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    houston: the capital of cool

    5 reasons every Houstonian should read GQ's love letter to our city

    Steven Devadanam
    Aug 23, 2018 | 1:26 pm

    Dear GQ, on behalf of Houston, thanks for nothing.

    In its September issue, the men’s monthly publication has unveiled one of those most sublime, thorough, laudatory, and frankly, spot-on examinations of Houston in recent memory, calling the Bayou City the new capital of Southern cool.

    Currently swirling around all manners of social media, the long-form piece is deftly crafted by Brett Martin, who recently named two Houston restaurants to his 13 Best New Restaurants in America list.

    Martin touches on our fair city’s diversity without sounding cliché and on our exploding food scene without sounding nouveau. The essay lavishes cool, objective praise without fawning. In fact, savvy out-of-towners need only skim the story before being compelled to pack up and head straight for the Bayou City.

    And that’s the problem.

    We locals already face the crushing, daily onslaught of Newstonians (Houston added 94,417 residents in 2017, according to the U.S. Census Bureau). This article, while lovely, won’t help any of us dealing with newcomers asking if we have a Ralph’s or with the Audis festooned with California license plates that perpetually roam the exit lanes (only to get back on at the last second).

    We kid, because we care. Martin’s piece is a love letter from someone just realizing they’re in love. It’s the consummate must-read. Here, then, are some highlights.

    Montrose as a muse
    Was Martin’s blossoming romance with Houston sparked by his stay in Montrose? Almost taking a page from Midnight in the Garden of Good and Evil, the correspondent was lured by the charms of the boutique hotel La Colombe d'Or: “I was the sole guest for much of my time there,” Martin notes, “in a suite that inexplicably included a full dining room set, and I was never 100 percent sure they weren't ghosts.” (Of course there were.)

    Martin calls Montrose “the part of Houston that looks the most like a cool city is supposed to look—dense; green; filled with museums, coffee shops, cocktail bars, and other hip independent businesses; at least plausibly walkable (though few seem to do so).”

    The food, of course
    Could there be a better food star to pal around with than Chris Shepherd? Martin spends a good amount of time with the James Beard award winner; highlights include a trip to Saigon Pagolac for Vietnamese fare and a visit to a Nigerian market, DD Vantage. The purveyor of said market, Nora, drops a memorable and quotable line to Shepherd, whom she suspects is with the FBI. Shepherd assures her he’s a chef.

    “Oh Lord,” Nora says, shaking her head. “When you're a chef, you get to just play around and call it food.”

    There are also fun nods to benevolent bar maven Alba Huerta and food star Justin Yu.

    Bun B and Kam
    Speaking of stars, Martin spends time with rap hero and raconteur Bun B, who educates the writer on Houston’s African-American community via a trip to the barber shop. Bun reminds the writer that Houston’s hip-hop scene was the ultimate music disruptor: "New York likes to lay claim to everything, and this was something they couldn't lay claim to,” quotes the local legend (who Shepherd assures could be mayor, if he wanted).

    And no story on Houston music would be complete without a mention of the Suffers' Kam Franklin, who shares a charming tidbit regarding her start. Franklin, the queen of Gulf Coast Soul, "got her first gigs by inventing agents and managers: fake old white guys with fake e-mail accounts," Martin writes. “I used ‘Mike’ a lot. Mike seems like a trusty guy but also tough,” Franklin explains.

    Shade thrown at Austin and Dallas
    We’re not one to diss other Texas cities — not when someone does it for us. A businessman "with shops in all three of the state's most famous cities" described them for Martin:

    “Austin is like your young, hip millennial brother who always knows the latest cool thing. Dallas is the metrosexual middle brother that nobody really wants to spend time with. But Houston is the older, cooler sibling—he's got some miles on him, he's been through some stuff, but he totally knows what's cool and what's not."

    Houston’s cool in one sentence
    Martin shared a ride with a Houstonian who encapsulated our city in one colorful sentence. What better way to close? “Houston is cool because Houston doesn't give a fuck about being cool.”

    Kam Franklin reveals a hilarious way to get gigs.

