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    Day for Night 2017

    Day for Night stakes its claim as the best music fest in Texas with gasp-worthy lineup

    Johnston Farrow
    Johnston Farrow
    Sep 20, 2017 | 2:12 pm

    We live in age when music festivals are retreading and repeating themselves, driving fan apathy up and attendance numbers down. The glut of major music events has led to several shuttering their turnstiles across the country the last couple of years. Few can legitimately surprise fans the moment line-ups are announced.

    Houston’s very own Day for Night is one of them. Organizers just announced the third edition set for December 15-17 at its perfectly-placed downtown location at the PostHTX basecamp in the historic Barbara Jordan Post Office. The line-up is gasp-worthy, based on its confirmation of musical acts, alongside cutting-edge visual art installations and a summit of talks by influential and news-making figures (Chelsea Manning, Laurie Anderson, Pussy Riot's Nadya Tolokonnikova). The national music community immediately took notice.

    The line-up features a top-notch mix of acts at the height of their powers (Nine Inch Nails, St. Vincent, Radiohead's Thom Yorke, Justice), those who are currently blowing up (Phantogram, Perfume Genius, James Blake, Tyler, The Creator), some old favorites (Roni Size, Jesus Lizard, Godspeed You! Black Emperor) and special sets (Of Montreal performing all of Hissing Fauna You Are The Destroyer on its 10th anniversary, Saint Heron Presents: “Soul Cleansing” with Solange teaming with Earl Sweatshirt and Kaytranada).

    At last year’s festival, Arcade Fire’s Win Butler, frontman of one of the biggest bands on the planet and a Houston native expressed his gratitude for what Day for Night was trying to accomplish, stating that he never had anything this unique while growing up here. While organizers pulled off a well-run and expertly curated 2016 edition, the feeling among many was there was room to grow – that it still had a way to go to become a transformational music event for a scene and city that has long suffered from a lack of identity.

    The potential for Houston as a music city has been building for some time now with an increasingly strong local scene and more attractive landing spot among touring bands as the number of younger residents climbs. Add a few years of stale ACL Festival rosters (Red Hot Chili Peppers and Killers? No thanks), an ever-commercialized South By Southwest, and the fight between newly built downtown condominium owners and music venues regarding noise ordinances in the “Live Music Capital of the World,” and it’s a perfect storm scenario where HTX supersedes ATX as the cool choice to see live music.

    Judging from the reaction to the Day for Night 2017 announcement, this might be the turning point when instead of saying “Are you doing ACL?,” music fans start asking, “Are you going to Day for Night?”

    What makes Day for Night – which is starting to resemble a symbiosis of Coachella’s smart musical bookings and Burning Man’s forward thinking art installations – so important, it ultimately could serve as the anchor event that makes the city even more vibrant as a destination for international acts that all too often skip this part of the country for other major cities such as New York, Los Angeles, Chicago and San Francisco. In return, the ticket holders will come, injecting the local economy with much needed post-Harvey funds and marking a firm X on the map for Houston as a vital cultural hub.

    While one half of Day for Night’s name conjures darkness, there are only sunny days on the horizon. It’s an exciting time to be a music fan living in Houston.

    Tickets to Day for Night 2017 are $215 to $750 with fees.

    ------------------

    Catch the video on the Day for Night lineup from our news partners at ABC13:

    Thom Yorke.

    ACL Austin City Limits Music Festival 2016 Radiohead Thom Yorke
    Photo by Daniel Cavazos
    Thom Yorke.
    concertsmusicmedia
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment
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