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    Slice and Dice

    Director cuts up about "Mexploitation" madness & strong women in Machete Kills

    Ryan Lakich
    Oct 13, 2013 | 10:02 am

    At Fantastic Fest, fans got to see the world premiere of the newest action-packed film from director Robert Rodriguez, Machete Kills. It’s the anticipated sequel to 2010’s Machete, which itself began as a fake trailer in the 2007 Rodriguez/Quentin Tarantino double-feature Grindhouse. This weekend the movie opens in Houston and around the nation.

    Actor Danny Trejo once again plays the film series’ eponymous character, a gruff former Mexican federale. Joining Trejo for the sequel is a former co-star from Rodriguez’s Spy Kids film franchise, Alexa Vega. At a press conference, he director and his two stars offered a look behind the scenes of the latest “Mexploitation” movie from the mind of Rodriguez.

    For the Austin-based director, a major challenges was creating a bigger sequel at a quicker pace. “[Machete Kills] was a very short shoot. It was a 29-day shoot, which was 10 days less than the first Machete,” he said. As is the case with many of his projects, Machete Kills was filmed on-site at Troublemaker Studios in Austin. “People would say, ‘Where did you shoot the desert stuff?’" said Rodriguez. "There in the back, where [the former Mueller Airport] and the runways were. It’s all dirt.”

    At first, it was a bit awkward seeing Vega walk out on set in her revealing outfit. “It was like the first time your daughter stepped out in a bikini,” said Trejo, “but she was so secure with herself that it made everybody else secure.”

    Even with its challenges, Rodriguez was more than excited to return to the world of Machete. “I was excited about doing a couple of sequels. One in particular is that I always wanted to see Machete go into space. I would love to do two, but I would really love to do three.” Fans he talked to at Comic Con were excited by the Machete-in-space concept, so expect to see plenty of glimpses at the idea in Machete Kills.

    Rodriguez also had another unique inspiration when it came to the film’s eccentric, billionaire, space-obsessed villain, played by Mel Gibson. “I met a guy, Elon Musk, who created SpaceX, and I went to his factory to see how it would work, because I wanted to see realistically how we could send Machete into space,” says Rodriguez. Like Gibson’s character, Musk is a huge fan of Star Wars, inspiring Rodriguez to make his diabolical villain another sci-fi fanboy.

    It's not only successful business magnates who inspire Rodriguez’s characters. His films often feature strong female characters, which he credits to growing up with six sisters. “That’s just my worldview; I grew up with a lot of strong women.” He prefers that his female characters can be easily imagined as the leads in their own movies, and if the opportunity pops up, Rodriguez says he would “love” to do another spinoff of Machete, itself a spinoff.

    When asked how he embodies the character of Machete, Trejo simply responded, “I show up,” reminding everyone how the character came to Rodriguez some 20 years ago, when the actor starred in his film Desperado. “[Rodriguez] develops characters that kind of fits somebody’s personality and expressions,” said Trejo. Rodriguez recounts the first and best direction he gave to Trejo when they filmed the original trailer, saying, “Danny, this character is your Charles Bronson.”

    It took Vega, who played Carmen Cortez in the Spy Kids franchise, some time to convince Rodriguez to cast her in one of his more grownup features; he still saw her as the child actor from more family-friendly fare. “It’s such a sensitive area when girls are trying to make that transition from those younger characters to a more adult world," she said. "People just quickly put you down. But I am 25. I’m not 16 or 17.”

    As Trejo and Rodriguez recounted, it was a bit awkward at first seeing Vega walk out on set in her rather revealing outfit. “It was like the first time your daughter stepped out in a bikini,” said Trejo, “but she was so secure with herself that it made everybody else secure.” The director is known for using the same cast for many of his films, and Vega says that she was “in a very, very comfortable environment.”

    In characteristic fashion, Rodriguez focuses on the excitement of the film rather than its challenges. “We were going to run through the candy store and grab as much stuff to put in your pockets before they close the store.”

    Danny Trejo stars in Machete Kills.

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    Movie Review

    George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

    Alex Bentley
    Nov 21, 2025 | 3:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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