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    10 questions for tilman fertitta

    Houston billionaire Tilman Fertitta wants you to shut up and listen with new book

    Steven Devadanam
    Oct 7, 2019 | 11:30 am

    Tilman Fertitta can’t lose. Sitting in his palatial office nestled in the towering Post Oak Hotel in Uptown, the sole owner of Fertitta Entertainment, the restaurant giant Landry’s, the Golden Nugget Casinos and Hotels, and the NBA’s Houston Rockets — not to mention the star of the TV reality show Billion Dollar Buyer — is taking a quick moment to bask in his success.

    And why not? On top of being the world’s richest restauranteur and Houston’s most recognizable billionaire, Fertitta currently boasts a best seller with his new business book, Shut Up and Listen! As CultureMap reported, he just acquired Del Frisco’s luxury steakhouse chain, adding to his impressive and extensive restaurant empire. And speaking of acquisitions: Soon, his Houston Rockets will unleash the powerhouse duo of James Harden and new teammate Russell Westbrook, who came to Houston in a massive trade with Oklahoma City.

    Fertitta has just made the national media rounds promoting Shut Up and Listen! and looked quite comfortable doing so. “A lot of owners don’t talk to the media and they don’t know how to do it,” he tells CultureMap, “but I’ve been doing it for 30 years and it just doesn’t phase me.”

    Shut Up and Listen! is a Tilman tell-all. But rather than a life story, the book is a how-to for the business-minded. No-nonsense nuggets such as the “Tilmanisms” teach principles such as the 95/5 rule (focus on the 5 percent of the operation that isn’t perfect and fix it) and offer hardcore reminders such as “when things are bad, eat the weak and grow your business.” Doubters, take note: Shut Up has landed on the Publishers Weekly's and USA Today's Best Sellers lists.

    CultureMap sat down with Fertitta during a rare break to talk books, business, and his beloved Bayou City.

    CultureMap: You’re a Texan titan of industry, a major local benefactor, you own one of the most buzzworthy teams in all of pro sports, and you’re the star of your own reality TV show. Can we now say — in Houston — that you’re way bigger than Mark Cuban?

    Tilman Fertitta: [Laughs] Oh, I don’t know about that. Mark is a special guy and we’re lucky to have him in Texas.

    CM: You’ve been actively involved with the Rockets and the University of Houston sports programs. Using your 95/5 rule, can you share any of the 5 percent of what you found wrong with the Rockets and UH?

    TF: At UH, the 5 percent was we wanted to have good coaches and we wanted to improve our facilities. That’s the 5 percent we realized that if we wanted to compete at the highest level of basketball and football, that’s what we’d have to do.

    For the Rockets, we’re gonna make sure we can put the basketball team we can on the court with the best coaches every single year. I’m not a sit-on-my-hands guy — it’s let’s keep getting better.

    CM: Why is giving back to your hometown important to you?

    TF: This is where I grew up and Houston’s been very good to me. I’ve been around a long time and I’ve watched people come and go in the ’80s, the ’90s, the 2000s, and the 2010s. It’s fun to have lasted this long and been a player through so many decades.

    CM: There’s an old adage that says, ‘Do one thing and do it well.’ But you’re doing a lot of things well. When do you know, as a business owner, to diversify?

    TF: Systems and operations are very important. Everybody wants to do more deals. If you understand the Big Box Theory, you make more out of a bigger box. In the beginning, I knew I always wanted to be successful. Today, I know what I know and I know — and what I don’t know.

    CM: Are there some industries outside your wheelhouse that are on your radar?

    TF: I’ve never done egotistical businesses; I’ve always had to make the numbers work — because I never use anyone else’s money. A lot of times, people who do egotistical businesses are using somebody else’s money.

    The only egotistical business I’ve done is probably the Post Oak Hotel here. But I did it because I got tired of people saying, ‘Houston doesn’t have an unbelievable hotel.’ It’s truly one of the finest hotels in the country.

    CM: How important is it to find a mentor for success?

    TF: I never had that one mentor. I looked at a lot of different people and said, ‘Gosh, I like what they’re doing.’ I remember seeing George Mitchell and what he was doing in Galveston and The Woodlands. I would watch different people doing different things, but I never had that one mentor. I studied a lot of different people.
    I’ll never win an Emmy or a Grammy, but to me, if you can get on the Forbes 400, that’s very special, because that’s how you’re measured.

    CM: You’ve got this new book out that will hopefully inspire a generation of entrepreneurs. Are there any books that inspired you?

    TF: Outliers inspired me. I do believe that different people are blessed with different abilities and you’ve got to find the ability that God gave you and seize on it.

    I thought that I would always write a life story book, but Harper Collins approached me and said they wanted a business management book. I can’t tell you how many times we sat around with my close group and edited this book at the end and went through it five times and read it. If we found a paragraph that was boring, we got rid of it or rewrote it.

    CM: What about people who may never be an entrepreneur or owner — how can they become more successful with your book?

    TF: Whether you’re trying to go up the corporate ladder or you want to be an entrepreneur, it just tells you that you can separate yourself from anybody else. And it’s easy to separate yourself from anybody else — I was never the smartest guy in the room or the best student. But the people who want to be successful are successful.

    CM: There’s a Tilmanism that teaches hiring people who are stronger than you. What are some key traits of a real leader?

    TF: Anybody is a good leader in great times. First off, it’s somebody who everybody in the room respects. And it somebody who knows what they know and what they don’t know. Work is battle and being successful is a battle, and everybody wants to go into battle with a strong leader.

    I can tell you this: You could talk to everybody who works for me and they’d tell you, ‘He’s a really hard person to work for, but I wouldn’t want to work for anybody else.’

    CM: With your travel schedule and empire, do you ever feel that you have more in common with a president of a country than a CEO?

    TF: You know, it’s funny, I told [Bill] Clinton once, ‘I’m gonna still have these jets and helicopters when you’re trying to hitch a ride.’ I’m a very political person — on both sides — because I’m in business and I never know who’s gonna be in power.

    I would have no fear of being president tomorrow because it’s about making hard decisions. I think a lot of presidents have never been in business and they don’t even know how to make decisions. I make a tough decision every single day.

    But, you know, I’m probably too honest to be a politician — I like to tell the truth. And I don’t want to be beholden to anybody.

    Fertitta points to no-nonense methods in the book that help create success.

    Tilman Fertitta Shut Up and Listen book pointing
    Photo by J. Thomas Ford
    Fertitta points to no-nonense methods in the book that help create success.
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    news/city-life

    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

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