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    Movie Review

    Ice Age: Collision Course is back on track and funnier than ever

    Alex Bentley
    Jul 23, 2016 | 9:00 am
    Ice Age: Collision Course is back on track and funnier than ever
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    If there's any series that seemed as if it needed to be put out of its misery, it was Ice Age, following its dead-in-the-water 2012 entry, Continental Drift. The fourth film in the series was a lazy, uninspired slog that did little with its new characters and separated its main ones, whose comedic chemistry made the series successful in the first place.

    So, you could say that expectations were low for the fifth film, Ice Age: Collision Course. And yet, the series that will never die has miraculously found life again through an inspired story and a script full of jokes that are actually funny. As always, Scrat the prehistoric squirrel sets the plot in action by accidentally discovering a spaceship while in pursuit of the ever-elusive acorn, which somehow leads to him to set a huge meteor on a collision course with Earth.

    This, of course, puts the main trio — Manny (Ray Romano), Diego (Denis Leary), and Sid (John Leguizamo) — and their rapidly expanding family in imminent danger. But the end of the world isn’t the only thing on their minds: Manny is worried about the impending wedding of his daughter, Peaches (Keke Palmer); Diego and Shira (Jennifer Lopez) are thinking about having a child of their own; and Sid is just hoping to find a woman other than Granny (Wanda Sykes).

    The filmmakers, including two directors and three screenwriters, know that at this point in the series they have to keep the plot moving to ensure things never get boring. In order to do this, multiple new characters are thrown in the mix, including the return of the swashbuckling Buck (Simon Pegg), a trio of hungry flying dinosaurs (led by Nick Offerman), and a group that has stumbled upon the fountain of youth (led by Jesse Tyler Ferguson).

    It’s a lot to digest for a mere 90-minute movie, but the compressed time period actually helps it succeed. Even if one joke doesn’t land, there are a multitude of others right on its tail. This also gives an opportunity for virtually every one of the nearly 20 featured characters to shine. If you don’t particularly care for one character or another, your favorite will come along soon with a one-liner.

    It’s kind of a manic method of filmmaking, something that wouldn’t be recommended for any series but this one. But the steady voices of Romano, Leary, and Leguizamo hold everything together.

    There appears to be no end to the Ice Age series — but if the filmmakers put at least some effort into it, as they did with Ice Age: Collision Course, that might not be such a bad thing.

    Sid and Brooke in Ice Age: Collision Course.

    Sid and Brooke in Ice Age: Collision Course
    Photo courtesy of Blue Sky Studios and Twentieth Century Fox Film Corporation
    Sid and Brooke in Ice Age: Collision Course.
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    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
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