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    sticks in the city

    Climb aboard this stunning and sticky new exhibit at Museum of Fine Arts, Houston

    Tarra Gaines
    Jun 13, 2018 | 10:20 am

    Viewing art doesn’t usually require signing a safety waiver before the seeing, but then most sculptures don’t thrillingly bridge the divide between art and spectator like the latest incarnation of Mike and Doug Starn’s Big Bambú project, This Thing Called Life, now at the Museum of Fine Arts, Houston.

    For five summers in a row, the MFAH has presented a large-scale immersive installation inside the Caroline Wiess Law Building, an offering that has quickly become the coolest annual art tradition for many Houstonians. But this year’s piece from acclaimed contemporary artists, Mike and Doug Starn, might be the most ambitious yet, as the twin brothers seem to have grown a vast bamboo forest for us to explore.

    And yes, the Museum is requiring visitors to read the guidelines for experiencing the installation and sign a waiver before making that journey into This Thing Called Life.

    A bamboo tsunami


    Life rises from the floor of Cullinan Hall, like a bamboo tsunami 30 feet into the air, creating a bridge onto the second floor the balcony of the Upper Brown Pavilion. Explorers may enter the piece from the second floor, traversing the bridge and then walk through the tree tops, following the bamboo road as it gently spirals down to the floor. Those who have any fear of heights, balance or some mobility issues, can still experience the enormity and beauty of the piece by roaming through it from the ground.

    Throughout their artistic career, which began in childhood working on each other’s paintings, the Starns have focused on themes of interconnectedness, especially in nature and in human relationships. The Big Bambú series began a decade ago as a sculptural exploration of some of those ideas, which led to ever evolving manifestations of the work for institutions like the Metropolitan Museum of Art in New York, the Museo d’Arte Contemporanea, Rome, and the Naoshima Museum, Japan.

    Interconnections

    “The original idea for Big Bambú had nothing to do with bamboo. It was about these interconnected elements that create the structure of life,” explained Mike Starn at a recent “Conversations with the Director” program with the Starns and MFAH director Gary Tinterow.

    “The Bambú series was born from our own personal philosophy of how things grow, whether we’re talking about a culture, person or family. It’s through random occurrences, trajectories from history, politics or fears and hopes,” continued Doug Starn. “All these things interconnect and we all live with that and travel forward in life through all these interactions.”

    No two installations are the same and each is created by the Starns and a team of artist/rock climbers specifically for the space it inhabits. According to the MFAH, Big Bambú installations have been experienced by more than two million visitors in the last 10 years.

    Life Journey

    This Houston installation consists of approximately 3000 lashed-together poles of bamboo selected from a farm in Georgia. For all the Big Bambú installations, the brothers work with specially trained rock climbers who do much of the construction. Fifteen artists/climbers, including four local climbers, have worked on building and ensuring the safety of This Thing Called Life since April 30.

    Traveling forward through this Life, calls for rubber-soled shoes, no bare feet, heels, or flip-flops, and being able to walking without assistance. You also need to travel sober, and mindful of swinging cameras and phones for all the selfies we’ll no doubt be taking. However, carrying a sense of wonder while walking is certainly allowed and encouraged.

    Warnings aside, one of the most remarkable, and seemingly intentional, aspects of Big Bambú is how wild and precarious the installation looks, yet how stable and safe it feels while on the journey from air to ground. Big Bambú gives us a new perspective on both the forest and the trees. And for a few minutes, as we glimpse other sojourners walking the pathway ahead and behind us, we might even feel a slight vibration from those invisible ties — made visible through art — that bind our lives together.

    ---

    The ticketed exhibition Mike + Doug Starn: Big Bambú This Thing Called Life remains on view (and ready to climb) at the Museum of Fine Arts, Houston through September 3, 2018.

    The pathway down to the floor of Cullinan Hall.

    MFAH Big Bamb\u00fa
    Photo by Tarra Gaines
    The pathway down to the floor of Cullinan Hall.
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    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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