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    longbow legacy

    Houston oil giant's historically significant estate on elite street lists for $9.6 million

    Holly Beretto
    Jul 14, 2022 | 7:15 pm
    Serenity in the yard.
    Serenity in the yard.
    Photo by Patrick Bertolino for Sotheby's International Realty

    When the summer heat was just too much for Houstonians during the first 40 years of the last century, those with means escaped to a shady spot along Buffalo Bayou called Longbow Lane. Families built massive, multi-acre estates there, complete with stables, swimming pools, and hunting lodges.

    In this pre-World War II world, the homes of Longbow Lane became a world unto themselves, where the very privileged lived very well.

    Now, a new generation of well-heeled Houstonian can be part of that history. Known simply as 3 Longbow Lane, a historically significant, 7,732-square-foot manse sitting serenely on close to three and a half acres is for sale. The six-bedroom, six-bath-home is on the market for $9.6 million, represented by Ruthie Porterfield of Sotheby's International Realty.

    This estate is far more than just another multi-million-dollar property in a city with plenty of them. This estate was built in 1967 for oil man and attorney Bill Liedtke and his wife Bessie, following a move to the Bayou City from the oil fields of Midland. Of note, the estate's listed seller is William Liedtke III.

    By the time he turned up in Houston, Liedtke had already partnered with his brother J. Hugh Liedtke and the future United States president George H.W. Bush to found Zapata Petroleum in the mid 1950s. He and J. Hugh also founded the Pennzoil Company. Liedtke needed a home that showcased his place in the pantheon of energy giants; 3 Longbow Lane was it.

    He chose architect O'Neil Ford to design it. Ford was the creative force behind San Antonio's La Villita historic district and HemisFair. By the time he turned his energy to 3 Longbow Lane, he was considered the dean of Texas architecture.

    His touch is apparent throughout this stunning property. The courtyard style floorplan is a Modernist take on the architectural motifs of New Spain and Mexico, echoing Texas' colonial roots. Design touches employ antique, unique brick, tile, stone, and masonry elements from Guanajuato and Morelia, Mexico.

    Exposed beams and loads of natural light play throughout the home, which features interior courtyards, brick vaults, and a rambling layout.

    Upon entry, a two-story atrium soars upwards 30 feet, nodding to Mexico's colonial haciendas. Tezonite stone climbs above the upper galleries, reaching the wood ceiling. A skylight floods the entryway with light.

    And that's only the beginning of 3 Longbow Lane's dramatic design. In the family room, a spiral staircase curves gently around an enormous, whitewashed brick fireplace, copied from a silver mine smokestack. Down a first floor hallway lies the primary suite, a secluded spot with walk-in closets, two bathrooms sporting Satillo tile floors and marble sink decks, and a dressing room that has its own closet.

    A kiva fireplace and shed-style ceiling make for a killer accents in one of the bedrooms upstairs. The pool house's has a vaulted brick ceiling, tile floors, and stunning views of 3 Longbow Lane's grounds. There's a even a deck that will make owners and guests feel like they've stepped into a child's treehouse reimagined for adults.

    Patios and fountains complete the grounds. Two pools are connected by an underground tunnel. Swimming through the tunnel was a right of passage for the Liedtke children and grandchildren; perhaps it will be for the next owners, as well.

    Throughout 3 Longbow Lane, the windows remind all who enter that this is as much oasis as it is a home. The jaw-dropping, panoramic views of its tree-lined grounds promise serenity and exclusive living.

    This incredible escape is both retreat and home. Its new owners will find themselves part of a legacy of luxury and design.

    Note the floors and corresponding ceiling.

    3 Longbow Lane Houston
      
    Photo by Patrick Bertolino for Sotheby's International Realty
    Note the floors and corresponding ceiling.
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    Houston pop artist turns Xennial nostalgia into collectible ceramics

    Emily Cotton
    Apr 11, 2025 | 2:40 pm
    Julia McLaurin
    Photo by Gisele Morales Photography
    Pop artist Julia McLaurin with her wildly successful emoji series.

