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    a trip to yellowstone city

    New star-studded, Houston-backed movie sends viewers on a Wild West murder mystery

    Craig Lindsey
    Jun 24, 2022 | 4:25 pm
    Anna Camp (Pitch Perfect) as Alice Murphy and Isaiah Mustafa (Shadow Hunters, IT) as Cicero.
    Anna Camp (Pitch Perfect) as Alice Murphy and Isaiah Mustafa (Shadow Hunters, IT) as Cicero.
    Photo by Ezra Olsen

    Movie producer Kelly Frazier is a Western kind of gal.

    Born and raised in Houston, the former music-video producer (she's worked with such country artists as Shania Twain, George Jones, and Billy Ray Cyrus) has been working almost exclusively in the genre of cowboy fiction. "I did about seven Westerns in a row, which are always the most fun to shoot," Frazier, who's been in the business ("scarily enough," she says) for 30 years, tells CultureMap.

    The latest oater she's involved with is Murder at Yellowstone City, which has just been released in theaters and on digital and boasts a cast of familiar Hollywood legends, stars, and starlets.

    The movie is actually something of an whodunit: A man (Zach McGowan) who strikes gold in a run-down Montana town is murdered. When the sheriff (film legend Gabriel Byrne) immediately locks up a traveling stranger of color (Isaiah Mustafa, he of the Old Spice commercials), several townspeople — particularly the town preacher (Thomas Jane star of The Punisher) and his wife (Anna Camp of Pitch Perfect) — suspect someone else is responsible.

    Oscar winner Richard Dreyfuss, Nat Wolff, and Aimee Garcia also star as some of the town's inhabitants.

    Frazier and her K7 Storytellers company got involved with the project when actress Scottie Thompson (who serves a a co-producer and plays the victim's widow) approached her with a script filmmaker Richard Gray (who directed Thompson in The Lookalike and Broken Ghost) wanted to direct next. "He had shared the project with her, to potentially act in it," says Frazier. "She brought it to us — she's dipping her toe in producing these days — and, so, we all worked together to get a plan in place that made sense."

    Of course, the plan involved scaring up some money to make the film, and that's when another Houstonian joined the party. San Antonio-born businesswoman Julie Stagner joined the circle of producers, using her background in asset management and other financial services to build a budget for Murder. "[Kelly] was looking for some investors to help with the film," says Stagner, "and I came on as an executive producer with the film and had the wonderful opportunity of working by Kelly's side on this project, being on set and getting to produce in post-production. It was a phenomenal experience learning from some of the best in the business."

    The film was shot in spring 2021 at the Yellowstone Film Ranch, a location co-owned by Gray, in Montana. ("We were just super-fortunate that we didn't have any COVID issues on set, and we were able to do that," says Stagner.) Frazier and Stagner weren't the only Houstonians involved in the production. Local teen actress Isabella Ruby has a supporting role as a young, gun-wielding gal who lives and works at the town saloon/house of ill repute.

    "There are so many talented people in Texas," says Frazier. "There are great crews. There's great talent — like Izzy — and tons of great actors. There are so many Texans out here in L.A. that say the same thing that I do: If there was a big-enough [film] community in Texas, we'd all move back. You know, people like [Matthew] McConaughey and Mike Judge and [Richard] Linklater and Robert Rodriguez have that luxury. But there's such a deep talent pool there."

    Frazier would love to bring more film productions to the Lone Star State. However, with the current tax incentives on film and TV productions (5 to 20 percent, according to the Texas Film Commission) being lower than other states (Montana is 25 percent), making some horse operas around here isn't financially feasible right now.

    "I would shoot every movie in Texas, to be able to be home and close to family," says Frazier. "So, the great thing about Texas is it can be literally any place you want it to be. You've got the beach. You've got, you know, the swamp country of East Texas. You've got the big mountains of the Big Bend and everything in between. So, there's so many looks you can get in Texas, and it would be great... Financially, if it made sense, I would shoot every movie in Texas."

    At the moment, both Frazier and Stagner hope that their townsfolk will take in this murder-mystery in the Old West. "I think [audiences] will feel a lot of emotion," says Stagner, "and they'll be entertained in a great way from all the classic and traditional things that you'd find in a Western."

    But don't forget about the movie's meaningful message. "As cliched as its sounds, do the right thing and search for the truth," says Frazier. "If you see an injustice, do something about it, and don't always take things on the surface."

    ---

    Murder at Yellowstone City is now playing in select theaters and on streaming services such as iTunes and Amazon.

    Anna Camp (Pitch Perfect) as Alice Murphy and Isaiah Mustafa (Shadow Hunters, IT) as Cicero.

    Murder at Yellowstone City movie Anna Camp (Pitch Perfect) as Alice Murphy and Isaiah Mustafa (Shadow Hunters, IT) as Cicero
    Photo by Ezra Olsen
    Anna Camp (Pitch Perfect) as Alice Murphy and Isaiah Mustafa (Shadow Hunters, IT) as Cicero.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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