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    meet kendra

    Houston singer-songwriter strikes a major chord with move to L.A. and new album

    Johnston Farrow
    Johnston Farrow
    Sep 6, 2021 | 1:15 pm

    Houston-raised singer-songwriter, Kendra Muecke aka Kendra and the Bunnies, won’t let something like a pandemic get in the way of her pursuing a career in music.

     

    The artist is riding high after two recent releases that showcase her wide range of tastes and influences, the first major forays in making a name for herself in the industry.

     

    A graduate of Houston's Episcopal High School and daughter of well-known H-town fashionista Beth Muecke, the aspiring musician traveled west to study at Pepperdine University, picking up a bachelor of arts, focusing on acting, writing, and performing. She later attended music production school and set on the Kendra and the Bunnies moniker based on her love of the furry and habitually late Alice in Wonderland character.

     

    “Right after college, I found myself songwriting and I thought, ‘This is exactly who I am," Muecke tells CultureMap from her phone, stuck in Los Angeles traffic. “Everything I had done was coming together — the actor, the singer, the dancer, the guitarist, the writer. All of that culminated in being a singer-songwriter and presenting myself on stage.”

     

    One of her first major projects came out earlier this year, the 15-track full length album called Of Consideration, featuring the rock-heavy single "So Hollywood."

     

    The album, with doses of the Summer of Love floating on a foundation in pop and rock, was recorded at the famed Hyde Street Studios in San Francisco where popular classic rock and psych-rock acts cut their music, including Crosby, Stills, Nash & Young, the Grateful Dead, Jefferson Airplane — as well as modern bands and hip-hop artists such as Green Day, Cake, Train, Kanye West, and Tupac.

     

    "I’m so passionate about this era of music," Muecke says. "The ’60s and ’70s is so influential for me that to go up to San Francisco to take the picture for the album cover on Haight-Ashbury Street and record in this famous studio was so exceptionally close to my heart. It was a beautiful experience."

     

    To follow up, Kendra and the Bunnies released an EP in July called, Of Summer, recorded in Nashville with producer Justine Blazer at Ten7Teen Studios that draws heavily on the city’s country influences.

     

    This time around, she worked with a team of songwriters, a system utilized by many up and coming artists in the Nashville scene. The collection of tracks gave her a chance to explore new sonic territory, a throwback to her Lone Star State upbringing.

     

    "Pop artists do this all the time – they go through different phases in their career in different genres," Muecke says. "I feel like I’m really opening myself up to the fact that I’m multi-genre. I’m folk-rock and psychedelic and with these four songs, I’m going to be a little bit pop country, touching back on my Texas roots that shine really well in Nashville."

     

    It's an ambitious start for a fresh name but those moves are paying off in Spotify streams, YouTube views, and three awards nominations at the Nashville-based Josie Music Awards, an industry celebration in which winners based on their talent, skill, material, and professionalism.

     

    She is nominated in the Artist of the Year (Multi-Genre) category, as well as for Best Song and Music Video of the Year for her single, “Self Love Proclamation.”

     

    While the pandemic forced her to perform virtually for well over a year, she finally hit the stage with a full band this past month at the famed L.A. rock 'n roll haunt, The Viper Room. And rather than rest on her laurels, Muecke is planning her next batch of songs, this time veering into mainstream pop with an artsy, folk angle.

     

    Her future plans also include a trip back to her native city with hopes for a hometown live show and the chance to indulge in a few of the things she misses the most about the Bayou City — Whataburger, queso, and blasting some DJ Screw loudly in her car.

     

    "I want to tap into the community [in Houston] to create a way where friends start to tell others about my band," Muecke says. "They know who I am and they know I want to pursue music, but I want to do a showcase where people see me live and go, 'Oh my gosh, I can't wait until the next time she’s in town."

    Kendra and the Bunnies from the video for her single, "Passion Roulette."

    Kendra and the Bunnies
      
    Courtesy Kendra and the Bunnies
    Kendra and the Bunnies from the video for her single, "Passion Roulette."
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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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