai, Diana Strassman and Jeff Smisek, Vitalii Tarasiuk, Apurva Thekdi, Sylvia Barnes and Jim Trimble, Marcia and Alfredo Vilas, and Ilana Walder-Biesanz and Ellen Liu.

    fundraisershouston grand operaperforming-arts
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