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    Beyoncé's Big Night

    Beyoncé's big night: Superstar singer returns home and feels the love at high-energy show

    Clifford Pugh
    By Clifford Pugh
    Jul 16, 2013 | 2:44 am

    There are a lot of bleary-eye Beyoncé fans this morning. The superstar singer brought The Mrs. Carter Show World Tour to her hometown Monday night and just about blew the roof off the Toyota Center with a high-energy, thrill-packed, two-hour show that lasted until almost midnight and left the sold-out crowd exhausted from a nearly non-stop sing-along dance marathon.

    "I'm home," she said to deafening applause just before launching into her third song of the evening, "Flaws and All." "Houston means so much to me. No matter where I go, it's who I am. I hope I make you guys proud."

    "I'm home," she said to deafening applause. "Houston means so much to me. No matter where I go, it's who I am. I hope I make you guys proud."

    The singer has been on tour nearly non-stop since April, having already appeared in 47 European and U.S. cities on an extended jaunt that will last through December. Yet she made it seem like she was performing the show for the first time with an undisguised glee to be in front of a hometown crowd and a near-pathological desire to entertain.

    Backed by an 11-piece female band, three back-up singers known as The Mamas, several female dancers and two male dancers called Les Twins, Beyoncé whipped through 24 songs — a mix of hip hop-tinged hits, female empowerment anthems and irresistible dance tunes (how can you not shake to "Single Ladies (Put a Ring on It)?") — and eight costume changes. She and the dancers almost never stopped moving (she should patent a workout program of knee bends and hair flips) and while some of the numbers were a little cheesy — as she sang "Diva," the dancers twirled around her with feather fans like a Busby Berkeley musical —they were almost always riveting.

    The set-up of the show played to her strengths. The entire floor of the Toyota Center was general admission standing room only, so fans packed close to the main stage at one end and a secondary stage at the other end. Nothing kills a show faster than older people who have paid a lot for floor seats and never stand up (Eric Clapton's spring show was a prime example); that certainly wasn't a problem here as the enthusiasm of the crowd, mostly under 35 and a mosaic of Houston's diversity, provided an electric spark that seemed to energize the singer.

    Toward the end of the show, she flew above the crowd like Peter Pan to the other stage even closer to the audience, where she sang three of her biggest hits, "Irreplaceable," Love on Top," and the Destiny's Child hit, "Survivor," and declared, "I love this part of the show because I'm close to you guys."

    As a gift to her Houston audience, she threw in “Bow Down,” a chopped and screwed ode to her present success and her childhood in H-Town. It's the first time she has performed the song in concert.

    She also positioned ecstatic fans near the stage for the closer, the hit "Halo," and waded among her admirers as she hit all the high notes.

    While other singers might be loathe to play other performers' dance hits before they take to the stage, Beyoncé had no such worries. The audience grooved to songs by Robin Thicke and Justin Timberlake and the whole side of the arena stood up and danced The Wobble as they waited for the singer to take the stage around 9:40 p.m. By the time she launched into her first song, "Run the World (Girls)," with all-out dance choreography, the audience was primed and ready to party.

    And she didn't stop. Whether it was writhing atop a piano in a sequined blue catsuit and matching heels to the sensual song "1 + 1," channeling her Sasha Fiercest in a green leopard mini and shimmying like Tina Turner to "Why Don't You Love Me?" or adding a military cadence to a mashup of "If I Were a Boy" with The Verve’s “Bittersweet Symphony," Beyoncé commanded the crowd's attention.

    As a gift to her Houston audience, she threw in “Bow Down,” a chopped and screwed ode to her present success and her childhood in H-Town. It's the first time she has performed the song in concert.

    By the time she got to "Halo," preceded by a Whitney Houston-worthy version of "I Will Always Love You," her voice was almost spent. But she wouldn't stop and closed the concert with a powerhouse vocal performance.

    Earlier in the evening, she told the audience that she was so lucky to have their support. "I will never take it for granted," she vowed.

    We believe her.

    Beyonce commanded the stage like a true music superstar in her Houston concert.

    Beyonce stare
    Photo courtesy of Parkwood Entertainment
    Beyonce commanded the stage like a true music superstar in her Houston concert.
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    news/entertainment

    Kelly Clarkson Concert Review

    Sold-out Houston crowd sings along at Kelly Clarkson's epic rodeo return

    Craig Hlavaty
    Mar 14, 2026 | 8:50 pm
    Kelly Clarkson RodeoHouston 2026
    Courtesy of Houston Livestock Show and Rodeo
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    A cross between Pat Benatar and Reba, with a dash of Aretha, Kelly Clarkson headlined Saturday afternoon’s RodeoHouston matinee, 22 years since she debuted at NRG Stadium, in front of 70,007.

