The Museum of Fine Arts, Houston is launching a new Cafe Vienna series, doling out rich coffee and miniature sandwiches in a pop-up dining space inspired by the museum's current retrospective on Austrian artist-designer Koloman Moser.
In collaboration with Decorative Center Houston, the MFAH tapped interior designer Punita Valambhia to transform the museum restaurant into a fin-de-siècle European bistro with a contemporary twist. For the next three Mondays, guests can enjoy a small lunch inside the "cafe" followed by private tours of the Moser exhibit . . . all while the building is closed to the public.
"I've tried to evoke the show by concentrating on stripes and geometric patterns, elements that define much of Moser's work," Valambhia tells CultureMap.
"We've taken the silvers and golds and cobalt blues from the show and translated them into the cafe. It's like Koloman is alive and with us today."
A pivotal figure in the proto-modernist Vienna Secession movement (Austria-Hungary's answer to Art Nouveau), Moser would join artist Gustav Klimt and architect Josef Hoffman to create the influential Wiener Werkstätte studios to produce artistically-inspired functional household goods, examples of which are on display in the MFAH exhibition.
Café Vienna will pop up on the lower level of the Beck Building on Oct. 28, Nov. 4 and Nov. 11. Tickets to the event — available on the MFAH website — are $65 each and $55 for MFAH members.
Koloman Moser, Schwämme (Mushrooms), design no. 4003, 1899, execution: Johann Backhausen & Söhne, Vienna, wool, silk, and cotton, MAK–Austrian Museum for Applied Arts Contemporary Art, Vienna
When a studio releases a movie in January (aka Dumpuary), the general rule of thumb is that they’re trying to get rid of a movie that isn’t very good. Of course, there are exceptions to every rule, as M3GAN was in 2023, which rode the comedy of a killer AI robot who likes to dance to over $180 million worldwide.
A sequel was a given, and now with a built-in fanbase, M3GAN 2.0is a prime summer release. After running into trouble with her robot invention, Gemma (Allison Williams) has seemingly seen the error of her ways, now focused on creating things like a mechanical exoskeleton that can benefit society. Little does she know that the code she used to create M3GAN (aka Model 3 Generative Android) has been co-opted to create AMELIA (Ivanna Sakhno), a new robot which is being used for nefarious purposes.
Naturally, the only thing to do is to bring M3GAN (played by Amie Donald, voiced by Jenna Davis) back from the “dead,” which is easy to do because — surprise! — she has been lurking inside the smart house in which Gemma and her niece Cady (Violet McGraw) now live. The inevitable showdown between the two robots is alternately helped and hindered by people like billionaire Alton Appleton (Jemaine Clement), fellow tech entrepreneur Christian (Aristotle Athari), co-worker Cole (Brian Jordan Alvarez), and others.
Written and directed by Gerard Johnstone, who also directed the first film, M3GAN 2.0 doesn’t stray from the original formula, delivering way more laughs than scares. Because there’s a familiarity with the character, Johnstone leans into the campy side of things, essentially winking at the audience for much of the film. Whether it’s temporarily imprisoning M3GAN in an innocuous desktop robot or a number of one-liners, there is a lot of comedy to be found.
The film is a type of horror, though, and it delivers in the mild, PG-13 way that won’t offend non-horror fans. AMELIA (aka Autonomous Military Engagement Logistics and Infiltration Android) gives off Terminator vibes, and she lays waste to virtually all challengers. M3GAN doesn’t get to show off her skills as much as she did last time, which might be a tad frustrating for some, but she gets in enough punches and kicks for the experience to be worth it.
The story itself starts off strong before devolving into an overly complicated mess. The arc of AMELIA is particularly strange, as the strength of her powers and the level of her autonomy seem to change at will in the second half of the film. Gemma develops a rivalry with another character that might have worked better if it had been hinted at early in the film instead of being dropped in as a surprise.
Davis’ voice performance as M3GAN is once again fantastic, as she delivers sarcasm and menace equally well. Sakhno isn’t asked to do much but look terrifying, and she accomplishes that job. Williams is up and down in her role, stronger in the moments when she’s not being asked to prove her tech bona fides. Clement is his usual over-the-top self, which suits his character.
As with the first film, if you go into M3GAN 2.0 not expecting anything more than some goofy violent robot action, you’ll walk away satisfied. The unlikely breakout hit for Blumhouse Productions may not be able to support a good story, but it entertains in the way it’s supposed to do.
