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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 6, 2019 | 11:30 am

    Most mainstream acts aren't anywhere near Texas right now after Lollapalooza drew hundreds of thousands of fans. Thankfully, where alt-rock, pop, and contemporary hip-hop may be lacking, Houston concerts make up for it this week in established country acts, '90s rockers, and rap acts (a common theme this summer), and just-below-the-radar up-and-comers.

    CultureMap's biggest, best, and most notable shows of the week include:

    311 and The Dirty Heads at WOMH
    Formed in Omaha, Nebraska, of all places, 311 has had a prolific run as a good-time, bro-friendly, reggae-inflected, rap-rock band. They scored some major hits in the the mid-'90s hits with "Down" and "All Mixed Up," and while audiences moved onto harder-edged, toxic male variations of their sound (Limp Bizkit and Korn), the band soldiered on through some miserably bad music (see the travesty that is the 2004 cover of The Cure's "Love Song") with their core fan base intact. Heck, they even produced some critically acclaimed albums the last couple of years with 2017's Mosaic and this year's Voyager.

    They'll be joined on the White Oak lawn by Southern California's The Dirty Heads, a group that picked up where Sublime left off, building on a grassroots following with their similar blend of reggae, rap, and punk rock as evidenced on "Spread Way Too Thin." They'll be celebrating their newest release, Super Moon, out this week. True to form, the gates will open at 4:20 pm. Smoke 'em if you got 'em.

    311 and Dirty Heads get down, down at White Oak Music Hall, located at 2915 N. Main St., on Tuesday, August 6. The Interrupters, Dreamers, and Bikini Trill open. Tickets start at $49.50, plus fees. Gates open at 4:20 pm.

    CultureMap recommends: Clint Black and Trace Adkins
    The tour’s tagline is the very apt “Hats. Hits. History.” Two modern country legends will co-headline the Smart Financial Centre at Sugar Land in what might be one of the strongest C&W lineups outside of RodeoHouston this year. Katy native Clint Black rose to fame in the '80s, pointing the way to the mass popularity of country artists in the '90s.

    In other words, Garth Brooks, Trisha Yearwood, and Brooks and Dunn all owe the man a debt of gratitude for infusing a traditional honky-tonk sound with pop sensibilities. Fun fact: Black signed a deal in Nashville after a cassette of his songs made it into the hands of ZZ Top's manager, Billy Ham. No. 1 singles, the stardom-declaring "A Better Man," "Killin' Time," and "Walkin' Away" followed.

    He'll be joined by Trace Adkins, who followed a different path to stardom, looking to the past to build his future, holding onto the sounds of yesteryear to make his name in Nashville. A former Louisiana oil rig worker, Adkins made it to No. 1 on the country charts with "(This Ain't) No Thinkin' Thing," and numerous other big hits, including "I'm Tryin'" and "Honky Tonk Badonkadonk." Any fan of CMT over the last 30 years will be in high heaven at this one.

    Clint Black and Trace Adkins co-headline the Smart Financial Centre, located at 18111 Lexington Blvd. in Sugar Land, on Thursday, August 8. Terri Clark opens. Tickets start at $25, plus fees. Show starts at 8 pm.

    CultureMap show of the week: The Growlers
    The Growlers took a while to find their sound, calling themselves "beach goth," but experimented with classic rock, dub, and indie-folk too. But then they got focused, bringing on The Strokes' frontman Julian Casablancas to produce 2016's City Club.

    They took a major step with one of 2018's best, Casual Acquaintances, mixing the sound of their former producers' band alongside post-punk synths, releasing their strongest songs to date, including "Pavement and the Boot," "Problems III," and straight-from-Is This It? "Orgasm of Death," the exciting melange of sounds perfectly complimenting lead singer Brooks Nielsen's purposefully lackadaisical delivery. Drop your plans and go see this thrilling act before they sign to a major label, play major festivals, before succumbing to the inevitable intra-band conflicts and crippling rock star addictions. This is what bands are supposed to be.

    The Growlers play White Oak Music Hall, located at 2915 N. Main St., on Thursday, August 8. Special guests Video Age also appear. Tickets start at $32.50, plus fees. Doors open at 8 pm.

    Cody Johnson at Toyota Center
    Make no mistake, Houston loves Cody Johnson, practically a hometown kid that grew up near Lake Livingston and went on to play the biggest stage at RodeoHouston three times. He played the 2019 edition fresh off a No. 1 album, Ain't Nothin' to It. He'll take a victory lap by headlining Toyota Center, no doubt to a packed audience. And keeping with his humble beginnings, he'll be bringing fast-rising country acts trying to building their audiences in Gretchen Wilson, Cory Morrow, and Jesse Raub Jr. In case anyone is wondering, the new generation of country is here.

    Cody Johnson is at Toyota Center, located at 1510 Polk St., on Saturday, August 10. Gretchen Wilson, Cory Morrow, and Jesse Raub Jr. open. Tickets start at $32.48, plus service fees. Doors open at 6:30 pm.

    Hibou at WOMH
    Who is Hibou? The Seattle-based Peter Michel plies his trade in dream-pop, recalling the ethereal jangle of '80s greats, the Cocteau Twins, the more modern Wild Nothing and Beach House, and riffs straight from a B-side of The Smiths. He's toured with the likes of Unknown Mortal Orchestra and Phantogram, and has put out three great albums, the latest perhaps the best in this year's Halve, out on the cooler-than-thou Barsuk Records. Fans of the dream-pop genre along with shoegaze will also get a dose of local talent in the equally worthy Camera Cult and Astragal.

    Hibou is at White Oak Music Hall, located at 2915 N. Main St., on Saturday, August 10. Camera Cult and Astragal also appear. Tickets start at $10, plus fees. Doors open at 7 pm.

    Bone Thugs-N-Harmony at HOB
    Like '90s rock, '90s hip-hop is hot on the nostalgia circuit right now. Last week, we had MC Hammer at Cynthia Woods Mitchell Pavilion, and this week we welcome back Bone Thugs-N-Harmony, the Cleveland group first signed by N.W.A.'s MC Eazy-E in the early '90s, which catapulted them to multi-platinum status, thanks to an ultra-tight flow and soul inflected sound, including "Thuggish Ruggish Bone," "Tha Crossroads," and the best song ever about social assistance, "1st of tha Month."

    They played a much smaller show last November, but they'll be at the much-bigger House of Blues this weekend, proof that established acts of yesteryear still have plenty of clout among die-hard fans and a new generation discovering the greatness that is the golden age of rap.

    Bone Thugs-N-Harmony meet at the crossroads that is House of Blues, located at 1204 Caroline St., on Saturday, August 10. Tickets start at $30, plus fees. Doors open at 9 pm.

    Show of the week: The Growlers play White Oak Music Hall on Thursday, August 8.

    The_Growlers
    Taylor Bonin
    Show of the week: The Growlers play White Oak Music Hall on Thursday, August 8.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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