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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 6, 2019 | 11:30 am

    Most mainstream acts aren't anywhere near Texas right now after Lollapalooza drew hundreds of thousands of fans. Thankfully, where alt-rock, pop, and contemporary hip-hop may be lacking, Houston concerts make up for it this week in established country acts, '90s rockers, and rap acts (a common theme this summer), and just-below-the-radar up-and-comers.

    CultureMap's biggest, best, and most notable shows of the week include:

    311 and The Dirty Heads at WOMH
    Formed in Omaha, Nebraska, of all places, 311 has had a prolific run as a good-time, bro-friendly, reggae-inflected, rap-rock band. They scored some major hits in the the mid-'90s hits with "Down" and "All Mixed Up," and while audiences moved onto harder-edged, toxic male variations of their sound (Limp Bizkit and Korn), the band soldiered on through some miserably bad music (see the travesty that is the 2004 cover of The Cure's "Love Song") with their core fan base intact. Heck, they even produced some critically acclaimed albums the last couple of years with 2017's Mosaic and this year's Voyager.

    They'll be joined on the White Oak lawn by Southern California's The Dirty Heads, a group that picked up where Sublime left off, building on a grassroots following with their similar blend of reggae, rap, and punk rock as evidenced on "Spread Way Too Thin." They'll be celebrating their newest release, Super Moon, out this week. True to form, the gates will open at 4:20 pm. Smoke 'em if you got 'em.

    311 and Dirty Heads get down, down at White Oak Music Hall, located at 2915 N. Main St., on Tuesday, August 6. The Interrupters, Dreamers, and Bikini Trill open. Tickets start at $49.50, plus fees. Gates open at 4:20 pm.

    CultureMap recommends: Clint Black and Trace Adkins
    The tour’s tagline is the very apt “Hats. Hits. History.” Two modern country legends will co-headline the Smart Financial Centre at Sugar Land in what might be one of the strongest C&W lineups outside of RodeoHouston this year. Katy native Clint Black rose to fame in the '80s, pointing the way to the mass popularity of country artists in the '90s.

    In other words, Garth Brooks, Trisha Yearwood, and Brooks and Dunn all owe the man a debt of gratitude for infusing a traditional honky-tonk sound with pop sensibilities. Fun fact: Black signed a deal in Nashville after a cassette of his songs made it into the hands of ZZ Top's manager, Billy Ham. No. 1 singles, the stardom-declaring "A Better Man," "Killin' Time," and "Walkin' Away" followed.

    He'll be joined by Trace Adkins, who followed a different path to stardom, looking to the past to build his future, holding onto the sounds of yesteryear to make his name in Nashville. A former Louisiana oil rig worker, Adkins made it to No. 1 on the country charts with "(This Ain't) No Thinkin' Thing," and numerous other big hits, including "I'm Tryin'" and "Honky Tonk Badonkadonk." Any fan of CMT over the last 30 years will be in high heaven at this one.

    Clint Black and Trace Adkins co-headline the Smart Financial Centre, located at 18111 Lexington Blvd. in Sugar Land, on Thursday, August 8. Terri Clark opens. Tickets start at $25, plus fees. Show starts at 8 pm.

    CultureMap show of the week: The Growlers
    The Growlers took a while to find their sound, calling themselves "beach goth," but experimented with classic rock, dub, and indie-folk too. But then they got focused, bringing on The Strokes' frontman Julian Casablancas to produce 2016's City Club.

    They took a major step with one of 2018's best, Casual Acquaintances, mixing the sound of their former producers' band alongside post-punk synths, releasing their strongest songs to date, including "Pavement and the Boot," "Problems III," and straight-from-Is This It? "Orgasm of Death," the exciting melange of sounds perfectly complimenting lead singer Brooks Nielsen's purposefully lackadaisical delivery. Drop your plans and go see this thrilling act before they sign to a major label, play major festivals, before succumbing to the inevitable intra-band conflicts and crippling rock star addictions. This is what bands are supposed to be.

    The Growlers play White Oak Music Hall, located at 2915 N. Main St., on Thursday, August 8. Special guests Video Age also appear. Tickets start at $32.50, plus fees. Doors open at 8 pm.

    Cody Johnson at Toyota Center
    Make no mistake, Houston loves Cody Johnson, practically a hometown kid that grew up near Lake Livingston and went on to play the biggest stage at RodeoHouston three times. He played the 2019 edition fresh off a No. 1 album, Ain't Nothin' to It. He'll take a victory lap by headlining Toyota Center, no doubt to a packed audience. And keeping with his humble beginnings, he'll be bringing fast-rising country acts trying to building their audiences in Gretchen Wilson, Cory Morrow, and Jesse Raub Jr. In case anyone is wondering, the new generation of country is here.

    Cody Johnson is at Toyota Center, located at 1510 Polk St., on Saturday, August 10. Gretchen Wilson, Cory Morrow, and Jesse Raub Jr. open. Tickets start at $32.48, plus service fees. Doors open at 6:30 pm.

    Hibou at WOMH
    Who is Hibou? The Seattle-based Peter Michel plies his trade in dream-pop, recalling the ethereal jangle of '80s greats, the Cocteau Twins, the more modern Wild Nothing and Beach House, and riffs straight from a B-side of The Smiths. He's toured with the likes of Unknown Mortal Orchestra and Phantogram, and has put out three great albums, the latest perhaps the best in this year's Halve, out on the cooler-than-thou Barsuk Records. Fans of the dream-pop genre along with shoegaze will also get a dose of local talent in the equally worthy Camera Cult and Astragal.

    Hibou is at White Oak Music Hall, located at 2915 N. Main St., on Saturday, August 10. Camera Cult and Astragal also appear. Tickets start at $10, plus fees. Doors open at 7 pm.

    Bone Thugs-N-Harmony at HOB
    Like '90s rock, '90s hip-hop is hot on the nostalgia circuit right now. Last week, we had MC Hammer at Cynthia Woods Mitchell Pavilion, and this week we welcome back Bone Thugs-N-Harmony, the Cleveland group first signed by N.W.A.'s MC Eazy-E in the early '90s, which catapulted them to multi-platinum status, thanks to an ultra-tight flow and soul inflected sound, including "Thuggish Ruggish Bone," "Tha Crossroads," and the best song ever about social assistance, "1st of tha Month."

    They played a much smaller show last November, but they'll be at the much-bigger House of Blues this weekend, proof that established acts of yesteryear still have plenty of clout among die-hard fans and a new generation discovering the greatness that is the golden age of rap.

    Bone Thugs-N-Harmony meet at the crossroads that is House of Blues, located at 1204 Caroline St., on Saturday, August 10. Tickets start at $30, plus fees. Doors open at 9 pm.

    Cody Johnson is at Toyota Center on Saturday, August 10.

    Cody Johnson
    Photo by Cameron Powell
    Cody Johnson is at Toyota Center on Saturday, August 10.
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    Movie Review

    Rose Byrne and star-laden cast try to beat the system in new movie Tow

    Alex Bentley
    Mar 23, 2026 | 3:00 pm
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast — both Spencer and DeBose are Oscar winners — makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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