    It was a true “Ladies Day Out” at RodeoHouston for Clarkson, with roving multigenerational groups of women making the rounds under an only mildly-oppressive Houston sun. Between Clarkson, Lainey Wilson, Megan Moroney, and Lizzo, the 2026 rodeo concert season has been dominated by strong female artists, with Clarkson the most decorated.

    The last time Kelly Clarkson played RodeoHouston in 2004, she shared a Tuesday night bill with Y2K it couple Jessica Simpson and Nick Lachey, a match made in MTV ratings heaven. Other acts on the rodeo roster that year included John Mayer, George Strait, Reba, Willie Nelson, and — fresh from her first stint with Destiny’s Child — Beyonce shared the stage with Alicia Keys two nights later.

    The first American Idol winner in 2002, when daresay that truly meant something, she and Carrie Underwood remain the two most successful of winners of Idol all these years later. Clarkson has a permanent seat at the table in Nashville, winning back-to-back CMA Female Vocalist of the Year honors in 2012 and 2013 and never shying away from a little more twang in her power pop. Right out of the chute, she was repping country style, hard to shake when you’re born and raised near Fort Worth.

    Clarkson’s current live act has been honed by various residencies at The Colosseum at Caesars Palace in Las Vegas, playing in front of thousands of Sin City customers. She’s a part of a rare group of performers like Jennifer Lopez, Cyndi Lauper, and even Dolly Parton herself who can command multiple nights. With her syndicated chat show — where her popular genre-bending “Kellyoke” segments were born — ending later this year, it wouldn’t be shocking to see this working mom jump back into regular touring outside of Clark County, especially considering Saturday’s afternoon drawl.

    Clarkson emerged from the cocoon of the rodeo’s revolving star stage just before 4:15 pm in a black, glittery jumpsuit straight from Ozzy’s wardrobe closet with “Favorite Kind of High” from 2023’s divorce record Chemistry, her latest album release. The hard-driving Heart-rock of “Behind These Hazel Eyes” debuted some annoying, intermittent sound skippage but Clarkson’s sold-out crowd filled in any gaps. Her pipes were just too strong.

    A nod to the female country legends of rodeo’s past, Clarkson gave Tanya Tucker’s “It’s A Little Too Late” a widescreen Vegas makeover with horns and fiddle. “This isn’t sweat, it’s glow,” Clarkson joked, kicking off the torch song “Because Of You.” The singalong of “Breakaway” could more than likely be heard out in the carnival, the first big “Kellyoke” moment of the afternoon.

    For “Walk Away” and “Didn’t I,” the horn section and co-ed backup singers that have made Clarkson’s Vegas shows so bombastic got a workout. Clarkson reeled out her Jason Aldean duet “Don’t You Wanna Stay” as a solo. The release was her first country hit and was one of the biggest country duets of the 2010s.

    “It’s way more sad this way,” she laughed. “Because I guess he didn’t stay.”

    Clarkson threw in 2025’s bar-crawling single "Where Have You Been" in the mix, going rogue from the supplied setlist, accentuating the Queen-esque licks with her own highs. Her post-Idol debut rave-up “Miss Independent” set the table for “Stronger (What Doesn’t Kill You),”

    Clarkson sent the crowd out pogo-ing and screaming with “Since U Been Gone,” making her exit in a SUV like a rock star, with plenty of sunshine to spare.

    Setlist

    Favorite Kind Of High
    Behind These Hazel Eyes
    My Life Would Suck Without You
    It’s A Little Too Late (Tanya Tucker cover)
    Because Of You
    Breakaway
    Heat
    Walk Away
    Didn’t I
    Heartbeat Song
    Don’t You Wanna Stay
    Where Have You Been
    Miss Independent
    Stronger (What Doesn’t Kill You)
    Since U Been Gone

    2004 RodeoHouston Lineup

    Mar 2: John Mayer
    Mar 3: George Strait
    Mar 4: Wynonna Judd
    Mar 5: B2K / Bow Wow
    Mar 6: Martina McBride
    Mar 7: Reba McEntire
    Mar 8: Enrique Iglesias
    Mar 9: Alan Jackson
    Mar 10: Amy Grant / Vince Gill
    Mar 11: Clay Walker
    Mar 12: Legends in Concert (Dwight Yoakam, Buck Owens, Marty Stuart, Connie Smith)
    Mar 13: Randy Travis
    Mar 14: Bronco / Jennifer Peña
    Mar 15: Dierks Bentley / Robert Earl Keen
    Mar 16: Jessica Simpson & Nick Lachey / Kelly Clarkson
    Mar 17: Dierks Bentley / Keith Urban / Kenny Chesney
    Mar 18: Alicia Keys / Beyoncé
    Mar 19: Pat Green
    Mar 20: Brooks & Dunn
    Mar 21: Willie Nelson

    Kelly Clarkson RodeoHouston 2026

    Courtesy of Houston Livestock Show and Rodeo

    rodeohoustonconcert reviewkelly clarkson
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