    Kam Franklin The Suffers at Super Bowl Live
    Photo by Emily Jaschke
    Kam Franklin reveals a hilarious way to get gigs.
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    9 acres of gardens

    10 things to know about America's first Ismaili Center opening in Houston

    Emily Cotton
    Nov 6, 2025 | 1:05 pm
    Ismali Center, Houston exterior
    Photo by Iwan Baan
    The building is reflected in the pool, a feature common in Muslim design.

    The long-awaited Ismaili Center, Houston is set to open to the public next month. The 11-acre site has been painstakingly-designed and constructed to offer indoor and outdoor public spaces for Houstonians to enjoy, connect, and engage. As the only Ismaili Center in the United States, and seventh in the world, it joins its international communities in London, Vancouver, Lisbon, Dubai, Dushanbe, and Toronto.

    Nearly 20 years in the making, the Ismaili Center, Houston features a prayer hall, rotating art installations, a black box theater, a cafe, numerous social halls for weddings and other events, plus 9-acres of outdoor space and landscaped botanical gardens. Involved parties hope that the community will see the space as an extension of the neighboring parks along the bayou, and have included a garden entrance to the north lawn and gardens at the corner of Montrose Boulevard and Allen Parkway.

    While Houston is known for its many community engagement centers, the architects and designers believe that the seamless integration of indoor and outdoor spaces sets the Ismaili Center, Houston apart from all others.

    “What we know is the connections between buildings, environment, quality of life, and landscape — this is nothing new,” structural and facade engineer Hanif Kara tells CultureMap. “But, certainly, it’s hard to see that in other developments, particularly when they are done by developers. It’s quite difficult to find community spaces, and to see how quality of life is improved for everyone. I think we’ve all experienced that kind of hope that it will play out something like this.”

    Designed by Farshid Moussavi Architecture and Nelson Byrd Woltz Landscape Architects, the remarkable 11-acre site is designed both to receive LEED Gold certification and to withstand the tests of Houston’s sometimes extreme weather conditions.

    Principal architect Farshid Moussavi looks forward to seeing the Houston community utilize the space she’s worked so hard to deliver: “We’ve given the hardware to the community, now the software needs to come in. So I hope that there will be music recitals, or lectures, or book fairs, or other kinds of markets that can happen—even simultaneously. This is not an experiment, it’s the seventh in the world.”

    Community welcome events are scheduled for December 12 and 13, but, until then, here are 10 things to know about the Ismaili Center, Houston.

    What is the Ismaili Center, Houston
    “The use of the building is really meant for, or our hope, is that we are able to—on an enhanced view of what the community does today—have engagement on service projects, arts and culture, interfaith dialogue, and even just in bringing people together,” Omar Samji, Ismaili Council for the United States of America tells CultureMap. “The notion of bringing people together in a place where it is easy to create connections because it’s an open space, and because it’s specifically designed to be a place where people interact and where people find commonality. Because whether you’re out in the gardens, or on the environs, or in the atrium, this enables connection.”

    The Scale
    The Center stretches out across an 11-acre site along Montrose Boulevard, from West Dallas to Allen Parkway. The physical building is 150,000 square feet, leaving 9-acres for garden spaces on both the north and south sides of the building. The south side of the property is more formal, with gardens and community spaces that flank an 80-foot reflection pool and other water features. The gardens on the north side of the building are more informal, but densely planted and vast.

    The creation of Ismaili Center Houston was a huge team effort
    The development of the Ismaili Center was led by the Ismaili Council. It was initiated by His Highness Prince Karim Aga Khan IV (1936-2025), and completed under the leadership of his eldest son, Prince Rahim Aga Khan V.

    The project was designed and constructed by a team of both local and international firms. Farshid Moussavi Architecture joined forces with structural and facade engineer Hanif Kara, co-founder and creative director of AKT II. DLR Group is the architect and engineer of record, while contractor McCarthy Building Companies built the project. Thomas Woltz, senior principal and owner of landscape architecture firm Nelson Byrd Woltz, along with principal Jeff Aten taking lead on the nine acres of garden space. The project is targeting LEED Gold certification.

    Walk, work, play, or find a cozy spot to enjoy nine acres of native Texas plants and trees
    The Center will be recognized as a leading cultural asset for the City of Houston, complementing nearby institutions such as The Menil Collection, Rothko Chapel, Asia Society Texas, and the Museum of Fine Arts, Houston. While the surrounding gardens will add to the other notable Nelson Byrd Woltz projects within close proximity at Memorial Park, Rothko Chapel, and Rice University.

