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    Party Watch

    Houston debut of African-American art treasures is a cause for celebrations

    Clifford Pugh
    Aug 6, 2014 | 1:00 pm

    There was lots of excitement at the Houston Museum of African American Culture over the weekend as the renowned Kinsey Collection debuted in the Bayou City. The national touring exhibit of African-American art, artifacts, books, documents and manuscripts amassed by Los Angeles philanthropist Bernard Kinsey and his wife, Shirley, drew an exclusive crowd at two celebrations.

    On Friday night, Booz Allen executive vice president Reggie Van Lee winged in from the nation's capital to host a preview reception for major donors. HMAAC CEO John F. Guess, Jr., board chair Gina Carroll andboard members Cindy Parris and Keith Sparks were among those welcoming the crowd, which included HEB's Winell Herron and husband Doug, Melanie and Cheryl Lawson, Rev. Bill and Audrey Lawson, Carolyn and John L. Guess, III, Museum District Association Director Laurette Canizares, Brad and Leslie Bucher, Carolyn Lee Conner, Anita Lee and Kevin Faircloth.

    In addition to the Kinseys and their son, Khalil Kinsey, out-of-towners included Wells Fargo execs Lisa Frison from Charlotte and Cheryl McDonald and Barbara Scotlan from San Francisco (the bank is the national exhibition sponsor), Orville Smith from Washington, D.C. and Raymond Lewis from New York.

    On Saturday night, more than 400 guests attended a tented reception at the museum for the official opening. U.S. Rep.Sheila Jackson Lee, Houston City Council member Larry Green and Wells Fargo's Cary Yates were among those who made official remarks.

    Also spotted in the throng were Children's Museum Director Tammie Kahn, Kase and Eileen Lawal, Cindy Parris, Irene and Ron Johnson, Drucie Chase, Philomena and Arthur Baird, John Guess IV, The Menil Collection's Karl Killian, Judge Clarease Yates, Felix and Melinda Spaulding Chevalier, longtime friend of the Kinseys Nick Walker and the Rev. D.Z. Cofield, senior pastor of the Good Hope Missionary Baptist Church, where the Kinseys worshiped on Sunday.

    The exhibition, which is on the last stop of a national tour, is on display at the Houston museum through Oct. 26. It includes works from Houston artists John Biggers and Lionel Lofton, as well as rare artifacts, including an early edition of Solomon Northrup’s 12 Years a Slave, a W.E.B Dubois first edition copy of the ground-breaking book, The Souls of Black Folks, a baptismal record dating back to 1595, and marital record from 1598 – the earliest known documentation of African-American presence in America. (Read the CultureMap review here.)

    Charnee Brown, from left, Tammy Brown, Jasmine Jones and Rama Musa.

    Charnee Brown, from left, Tammy Brown, Jasmine Jones and Rama Musa at the HMAAC Kinsey Collection reception August 2014
      
    Photo by Simon Balogun
    Charnee Brown, from left, Tammy Brown, Jasmine Jones and Rama Musa.
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    Creative Mayhem

    Houston art museum's gala mixes auction buzz and Spinderella beats

    Joel Luks
    Jun 12, 2025 | 1:00 pm
    Contemporary Arts Museum Houston gala 2025
    Photo by Emily Jaschke
    Alecia Harris, Grace Zamiga, Michele Leal, Bailey Dalton, and Charlotta Hill.

    Art lovers, collectors, and creative provocateurs turned up and turned it out for CAMH Party, the Contemporary Arts Museum Houston’s signature benefit and art auction. Never ones for beige galas or sleepy sit-downs, CAMH once again threw a night that shimmered with style, swagger, and the museum’s trademark adventurous, creative edge.

    The Brown Foundation Gallery became the canvas for the night, dressed up with artful flourish by Events Co., complete with dramatic lighting and immersive décor that played off the evening’s sassy energy. More than 200 guests made their entrance on a vibrant green carpet, decked in bold colors, high-concept fashion, and a clear understanding of the assignment: Serve lewks, not leftovers.

    Guests sipped cocktails from Lalo Tequila while previewing the silent auction, featuring coveted works by the likes of Robert Pruitt, Alexis Pye, and Roxy Paine, with bidding powered by Qtego Fundraising Services. But this was no quiet affair — the room buzzed with excited chatter and sneaky competitive glances from across the gallery walls.

    Then partygoers shifted to dinner mode with a refined menu from Swift and Co. Hors d’oeuvres included caviar tacos and steak tartare, followed by elegant entrées like scallopini of chicken and herb-crusted salmon. Dessert? A floral-forward strawberry sorbet kissed with mascarpone, meringue, and actual rose petals—because why not eat like you’re in a painting?

    CAMH co-directors Ryan Dennis and Melissa McDonnell Luján toasted to the museum’s legacy and shared what’s ahead, including a solo show by Houston-born artist Tomashi Jackson and the Teen Council’s 25th anniversary this summer. A buzzy live auction led by Sotheby’s Charlie Caulkins followed, with works by CAMH-exhibited artists like Garrett Bradley, Cindy Sherman, and Vincent Valdez sparking energetic bids and side-eyes alike.

    Then came the inevitable vibe shift: the After Party.

    The gallery morphed into a nocturnal lounge where grilled cheese met churros, and the legendary DJ Spinderella spun hits that got the art crowd dancing like nobody was watching or judging. Guests sipped more Lalo, bounced to the beat, and stayed well past midnight.

    Soaking in the creative mayhem were Elisa and Chris Pye, Poppi Massey, Phoebe Cholnoky, Josh Pazda and Chris Goins, Sissy and Denny Kempner, Joe and Johanne Gatto, Kristin and Drew Perring, Danielle O’Bannon and Jon Redwine, Unique James, and Darryl Sharpton, with support from a powerhouse host committee featuring names like Paola Creixell, Jamal Cyrus, Mary and Marcel Barone, and Jessica Phifer.

    Contemporary Arts Museum Houston gala 2025
      

    Photo by Emily Jaschke

    Alecia Harris, Grace Zamiga, Michele Leal, Bailey Dalton, and Charlotta Hill.

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