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    On The Market

    The ultimate bungalow? Lovingly restored Heights house turns heads — an $825,000 time machine

    Barbara Kuntz
    Barbara Kuntz
    Nov 11, 2014 | 1:54 pm

    Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

    A once small, three-bedroom, one-bath bungalow needing some TLC in the Brooke Smith neighborhood in the Greater Heights area now stands as an authentic, accurate and admirable tribute to the original American Arts and Crafts style.

    While celebrating its own open house, the local larger-scale "ultimate bungalow" even turned heads and attracted visitors during the recent American Institute of Architects Houston 2014 Home Tour. The house, located at 512 Archer St., is now for sale at $825,000.

    "It was the house that we first lived in together. We literally got married on the front porch of this house."

    The 2,460-square-foot residence blends period details with modern features. Taken to the studs, careful craftsmanship is evident throughout, from reclaimed hardwoods and shiplap; antique doors, windows, lighting fixtures and shutters salvaged from historic structures; to custom cabinets and bookshelves. The four-bedroom charmer also offers 400 square feet of covered and screened porches, including an outdoor kitchenette, making nature very much a part of the living experience on the 5,000-square-foot lot.

    So who is behind this local authentic American Arts and Crafts revival?

    Meet Anthony Harnden, president of The Contemporary Craftsmen, a company of six determined to meticulously represent classic Craftsman style in its projects.

    Harnden took time to respond to a Q&A email from CultureMap to share more about his latest creation — down to the nails.

    CultureMap: Tell us about The Contemporary Craftsmen. What are your inspirations and goals?

    Anthony Harnden: We started in 2008 right after the recession. I got my feet wet by moving a house from the Woodland Heights to a piece of property that we had purchased the previous year next to our residence. The Contemporary Craftsmen officially started about a year and a-half ago. I am the sole member of the LLC and have six full-time employees, mostly carpenters/painters.

    I started my second period restoration about two years ago. This was a house that (my wife) Kay bought for herself before we met. It was the house that we first lived in together. We literally got married on the front porch of this house. The house was what I call a working-class Victorian — T-shaped with three rooms total plus a bathroom that was added at some point.

    I really wanted to recreate the experience I had in some of the homes we visited in New Orleans. I wanted the screened-in porches, the court yards, the French doors, sun rooms and transoms. I wanted there to be a sense of having layers of history. I finished the house, and we had a pretty good amount of interest.

    I guess the goal of The Contemporary Craftsmen is to make a connection. My inspirations come from personal experiences. One of the three couples that have showed serious interest in the house at 512 Archer, my second house in this style, spoke with me. She told me that she was from Pasadena, Calif. She lived one-half a mile from The Gamble House. She said that the house that we built reminded her of the house that she grew up in. She was even tutored in a Greene and Greene house.

    It's difficult to describe what a gift she gave me by telling me these stories. Not many people have the chance to make that kind of connection with people. I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been.

    CM: What were the major steps you took in order to begin the process to create a true American Arts & Crafts house?

    AH: One of the challenges with this design were the 3-foot eaves. Greene and Greene houses typically have closer to 5-foot eaves. With 3-foot eaves plus a 12-foot-wide driveway, the location of the house on the lot becomes an important factor. So we had to move the house over about five feet. Since we were adding up, we decided to take that opportunity to build a proper foundation for the house, so we had the house lifted about six feet so we could get under there and rebuild the foundation.

    CM: Tell us about your favorite repurposed features incorporated into the house and where you found them?

    AH: We bought a building, a two-story brick building, in the neighborhood that was built in 1929 located at 1000 Enid, our current project. This property was originally a grocery store and had rental units upstairs. We scored four clawfoot tubs and several sinks from this building. We used two of the clawfoot tubs and one of the sinks at 512 Archer. One of the other sinks came from Adkins Architectural Antiques. Many of the sconces came from August Antiques on Heights Boulevard. We also used reclaimed oak floors.

    "I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been."

    One of the things that gets noticed the most are the industrial exposed track doors, but its the subtle things like the mortise sets and porcelain door handles that are my favorites because people don’t notice those things. They just experience them when they pull the door closed. It's not visual; it's sensory and subconscious.

    CM: American Arts & Crafts houses typically have furniture built specifically for certain areas of the homes. Is any of the furniture especially made for the house?

    AH: We built the dining table out of ash. We were kind of excited about it actually. We bought the wood from Clark’s Lumber. The ash had been left in the kiln for an extended time. causing the wood to turn a beautiful deep coffee color all the way through and giving it a wonderful smell, almost like a cigar. After it was finished, we decided to rub it down with mineral oil instead of putting a finish on it so you can smell that ash when you walk in the house.

    CM: Tell us about the other house you built in this fashion?

    AH: We have done two “California Craftsmen” on this street. The other one is located at 506 Archer. We were kind of proud of that house because it was actually a new construction. If we didn’t tell you, though, you wouldn't know it. We definitely used reclaimed material in that house, but it had an element that was greater than the sum of its parts. We felt like we breathed soul into it. It really felt like it had been there 100 years.

    CM Anything else you would like to add? I heard a lot of people on the AIA Contemporary Home Tour saw the house and liked it!

    AH: I wish I could take credit for planning this, but it was purely a coincidence that our open house was on the day of the AIA tour. Our friends and neighbors have a house that was on the tour. They live four doors down. They sent quite a few people down to see our house.

    It turns out that a lot of the people on the AIA tour have an appreciation for Early American Arts and Crafts as well as contemporary. Happy accident, and generous neighbors.

    Take a visual tour of 512 Archer St. by clicking through the slideshow above.

