starry nights, so many sunflowers

Dazzling 'Immersive Van Gogh Exhibit Houston' paints vivid and moving picture

Did Vincent dream this way?

One couldn’t be blamed for that immediate thought while floating though the lush, vibrant visuals in the new “Immersive Van Gogh Exhibit Houston,” opening Thursday, October 14 at Lighthouse Artspace Houston.

The converted, 16,500-square-foot warehouse space (1314 Brittmore Rd., just behind the Powder Keg outdoor outdoor bar) is a fitting easel for the hyper-visual experience made wildly famous in the Netflix series Emily in Paris. Madonna also counts herself a fan. With more than 3 million tickets sold nationwide, the show has outsold Taylor Swift.

Not to be confused with the current Van Gogh interactive offering (though again, one couldn’t be blamed), this stunning — and original — show animates some of the most iconic works for Van Gogh, who is considered one of humanity’s most important and notable artists.

Equally a star player in the production is the music, some by Italian composer Luca Longobardi, along with a classic from Edith Piaf, and even a tune from Radiohead lead singer Thom Yorke.

Masterpieces come alive via some 60,600 frames of video, totaling 90,000,000 pixels and more than 500,000 cubic feet of projections. But as anyone who’s studied the master’s works can attest, that detail is necessary to truly capture his creations.

Giant walls dance with images of workers in fields, which then wipe to floral settings, or memorable imagery from Van Gogh’s instantly recognizable pieces such as Mangeurs de Pommes de Terre (The Potato Eaters, 1885), Les Tournesols (Sunflowers,1888), La Chambre à coucher (The Bedroom, 1889), and the unforgettable Nuit étoilée (Starry Night, 1889).

Even the floor — lined with circles to stand or sit on for social distancing — is a piece of art. Visitors can stroll (highly recommended), space permitting, or sit, awash in Van Gogh’s dreamscape.

“It’s really interesting you comment that this could be Van Gogh’s dream,” Vito Iaia, co-founder of Impact Museums and the event’s co-producer, tells CultureMap. “This is what Massimiliano Siccardi, the protection artist who created the work you see on the walls, believes went through Van Gogh’s head — right before he died.”

Part art exhibit, part animated film, “Immersive Van Gogh Exhibit Houston” marries the work of three different artists: Van Gogh (of course), aforementioned projection artist Siccardi, and Rowan Doyle, the creative director who created the scenic elements surrounding the venue.

Those scenic elements include:

Sunflower pickup truck: A vintage Ford truck, parked outside the venue, gets a splash of sunflower yellow.
Van Gogh Chapel: Meant to be a love letter to Houston and specifically Rothko Chapel, this design is meant to be a contemplative space before entering the main gallery.
Van Gogh Timeline: As the name implies, this installation features pivotal moments of Van Gogh's career, with symbols harking to his short life.
Texas sunflower sign: Sunflowers dot the Texas state display, perfect for IG selfies.

A bar and gift shop also add to the experience.

At once stirring, playful, and poignant — even emotional — the experience is fitting for now, despite the artwork dating back to the late 1800s.

“People ask why Massimiliano chose Van Gogh right now,” says Iaia. “And part of the answer is there’s probably no better time to tell Van Gogh’s story than right now. This is a reflection of what he went through as a troubled soul and the struggles people are going through today.”

But it’s not all dark. “The bright side is, this is a great way to remember his work. The reception has been amazing. It’s giving him a new life.”

Prepare for a serene, honest moment, but don’t be surprised to be affected — especially with the final imagery. “People are driven to joys, or tears, or thought,” says Iaia. I had someone come out and say, ‘I just saw God.’”

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“Immersive Van Gogh Exhibit Houston”; 1314 Brittmore Rd.; Tickets start at $29.99 per child, $39.99 per adult; $109 for VIP. For more information, visit the official site.

The music is also a key player.

Photo by Michael Brosilow

The music is also a key player.

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Music feature

Texas country star Cody Johnson's new album goes to 'Banks of Trinity'

Photo by Cameron Powell

Cody Johnson.

There's a moment at every Cody Johnson show where the Texas-born-and-bred country star asks the crowd, “How many of you tonight are watching me and this band live for the very first time?” he told The Associated Press. “And every night, I would say at least 80% of the crowd raises their hands.”

It's not the kind of reaction most veteran artists receive. “And I’m thinking, you know, 20 years is a long time to work for something. But when you see that … What’s the next 20 years look like?” he asks.

The rancher, rodeo competitor, and onetime prison guard started his two-decade career playing honky tonks and dive bars. That led to slow and steady growth for the country traditionalist, but in the last few years, something has shifted. He landed his fifth career No. 1 song with “The Fall.” He was named Entertainer of the Year at the 2026 Academy of Country Music Awards, the show's highest honor. That was a month after he headlined Stagecoach Music Festival. For an artist with legions of fans, it looked like he was accessing new heights.

“I feel like I’m closing a book and I’m opening another one and it’s all blank pages,” he says of this period. “Let's get to the next chapter." On June 26, that new era began with the release of his latest album, Banks of the Trinity.

Traveling to the Banks of the Trinity
It hasn't been an easy road. Last fall, Johnson had to cancel a bunch of tour dates after upper respiratory and sinus infections caused a burst eardrum that required surgery — an intimidating medical procedure for anyone, but especially nerve-wracking for a musician. “I was scared,” he said simply. But “in a roundabout way, it’s one of the best things that’s ever happened to me.”

It forced him to take three months off, which allowed him to be home during the birth of his son. It also rejuvenated his approach in the studio. Before the incident, he thought the album was complete. It was not. The additional time resulted in the inclusion of a few songs that now feel inextricable from the record: “Thank Somebody Country,” “Take Me Back (Leave Me There),” “Cricket on a Hook,” and the resilient “I Have” among them.

“What a blessing to have that kind of song fall in your lap when you’re kind of up against the ropes,” he says of the latter. “I mean, we thought we had the record done. It wasn’t done.”

A title track with real resonance
At the heart of Banks of the Trinity is its title track, which recalls Eagles' cover of “Seven Bridges Road” meets bluegrass and Southern gospel.

Lyrically, it's an ode to Johnson's childhood. “I grew up on the banks of the Trinity [River.] Fishing for catfish, not so much out of pleasure or sport but for necessity to put food in the freezer. Deer season for me was not a trophy thing,” he said.

And while that track inspires a feeling of nostalgia within the listener, he doesn't consider this album a throwback collection. He says it's about showcasing his evolving sonic diversity.

"The rest of the album for me is a musical journey from track one to track 16,” he said. “There’s a little bit of a flavor for everybody. It does kind of hit Motown. It does kind of hit bluegrass. It does hit progressive country. It does it old country. It does a little rock here and there.”

It's the result of a new kind of freedom, one that is at least partially due to his recent accomplishments, including taking home the top prize at the ACM Awards.

“I just did the thing that I’ve aspired to do in my career my entire life,” he says. “A really good place is a really good way to describe where I am.”

And now that the album is out, he's ready to take a breather.

“I will be shirtless with no shoes on a beach at an undisclosed location,” he jokes about the days after record release. “'Cause I have already done all the prep work. I've been working on this album for two years. I’ve done all of the interviews. I’ve shook all the hands. Me and my wife and kids are gonna disappear for 10 days and I’m gonna become, I guess, every Kenny Chesney song ever.”

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