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    Coldplay Concert Review

    Coldplay takes over Texas with a burst of confetti, fireworks and spectacular music

    Jane Howze
    Aug 29, 2016 | 12:10 pm

    Coldplay and its 'Head Full of Dreams Tour', the highest grossing concert tour of the year ($144 million so far), burst into Arlington's AT&T Stadium Saturday night with lights, love, lasers and good vibes. The U.S portion, with 22 concerts — sadly none in Houston, will wrap on September 3 in San Francisco before continuing on to Australia and New Zealand.

    Entering the stage to a stadium packed with mostly 30-to-50 year olds, the band launched into title track "A Head Full of Dreams" in a jaw-dropping display of color, confetti, fireworks and a light show generated by lasers as the audience waved LED wrist bands that changed colors depending on the song. Without pausing for the crowd to catch its breath, lead singer Chris Martin quickly moved into "Yellow," its first U.S. hit, accompanied by hundreds of yellow balloons dropping from the ceiling.

    Over the next two hours, the band performed 23 songs, eight of which were from the most recent album, A Head Full of Dreams. In addition to the main stage and a 50-yard runway which Martin dashed up and down throughout the night with a Texas flag flapping off his pants, the band performed three quieter songs on the end of the runway, including a moving version of "Magic," the best selling single of their 2014 Ghost Stories album.

    As a surprise the band moved to an even smaller stage in the back of the stadium that barely had enough room for all four to sing three more songs, including "In My Place" (from the band's second album Rush of Blood to the Head) that was chosen by the band's Instagram followers. As Martin launched into a stripped-down, hauntingly beautiful version of "Everglow" from the recent album, he asked that everyone in the audience send good vibes to those in other parts of the world who need it.

    Speaking of Martin, how can you not love a guy who thanks everyone for braving the traffic to come spend the evening with them and proclaims, "We are going to try and make this the best concert of the tour?" As is his trademark, he twirled, jumped, danced, laid on the stage and endearingly started Viva la Vida over, saying "This is not right, not up to standards" and ran to the end of the runway to restart the song.

    And he had everyone laughing and agreeing when he said, "If I lived in Texas I would just spend part of the summer in my refrigerator." Finally, he asked a favor of the audience, inquiring if they would help him surprise fifth band member, manager Phil Harvey, for his 40th birthday with a sing-a-long and an imitation of his smoothing his hair. Somehow that added to the good vibe feeling of the concert.

    All was not perfect however. While Coldplay's songs seemingly have been written for stadium-size audiences, I miss the days of smaller venues. Despite a world of talent and special effects, it is hard to connect with a band in a football stadium.

    There were so many fireworks that the stadium quickly became smoky. I wondered why the roof wasn't open — at least a little. And those who didn't love the new album Head Full of Dreams, which includes me, would have found themselves longing for the old days of tracks from albums X&Y and Viva la Vida.

    But these are tiny quibbles.The entire show was one high after another, with barely a moment to catch your breath before the next round of confetti, fireworks or lasers ensued along with spectacular music. And the band seems in a solid groove that reflects their two decades of playing together. I actually believe Chris Martin when he said they would try to make the Dallas show their best one. For this audience they did.

    Chris Martin dominated the stage at the Coldplay concert in Arlington.

    Chris Martin on stage at Coldplay concert
    Photo by Jane Howze
    Chris Martin dominated the stage at the Coldplay concert in Arlington.
    concertsmusic
    news/entertainment

    the people's champ

    Houston rap star Paul Wall blasts off with concert at intergalactic art venue

    Eric Sandler
    Feb 4, 2026 | 3:00 pm
    Paul Wall
    Courtesy of Meow Wolf
    Paul Wall and Lil' Keke will appear at Meow Wolf in March.

    Two Houston hip-hop stars are teaming up for a one-night-only performance in a venue that’s out of this world. Paul Wall and special guest Lil’ Keke will perform at Meow Wolf on Saturday, March 7.

    Held at Meow Wolf’s Theta Theatre, the after-hours show will blend Houston rap with the interactive art installation’s interdimensional experience. Tickets ($65) are on sale now for the performance, which will begin at 10 pm and is limited to people who are 21 or older.

    “Radio Tave was built with nights like this in mind,” general manager Aaron Johnson said in a statement. “Paul Wall performing inside the exhibition brings Houston music into a space designed for sound to hit, linger, and surround you. This is a powerful moment for the venue and for the city.”

    The Grammy-nominated Wall is known for songs such as "Sittin' Sidewayz," "Girl," and "They Don't Know," along with features on songs such as Nelly's "Grillz" and Mike Jones' "Still Tippin’.” He’ll be joined by Lil’ Keke, a longtime member of the Screwed Up Click who helped pioneer Houston’s signature slowed-down sound. The duo have collaborated on a number of tracks, including “Break Em' Off," "Ridin 5," and "Chunk Up the Deuce."

    Meow Wolf opened Radio Tave, its Houston installation, in 2024. It guides visitors through an East Texas radio station that’s been transported to another dimension. Houston musicians, including rapper Fat Tony, contributed to the experience. Cowboix Hevvven, the venue’s honky tonk-inspired dive bar, features a jukebox with songs recorded by Texas artists for Meow Wolf. It received two 2025 Webby Awards for Webby Award (Critics' Choice) and the People’s Voice Award for Best Installation or Experience in AI, Immersive & Games.

    concertsmeow wolf
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