    Square footage: 2,460

    Asking price: $825,000

    Listing agent: Kay Harnden, Berkshire Hathaway HomeServices

    The outdoor kitchen.

    On the Market 512 Archer St. November 2014 outdoor Kitchen
    Photo by © William Tadlock
    The outdoor kitchen.
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    a hidden gem

    Meet the Houston designer crafting a cult-favorite Mahjong table

    Emily Cotton
    Feb 13, 2026 | 1:49 pm
    Elizabeth Autenreith Avella Interiors Hidden Gems gaming table
    Courtesy of Avella Interiors
    Elizabeth Autenreith of Avella Interiors with her popular “Hidden Gems” gaming table.

    Houstonians who keep even the most casual of social diaries have come to terms with the notion that morning and afternoon gatherings centered around games of Bridge and Canasta have given way to the fashionable Mahjong craze that has taken the nation by storm. The ladies have spoken and are trading in their playing cards for flirty tiles — and a Houston designer has created just the place to store them.

    Interior designer Elizabeth Autenreith of Avella Interiors — the firm was adorably named by combining the names of Autenreith’s three children: Avery, Ellis, and Laine — is the creative mind behind the cult-favorite Hidden Gems gaming table that is now front-and-center among in-the-know Mahjong groups.

    Elizabeth Autenreith Avella Interiors Hidden Gems gaming table

    Courtesy of Avella Interiors

    Elizabeth Autenreith of Avella Interiors with her popular “Hidden Gems” gaming table.

    Autenreith’s creation has become nearly impossible to keep in stock, and it’s little wonder why or how. Consumer trends have become enamored — rightly so — with seeking out handmade, heirloom-quality pieces that can be passed down through generations.

    Designed, handmade, and hand-finished here in Houston, the “Hidden Gems” table is a favorite of luxe local designers such as Paloma Contreras, James Farmer, Marie Flanigan, Haddy House, Lindsey Herod, and Katie Davis. Local purveyors such as Upper Kirby’s Lam and Spring Branch’s Little Coterie Warehouse cannot stock them fast enough. It’s also worth noting that the table has been shipped to just over 20 states.

    “I just started to see an uptick in Mahjong lounges in homes,” says Autenreith. “Everyone was trying to make room for a Mahjong table. I wanted to create something that was meant to be a fixture in a home, not something that would be taken in and out like a folding table, but something that was a beautiful fixture that had a lot of functionality — I just drew a picture with pencil and paper.”

    The “Hidden Gems” gaming table is available in ten colors like the very cutely-named “Sea Breeze,” “Pretty Peas,” “Make Me Blush,” and the newly-debuted “Jim for the Win.” Grasscloth versions are also available in “Natural Nouveau,” "Serene Celedon,” and "Elegant Ecru.” Custom colors are also available to meet any design needs.

    Cleverly designed to appear as anything from a breakfast to a foyer table, the soon-to-be-cult classic doesn’t necessarily have to be used for Mahjong parties, but Autenreith doesn’t see the trend slowing down anytime soon.

    “It’s going to keep going,” she says. “It brings people together and you get to have sweet memories with your friends and family — whether it’s a puzzle or playing cards. It was inspired by Mahjong, but the functionality is there for so many other games, and it’s so great for overflow seating like at Thanksgiving and Christmas, or as a kids’ table for arts and crafts — the uses are kind of endless.”

    It’s worth noting that Autenreith’s design ethos and the price of the “Hidden Gems” gaming table ($2,250) are at a bit of an impasse — or, perhaps not. The Avella Interiors model is a niche within niches, if you will. There are no minimums, whether it be room or project. She lovingly touts herself as “everyone’s designer,” and she’s not wrong.

    Everyone’s designer

    Autenreith serves an underserved community of people who love design, but like to take it slow. Let’s face it, while fantastic, most Houston designers seek a $50,000 promised spend and five room minimum just to let you speak to their assistants.

    Avella Interiors is not “that girl.” There is literally no minimum. “I just think there is sort of a niche that needs to be filled in the Houston market, and maybe beyond,” says Autenreith. “I’m for someone who doesn’t necessarily want to spend a lot of money on an interior designer for their entire home. I can work with the pieces in their home and just sort of zhuzh it up a bit.”

    Autenreith’s design services fall distinctly between that girlfriend with great taste and too many hours cruising Pinterest — who can be bought with a night off from the kids and a bottle of Chablis — with a full-on designer.

    “I can work with a budget-conscious client, and we can buy store bought drapes and make them look custom,” explains Autenreith. “It’s an area that I think is underserved. I have no minimum and am happy to just do one space. We all want to be able to afford an expensive designer, but the entire preface and bottom line of my business is to buy and invest in things in your home that you will love, and then you will love your home.”

    Her perfectly-curated vintage finds can be found at the aforementioned Little Coterie Warehouse, which, by the way are very affordable as gifts or personal homewares. A quick look at her prices will ease any stress. But she understands an investment, and that’s where we are.

    “I just think that you may want to spend and indulge on one piece of furniture, and love it, and then collect little things to put around your house — it’s supposed to bring you joy, right?” says Autenreith. “Home is supposed to do all those things. You don’t always have to spend a lot of money to get the same results.”

    The “Hidden Gems” table is just that. The hollow body of the table, with a removable top so lightweight that a child can remove it, can conceal everything from Mahjong pieces to unfinished puzzles while smartly concealing corner-appointed and cork-lined drink surfaces at every corner.

    The long and short of it is, will Autenreith happily come by to rearrange a messy bookcase? Yes. Will she also indulge the sale of a piece of heirloom furniture that she hopes will bring families together for generations? Also, yes.

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