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    Art World

    A giant Bigfoot, a mini laundromat and a crazy rooftop: A hipper Texas Contemporary Art Fair has it all

    Tyler Rudick
    Oct 12, 2013 | 12:39 pm

    After three years of duking it out with the Houston Fine Art Fair for a slice of the local collectors' market, Texas Contemporary Art Fair appears to be settling into its own role as the hipper cousin to the HFAF's respected stable of high-end international galleries.

    Large inflatable sculptures and a homemade mini-laundromat by the Los Angeles' Clayton Brothers greet guests as they enter Hall A of the George R. Brown, setting the stage for a generally light-hearted tone throughout the fair's public spaces. In the main central aisle, a giant stuffed Bigfoot by Tara Tucker holds court alongside a furniture set covered in live plants by Hannah Chalew of New Orleans.

    Texas Contemporary's cadre of 70 galleries — including 13 from Houston (compared to eight at the HFAF) — seem to veer more towards canvas work in this year's fair.

    San Francisco's Catharine Clark Gallery features bold new paintings by Titus Kaphar, who reworks images and iconography from 19th-century America. The Rena Bransten Gallery, also from the Bay Area, has a compelling 2013 work by Hung Liu while Freight + Volume from New York highlights two fresh canvases by Houston's Kent Dorn.

    Be sure to visit the West Collection from Pennsylvania — which has turned its booth into a quasi-rooftop deck filled with art by Philadelphia artists — as well as the Blaffer Art Museum's selection of impressively-crafted design items by students at the University of Houston, many of which are for sale.

    Click through the slideshow above for more highlights and check out the third annual Texas Contemporary fair at the George R. Brown through Sunday.

    Hung Liu, Street Library, 2013, oil on canvas, wood shelf, Chinese story books, 60 x 80 inches. Courtesy of Rena Bransten Gallery, San Francisco.

    3 Texas Contemporary Art Fair preview October 2013 Hung Liu Street Library
    Photo by Tyler Rudick
    Hung Liu, Street Library, 2013, oil on canvas, wood shelf, Chinese story books, 60 x 80 inches. Courtesy of Rena Bransten Gallery, San Francisco.
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    Movie Review

    Football drama Him throws a Hail Mary of horror and spectacle

    Alex Bentley
    Sep 22, 2025 | 11:15 am
    Marlon Wayans and Tyriq Withers in Him
    Photo courtesy of Universal Pictures
    Marlon Wayans and Tyriq Withers in Him.

    One of the wildest opening scenes in a movie ever happened in the 1991 film The Last Boy Scout, in which a star running back shoots multiple opposing players in the midst of a touchdown run. That film co-starred Damon Wayans, and now over 30 years later his brother Marlon is starring in an even more insane football-themed movie, Him.

    The film centers on Cameron Cade (Tyriq Withers), a rising star quarterback looking to make it in professional football. His idol is Isaiah White (Marlon Wayans), who’s won a string of championships with San Antonio Saviors in the film’s fictional football league. To see if the team really wants Cade to be White’s heir apparent, they set up a week of pre-draft training for Cade at White’s sprawling desert house.

    What at first appears to be an intense-if-ethically-murky immersion into White’s way of staying physically and mentally fit starts to devolve into a psychological quagmire. Cade, who recently suffered a head injury, is desperate to impress White in order to prove he’s the next GOAT. The main thrust of the film is how far Cade will go in that pursuit, and if White’s tactics will succeed in corrupting Cade fully.

    Written and directed by Justin Tipping, and co-written by Zack Akers and Skip Bronkie, the film tries to say a lot of things but ultimately can’t make a case for any of them. Scenes involving big collisions and questionable behind-the-scenes tactics comment on the danger of the game of football and the win-at-all-costs mentality. But the film also brings in a supernatural element that muddles anything it might have had to say about the game itself.

    There’s actually way less football in the film than you might think. Any actual games are viewed either through a screen or clip montages that don’t give a feel for how talented either Cade or White is. The practice sessions at White’s house aren’t great showcases, either, with the mind games White uses on Cade taking priority. There’s plenty of macho one-upsmanship, but neither main character has the charisma to sell it properly.

    The trailer for the film hints at the bloody craziness the third act contains, but Tipping and his team do a poor job at setting it up. While Cade is slightly unnerved at the things he witnesses, he seems to mostly accept everything asked of him. But the character’s mindset changes in a matter of seconds later in the film, almost as if the filmmakers had left 15-20 minutes of footage on the cutting room floor that would have explained the sudden shift in tone.

    Wayans, best known for his comedy work with his family, does a decent job in portraying a player who will do whatever it takes to stay on top (the fact that the 54-year-old can credibly play someone much younger helps). Withers has the physique to look like a top-level quarterback, but - as seen in the recent I Know What You Did Last Summer remake - his acting could stand to be refined. It’s actually comedians Tim Heidecker and Jim Jeffries who come off the best in supporting parts.

    A football-themed movie like Him coming out just as the football season is ramping up would seem to be perfect timing, but the story doesn’t succeed as either a commentary on the sport or a type of horror film. Football may be a brutal game to play, but sitting through this film might hurt your brain even more.

    ---

    Him is now playing in theaters.

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