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    Rockets Star's Pixar Love

    When it comes to movies, Rockets star Dwight Howard is a real shark

    Clifford Pugh
    Jun 29, 2015 | 6:00 am

    Seems like Dwight Howard is a big movie fan — particularly when it comes to Pixar films.

    The Houston Rockets center joined Fandango and Relativity Sports to host a screening of the animated smash, Inside Out, for children from the Boys & Girls Clubs of Greater Houston at Santikos Palladium theaters in Richmond on Sunday afternoon.

    Howard mingled with fans, passed out popcorn before the movie began and seemed excited to get lost in the movies after the Rockets season came to an abrupt end in the NBA Western Conference finals last month.

    "When you don't win you get grumpy. I don't want to be a grumpy old man, so think these movies really mellow me out," he said.

    He also harbors film ambitions, with hopes of one day being a voice in a Pixar film. "I'm a big kid trapped in a big man's body," said Howard, who towers nearly 7 feet tall. "You only have one life. You have to live it to the fullest."

    He currently guest stars in Fandango’s original video series, “I Love Movies,” explaining his love for another Pixar film, Finding Nemo, which he says has seen more than 200 times since it was released in 2003.

    In the first episode of the Fandango web series, Howard explains how he relates to the father-son relationship in Nemo, finding parallels to his own dealings with his dad, and does a great Bruce the Shark impersonation.

    On Twitter, Howard recently also gave props to the new movie, Dope, an independent film in theaters now that was a big hit at the Sundance Film Festival in January.

    Jus saw this movie. Didn't get Alotta pub. But it was really good.well written and The message was… https://t.co/cuuHBvdORt

    — Dwight Howard (@DwightHoward) June 19, 2015

    Watch Dwight Howard express his Nemo love:

    Dwight Howard passes out popcorn before a screening of the new Pixar film, Inside Out.

    Dwight Howard at screening of Inside Out
      
    Photo courtesy of Fandango
    Dwight Howard passes out popcorn before a screening of the new Pixar film, Inside Out.
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    Movie Review

    Final Destination: Bloodlines reboots cult favorite horror franchise

    Alex Bentley
    May 15, 2025 | 4:30 pm
    Kaitlyn Santa Juana in Final Destination: Bloodlines
    Photo by Eric Milner
    Kaitlyn Santa Juana in Final Destination: Bloodlines.

    On the surface, the Final Destination films really shouldn’t work. There is no villain other than the concept of death itself, and nearly every death that occurs is foreshadowed so heavily that it removes the normal suspense that comes in horror films. And yet the franchise was successful enough to spawn five films over 11 years in the early 2000s, and now a reboot, Final Destination: Bloodlines.

    A fantastic opening sequence set in the 1960s sets both the tone and the plot of the film, in which Stefani (Kaitlyn Santa Juana) has a recurring nightmare about a disaster that her grandmother, Iris (Gabrielle Rose), helped to avert. A visit to the reclusive Iris convinces Stefani that she and her family should not exist, and that each one of them is destined to meet a grisly end in the near future.

    Met with resistance from her family members, Kaitlyn is unsurprisingly proven right as the film goes along, with different people dying in a variety of bizarre ways. A visit to William Bludworth (the late Tony Todd), a mortician who’s been the one constant in the series, provides a glimmer of hope that they can cheat death. But will they figure it out before it’s too late?

    Directed by Zach Lipovsky and Adam B. Stein, and written by Guy Busick and Lori Evans Taylor, the film does not try to reinvent the wheel for the concept. The entire point is to get as creative as possible with the death scenes, and the filmmakers take that mandate seriously, with each successive death becoming increasingly gruesome. The Rube Goldberg-like manner in which each death occurs makes the scenes come off as entertaining instead of off-putting.

    The idea of Death hunting down an entire family line due to the actions of the family elder is a solid twist on the series’ central premise, and that change keeps the film from feeling repetitive. The story also introduces the possibility that the entire series is connected due to Iris’ actions, with the character possessing a scrapbook that references well-known incidents from previous films, a fun Easter egg for longtime fans.

    The creativity of the kill sequences does not carry over to the overall story, though. Almost every character in the film only exists in order to meet a horrific end, so anything that they have going on outside of being stalked by Death is purely window dressing. Consequently, it’s hard to really care about anybody, even if they are all related to one another.

    Because characters are so easily dispatched in the film, the cast is devoid of well-known actors. This is by far Santa Juana’s biggest role to date, and she does well enough to want to see more of her in the future. Adults like Alex Zahara and Rya Kihlstedt are character actors who bring some history with them, while the younger group is composed of people still trying to make names for themselves.

    Final Destination: Bloodlines is a solid return for the franchise, even if it feels more like a one-off film rather than a justification for more stories in the future. But given how easily the concept can be adapted into new circumstances, don’t be surprised if another movie pops up in a couple of years.

    ---

    Final Destination: Bloodlines opens in theaters on May 16.

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