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    The Return of White Oak Music Hall

    Rockin' Heights music venue announces first post-lockdown live shows

    Johnston Farrow
    Johnston Farrow
    Jun 17, 2020 | 2:20 pm
    White Oak Music Hall stage concert
    Head to White Oak Music Hall on Friday to catch indie rock legends Modest Mouse perform with Future Islands.
    Photo by Julian Bajsel/WOMH Facebook

    Houston's suffering live music scene received an injection of good news this week when the popular White Oak Music Hall announced its first shows in three months.

    It's welcome news, as things are bleak for music venues across the country. National and internationally known acts are canceling or suspending tours until 2021 out of an abundance of caution around the coronavirus. According to a recent article in Pitchfork.com, the absence of crowds in music-driven spaces led to over 2,000 live music venues and promoters to form the National Independent Venues Association, an advocacy group that has been lobbying Congress the past few months in an effort to get relief as the music industry struggles to deal with the fallout from the COVID-19 pandemic.

    That makes White Oak's return a reason to celebrate with doors opening this Saturday, June 20, with DeadEye, the Grateful Dead tribute band from Austin. The venue also just announced Spill the Tease on Saturday, June 27, a burlesque show in support of Pride Month with performers, Cyn City, The Abby Cadabra, Emma Vaudeville, Daisy L'Amour, Cara Chérie, and Eddie Divas. The event will include a raffle to support the Hatch Youth Services which helps at-risk LGBTQ+ youth.

    Like other recently opened venues, White Oak will take extra precautions for the safety of patrons and staff. All shows will take place in the venue's large indoor hall and will be seated performances. The usual capacity of 1,500 will be reduced to no more than 25 percent with certain shows set up with tables for groups of four, socially distanced 6 feet apart.

    "Behind the scenes, we were really just working on what it looks like when we reopen, what it looks like when things loosen up in terms of restrictions," Mike Mauer, marketing director for White Oak Music Hall, tells CultureMap. "We just rolled out our new safety guidelines for how we're going to do shows as well as we announced the burlesque show on the 27th. We're trying to be very careful and very intentional and make sure as we scale up and start to get busier, that all of our policies are locked tight and will keep everyone safe to enjoy the show."

    Personal protection equipment will be required for all staff, they will go through temperature checks before clocking in, and anyone that may have come into contact with someone symptomatic will be required to be tested before they return to work.

    All guests will be encouraged to wear masks unless they are sitting with their group, sanitization stations will be set-up, and bathrooms reconfigured for more space. All purchases will be card only and an app will allow patrons to buy drinks from servers at their seats.

    And while staff at White Oak tells CultureMap that the newly announced shows aren't out of desperation, three months without paying patrons and bar sales has been a struggle.

    "It's definitely been pretty challenging," Mauer says. "Similar to other venues, we were definitely effected. It's been a challenge for the entire music industry in general but for us, we've been lucky that we've had a lot of support in the community."

    To help out-of-work staff, the venue set up a GoFundMe account that offered contributors various items for donating at different levels, including posters, limited edition shirts, gift certificates for future shows, and a behind-the-scenes architectural tour of the venue. It's raised nearly $70,000 so far, a clear indication of White Oak's diehard fan base.

    While only a few shows are on the calendar, White Oak is uniquely situated to do more with its space, and staff are currently discussing how to utilize the spacious lawn stage for larger acts while maintaining social distancing. Organizers are working with artists to sort out details around booking lawn shows later this summer while keeping it safe for all involved.

    "We're really looking at how to utilize that right now," Mauer says. "Thankfully, the virus is much more difficult to spread in an outdoor setting and since White Oak is one of the only venues in Houston with a layout like that, we're really focused on how to use that space to have more outdoor concerts, and have more people enjoy a show but still make it a safe experience for them. We're moving in the right direction and we'll probably be able to make an announcement sooner rather than later."

    Upcoming performances will stick to local and regional acts with Nite with Camera Cult and Moonlight Hotel on June 25, William Clark Green with Chris Colston on July 10, NateWantsToBattle on July 13, Cash and Maverick on July 18, and Brandy Clark on July 29. Tickets are available at whitoakmusichall.com.

    Regardless of safety measures and reduced capacities, there's no doubt many music fans will be willing to overlook any inconveniences to get back to one of the best spaces in the city to see concerts and performances.

    Austin-based act, Deadeye, kicks off White Oak's shows.

    DeadEye
    George Trent Grogan
    Austin-based act, Deadeye, kicks off White Oak's shows.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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