    Recently, more and more Houstonians have made a meteoric shift from the minimalistic home decor trend that held court for the better part of the last decade towards an embrace of full-on Maximalism. As stark white walls and grey flooring give way to bright wallpapers and organically-shaped tiles, it has become clear that FUN is trending.

    As always, the best way to dip one’s toe into a new personal aesthetic is through art. Over the past five years, Houston pop artist and ceramicist Julia McLaurin has created a fan base of collectors who enjoy, seek, and embrace fun. Through sculptures depicting emojis, Goldfish, Cheese-It’z, Pop-Tarts, and Lucky Charms, McLaurin’s work glazes its way into the shared experiential psyche of Xennials looking to incorporate vignettes of nostalgia into their homes.

    “It’s nontraditional,” McLaurin says of her sculptural subjects. “I like to iconicize everyday objects, which is the pop artist in me.”

    With three young children, Goldfish crackers have been a part of McLaurin’s life for the past decade. “They are everywhere, in my car — everywhere. It’s not the healthiest snack, but it gets the job done.” It’s not difficult to understand how the popular children’s food inspired her sculptures: “It’s just such a cute shape, and I love the color.”


    View this post on Instagram
    A post shared by Julia McLaurin (@juliamclaurin)


    Goldfish wall sculptures paved the way to immortalizing other iconic 90s snack foods, plus standing sculptures of Whataburger combos, Happy Meals, and larger-than-life bottles of Hidden Valley Ranch. McLaurin’s Whataburger sculptures recently landed the artist in the Whataburger Museum of Art at SXSW. Newer works in the “Neo-Pop” genre include things like bottles of Chanel No. 5, Squishmallows, and her extremely popular emoji series.

    At just six inches in diameter, the semi-spherical, emoji sculptures are wildly accessible to anyone beginning their art journey. “I think it’s a Xennial thing,” says McLaurin. “That micro-generation between 1978 and 1983, where we didn’t grow up with cellphones, but we had them in high school and college, right? I vibe a lot with that. As a pop artist, when I first started making the emojis it was like, ‘That’s so cute, Julia! What a cute little project.’ But now I have a big installation at Hobby and I sell them all the time.”

    Houston Airport System curator of public art Alton DuLaney selected 100 emojis for Hobby Airport, with 88 installed between terminals 1-5. The very public display of McLaurin’s emojis results in the works being purchased by fans as far away as Singapore.

    As for why the emojis have such a “gotta have it” affect on people: “I think people really relate to having something that you always see in the digital realm put into 3D,” says McLaurin. “In today’s world, it’s kind of a cool effect.”

    McLaurin is locally represented by Mont Art House, but maintained a separate studio and gallery at The Silos until her move to Spring Branch earlier this year. The new “JuliArt Clay Studio” space allows McLaurin to offer monthly workshops, host ceramic painting parties, baby showers, and everything between. Next month, McLaurin will launch a six week “Clay 101” course that is sure to be a hit.

    A resident of Spring Branch herself, McLaurin decided that the continuous lack of a local art scene wasn’t going to change itself. “There is not an art scene [here],” says McLaurin. “My mission is now to bring artwork to the heart of Spring Branch. Bring it here where I live and to the people around me.”

    The new studio space allows McLaurin to invite the community to participate in art and to enjoy the space for workshops and events during slower months. “It’s nice to have a sort of two-pronged business because in the summer the gallery stuff slows down, then the classes and things pick up. It works out.”

    The ink is still drying on a representation contract in a new gallery on the West Coast. The new K&K Gallery in Culver City (Los Angeles) is the first step towards artistic manifest destiny for McLaurin: “They have a huge pop art scene out there.” What’s next for this up-and-coming irreverent pop artist? “My goal is Art|Basel, that’s my dream,” she says.


    Julia McLaurin
      

    Photo by Egidio Narvaez Photography

    Pop artist Julia McLaurin with her wildly successful emoji series.

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