    “We’ve been building massive projects in Houston for 12 years,” Woltz tells CultureMap. “We know the horticultural community in the region, and we did a deep, deep dive in ecological research to understand ‘What are the native plants of whatever region?’ It’s just baked into our process. Right when we are starting any project in Houston—right to the river. Look at the soils, ‘What are the plants appropriate to that place?’ Its solar aspect, its humidity, it’s moisture in soils, the shadow of the building.

    But then, this idea of taking a section across the state of Texas, so that each of those distinct ecological regions is represented by one of the terraced gardens — so it’s very clear. It’s a diagram of the state of Texas and all of its native plants. This is functioning like a botanic garden and a repository for biodiversity — this is work in service.”

    The exterior is eco-friendly
    The exterior of the building is clad in stone, a durable material with low embodied carbon. The stone cladding is a rainscreen over in-situ ‘fair-faced’ concrete walls, exposed on the interior to minimize additional material use. The concrete mix used has replaced 35-62 percent of Portland cement with fly ash and slag, reducing CO2 emissions by roughly 30 percent compared to standard mixes. The exterior stone rainscreen uses smaller tiles to increase the stone yield, utilizing 20-25 percent more of the irregular blocks they are cut from. This reduction in waste has also lent itself to crafting the cladding in a unique way.

    The tessellation of the stone pieces changes across the building's surfaces to create different patterns on different sides of the buildings and at the corners. Relief stone tiles are used to add texture to the facades.

    It will host outdoor plays and concerts
    The north-facing botanical gardens that will accommodate the 200-year flood plain offer a 27 foot gradient toward the building. This allowed for various levels of seating and gathering areas that culminate at an elevated terrace that will act as a stage for various events such as plays and concerts. Attendees can stretch out and enjoy the shows from an extensive lawn area that is surrounded by dense gardens of native trees and plants.

    Check out both international and community events and performances in the Black Box Theater
    A 2,600-square-foot black box multipurpose space which seats 125 people is found on the second floor of the building’s west wing. It can host public events, such as exhibitions, film screenings, theatrical performances, music recitals, and other artistic programs throughout the year. It will also serve as a flexible space for teaching and learning. With acoustic isolation to surrounding spaces and the mechanical mezzanine above, it is designed to operate simultaneously without disrupting other events in the building. Design includes an upper-level control room, pipe grid, and flexible drapery and seating configurations to allow for a wide variety of programming.

    Grab a bite or a beverage at the cafe
    The center’s café is a 1,600-square-foot, double-height space located in the west wing (Montrose side) that opens onto an enormous terrace, offering visitors the option to enjoy their coffee or food outdoors. The terrace near the cafe is lined by an exterior wall and long, trough-style fountains that aid in noise reduction from Montrose Boulevard. The second-floor wall overlooking the Café is fully glazed, creating visual connection with the levels above.

    There is a The Prayer Hall / Jamatkhana available to members of the Ismaili community.
    The prayer hall is a whopping 12,240 square feet, featuring a unique structural system of seven interlocking squares, formed from steel beams spanning the 115-by-115-foot open space. These beams are clad in concrete to enhance durability, beneath which lies a two-layer perforated aluminum ceiling with integrated diffused lighting. Its intricate pattern recalls the traditional jālī screens of Islamic architecture creating a soft, seemingly infinite ceiling effect, adding to the serenity of the prayer hall.

    Who is His Highness the Aga Khan?
    His Highness Prince Rahim Aga Khan V is the 50th hereditary Imam (spiritual leader) of the Shia Ismaili Muslims and a direct descendant of the Prophet Muhammad. He was educated at Philipps Academy in Andover and Brown University (Class of 1995). He became Imam in February 2025 upon the passing of his father, His Highness Prince Karim Aga Khan IV.

    The Aga Khan promotes an understanding of Islam rooted in values of generosity, tolerance, pluralism, environmental stewardship, and the shared unity of humanity. He also chairs the Aga Khan Development Network (AKDN), one of the world’s largest private development agencies, which works across more than 30 countries to improve quality of life for marginalized communities regardless of faith or background.

    Ismali Center, Houston exterior

    Photo by Iwan Baan

    The building is reflected in the pool, a feature common in Muslim design.

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